The Wolf of Wall Street

  • Title: The Wolf of Wall Street
  • IMDB: link

The Wolf of Wall StreetBased on Jordan Belfort‘s own accounts, The Wolf of Wall Street stars Leonardo DiCaprio as an aspiring stockbroker whose discovery of penny stocks, and how they could be used to earn a broker far more profit than an investor, led to his meteoric rise and eventual downfall. Reuniting with DiCaprio and choosing The SopranosTerence Winter to adapt Belfort’s book, director Martin Scorsese‘s three-hour comedy highlights the absurdity and tragedy of Belfort’s life on Wall Street while making a pretty strong argument for the entire industry’s inherently-flawed nature which only feeds on humanity’s worst impulses.

Three hours is too long for a comedy, any comedy, but I’ll give credit to Winter and Scorsese for producing the funniest movie I saw all year. Part of this is due to the nature of the story and how Scorsese chooses to frame it for maximum effect and part is in the casting. Jonah Hill (as Belfort’s best-friend and partner) and Matthew McConaughey (in the far smaller role of Belfort’s mentor) both provide bizarre, but also often hilarious, moments.

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The Secret Life of Walter Mitty

  • Title: The Secret Life of Walter Mitty (2010)
  • IMDB: link

The Secret Life of Walter MittyAs was true of the 1947 film starring Danny Kaye, the new version of The Secret Life of Walter Mitty is loosely based on the short story of the same name by James Thurber about an otherwise unexceptional man who daydreams heroic realities rather than deal with the far less exciting truth of his humdrum existence. As with Kaye’s film, the lesson of the film is Walter Mitty (Ben Stiller) finally having a real adventure and learning up to stand-up for himself in the world outside of his imagination.

Set in the final days of Life Magazine‘s print edition, Walter spends most of his time daydreaming about what he’d like to actually say to his ridiculously-bearded new boss (Adam Scott) and a fellow co-worker Cheryl (Kristen Wiig) whom he’s fancied from afar for some time. The loss of the negative for the magazine’s final issue forces Walter out of his comfort zone, with a little prompting from Cheryl (both the real and Walter’s imagined versions), to seek out the photographer (Sean Penn) and find the missing negative.

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Mandela: Long Walk to Freedom

  • Title: Mandela: Long Walk to Freedom
  • IMDB: link

Mandela: Long Walk to FreedomAdapted by sreeenwriter William Nicholson, Mandela: Long Walk to Freedom is a solid biopic based on the autobiography of Nelson Mandela (Idris Elba). After a brief montage of his life as a child and a glimpse at his role as an attorney in Johannesburg, the film focuses primarily on the events that led to his involvement with the ANC as a leading voice in the fight against apartheid (without getting too specific about his exact role when the organization moved away from nonviolent resistance) and his eventual imprisonment of 27 years for his crimes.

The highlight of the film is the performances, particularly Elba taking on such a daunting role and Naomie Harris as Mandela’s wife Winnie who we see faced several of her own hardships. During the early part of Mandela’s imprisonment the film’s focus momentarily shifts to Winnie’s various battles against the government including her own incarceration. The film introduces the idea of how Nelson and Winnie both react differently to their situations but, as with other aspects of the story, the theme is presented but never fully developed.

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Atlantis – White Lies

  • Title: Atlantis – White Lies
  • wiki: link

Atlantis - White Lies

When a messenger (Daniel Adegboyega) is caught in the palace and mistaken for a thief, Ariadne (Aiysha Hart) learns that the brother she thought she had long lost to treason and death is still alive. However, after some torture and witchcraft, Queen Pasiphae (Sarah Parish) discovers the thief’s true intention to reunite the fallen prince (whose treason she concocted to remove him as an obstacle to her quest for power) with his sister. Knowing she can not allow Ariadne to know the truth behind why Therus (Darwin Shaw) fled the city a decade ago, the witch takes steps to prevent the sibling’s reunion.

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Supergirl #26

Supergirl #26Supergirl returns home after months away to reconnect with possibly the hero’s only remaining friend, scientist Shay Veritas, while also taking on a new threat in Lobo for the first issue of the new creative team of writer Tony Bedard and artist Yildiray Cinar.

Let’s start with the obvious, I (like anyone who doesn’t work in DC Editorial) hate the New 52 version of Lobo. However, the end of Supergirl’s battle with the Czarnian opens up a real opportunity to scrap the horrible redesign of the character after a single issue (which would be amazing if I actually thought DC had the balls to do it).

The new team does a pretty good job of summarizing Kara’s recent storylines while jumping the character into action against a formidable (if stupidly designed) adversary. I like Cinar’s take on Kara (even if I think Bedard’s dialogue is a little too whiny for much of the pair’s first issue). There’s enough here for me to stick around to see where the new team plans to take our heroine. Worth a look.

[DC, $2.99]

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