Dead Boy Detectives #1

/ / Comics

Dead Boy Detectives #1It’s kind of like the Hardy Boys if the Hardy Boys were ghosts instead of brothers. Originally created in 1991 by writer Neil Gaiman and artists Matt Wagner and Malcolm Jones III for The Sandman, Charles Rowland and Edwin Paine earn their own comic as the ghostly youngsters continue to investigate crimes rather move on to the afterlife.

Beginning with saving a troubled young girl named Crystal involved in a bizarre heist media event, the opening arc of the new series will send the Dead Boy Detectives back to St. Hilarions, the academy both children attended (although 75 years apart) and where both met their deaths, in hopes that they might save Crystal of a similar fate.

Although I found the elaborate heist/performance art involving Crystal’s parents that opens the issue a bit hard to follow, Dead Boy Detectives #1 offers up a strong first issue to reintroduce out both characters and give them an excuse to return to school that destroyed and ended each of their lives. Worth a look.

[Vertigo, $2.99]

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Almost Human – Simon Says

/ / Television Reviews
  • Title: Almost Human – Simon Says
  • wiki: link

Almost Human - Simon Says

With Dorian (Michael Ealy) fighting anger-control issues and mood swings caused by temporary departmental issues allowing none of the androids to be charged to full power, Kennex (Karl Urban) and his robo-pal search for a killer (David Dastmalchian) who gets his kicks by attaching explosive collars on victims (Alessandro Juliani, Crystal Lowe) who he believes have wronged him in the past, forcing them to commit crimes, and broadcasting the entire event live on the Internet.

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The Flash #26

/ / Comics

The Flash #26The Flash #26 kicks off a new arc with a new creative team in writer Christos Gage and artist Neil Googe. It’s going to take a little time for me to get used the drastic artist change (and I’m going to miss those amazing splash pages from Francis Manapul) but issue shows definite promise, even if it does adopt the continuous use of the Flash’s incredibly lame yellow striping on his New 52 costume.

I’ve hated that change ever since DC first showed the design, but Manapul’s choice to show the costume’s grooves as empty except when they were occasionally filled with lightning during the Flash’s heroics helped lessen the horrific and completely unnecessary costume change. I’ll be honest, If I’ve got to put up with those stripes in every panel than this is going to be a problem.

The main story is a mix of fun villain in Spitfire (who feels like a New 52 version of Roxy Rocket to me), the serious murder of Barry’s old mentor, and the dangerous threat of samples of several deadly diseases being stolen.

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