St. Vincent

  • Title: St. Vincent
  • IMDb: link

St. VincentSt. Vincent is a perfectly fine (if all-too-familiar) by-the-numbers dramedy about a grumpy old man’s relationship with a nice kid who, to absolutely no one’s surprise, will show his new friend isn’t as bad as everyone believes him to be. Comparable to last year’s Bad Words, it lacks the dark wit of Bad Santa or the soundtrack and amusing race sequences of Six Pack, and is far less moving than Up, but writer/director Theodore Melfi‘s film does allow space for Murray’s talent to flourish and finds a way to use Melissa McCarthy in a way which reminds us she is capable of acting when not stuck in crappy films such as Tammy, Identity Thief, or The Heat.

The premise is relatively simple, Murray stars as a grumpy bastard with a pregnant hooker girlfriend (Naomi Watts) and general disdain for nearly every other living person. Desperately needing money, Vincent (Murray) agrees to babysit his new neighbor’s (McCarthy) son Oliver (Jaeden Lieberher) after school. From there Vincent shares with the kid useful, but mostly inappropriate, knowledge that eventually raises the ire of Oliver’s mother and threatens her custody case with her ex-husband.

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Batman – A Riddle A Day Keeps The Riddler Away / When The Rat’s Away, The Mice Will Play

  • Title: Batman – A Riddle A Day Keeps The Riddler Away / When The Rat’s Away, The Mice Will Play
  • wiki: link
  • wiki: link

Batman - A Riddle A Day Keeps The Riddler Away

In honor of Batman‘s 75th Anniversary we continue to look back at the more memorable moments of the 1966 Batman TV-series starring Adam West as Batman and Burt Ward as Robin. The Riddler (Frank Gorshin) returns to Gotham to cause more mischief by stealing the diamond tiara of the recently crowned Queen of Beauty during the Miss Galaxy Pageant and kidnapping a visiting dignitary (Reginald Denny) while dropping clues for Batman and Robin as to the villain’s real endgame.

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The Homesman

  • Title: The Homesman
  • IMDb: link

The HomesmanProduced, directed, and adapted from Glendon Swarthout‘s novel by Tommy Lee Jones, The Homesman is an odd little pet project with good intentions which eventually gets away from its creator.

Set in the mid 19th Century, Hilary Swank stars as tough-as-nails 31 year-old spinster Mary Bee Cuddy who would gladly trade a portion of her thriving Nebraska farm for the love of a man. Despite the danger, Cuddy agrees to take three local women (Grace Gummer, Miranda Otto, Sonja Richter) all driven insane by harsh western life back east and deliver them to a preacher who will reunite each with their families. Her time with the woman brings to the surface Cuddy’s own internal struggle to achieve the kind of life expected of her complete with husband and children.

As a companion she selects a surly claim jumper named George Briggs (Jones) who she saves from the noose and agrees to pay $300 dollars at the completion of their journey. Despite being the best thing about the film, Swank’s character is eventually overshadowed by Briggs whose madness and antics eventually take over the film.

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Arrow – The Brave and the Bold

  • Title: Arrow – The Brave and the Bold
  • wiki: link

Arrow - The Brave and the Bold

The second-half of The Flash/Arrow crossover brings Barry (Grant Gustin), Cisco (Carlos Valdes), and Caitlin (Danielle Panabaker) all to Starling City to help in the search for a former agent of Argus returned to take revenge on the organization that left him for dead. I’ll freely admit Captain Boomerang (Nick E. Tarabay) has one of the more ridiculous concepts of any Flash villain. He’s a killer with a boomerang fetish, but is that any more ridiculous than a hero with a bow and arrow? Presented here as a merciless and skilled killer as well as a battlefield technician whose arsenal includes several surprise trick boomerangs, the episode makes good use of the character by presenting him as a large enough threat that both heroes, and both supporting teams, are all needed to stop him.

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