Doctor Who – Joy to the World

  • Title: Doctor Who – Joy to the World
  • wiki: link

While the larger story of “Joy to the World” involves a the creation of a man-made star capable of destroying the Earth being handed off to innocents transformed into brainwashed couriers, the latest Doctor Who Christmas episode is most notable for the Doctor (Ncuti Gatwa) being force to stop running, for an entire year, and wait. The episode plays on similar themes to “The Power of Three” when the Doctor (Matt Smith) stayed with Amy (Karen Gillan) and Rory (Arthur Darvill) for an extended period on Earth, but this time the Doctor is forced to make his own fun with some Christmas trappings thrown in as well.

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The Question: All Along the Watchtower #2

Renee Montoya continues her new job as the sheriff of the Watchtower which turns into even more of a hairball on day two. First, someone lets loose one of the deadlier animals from the Watchtower’s Menagerie. Second someone appearing to be Batwoman, takes the beast to the Question’s quarters to loose it onto one of the Challengers of the Unknown who it almost mauls to death. Oh, and when that fails, the Eradicator shows up with a stolen power ring for a second murder attempt

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A Complete Unknown

  • Title: A Complete Unknown
  • IMDb: link

“You’re kind of an asshole, Bob.”

There’s a scene between Bob Dylan (Timothée Chalamet) and Joan Baez (Monica Barbaro) after their first night together that sums up the themes of the movie succinctly. Returning to music over her, while also offering an offhand dismissal of her work, Bob still brings her back to his bed through his songwriting. In a nutshell, just as Ms. Baez so eloquently puts it, Bob is indeed an asshole. However, he’s one hell of a talented asshole.

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Nosferatu: A Symphony of Silly Nonsense

  • Title: Nosferatu
  • IMDb: link

Once a serious horror movie has you giggling at it, it’s almost impossible for it to win you back. A scene at the opening of Nosferatu features a young woman’s bedroom being breached by a creature appearing in shadow (which is captured on the film’s poster). It’s a cool effect, seeing the outline of our vampire only shown in the shadow of the bellowing curtain. For me, it’s the first, and sadly last, creepy moment of the film. And once you can’t take the film that so desperately needs to be taken seriously, Nosferatu devolves quite quickly into silly nonsense.

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Emilia Pérez

  • Title: Emilia Pérez
  • IMDb: link

Not all of Emilia Pérez works. The film is a home run hitter swinging for the fences at every at bat. Sometimes it knocks a scene out of the park. Sometimes it strikes out on three pitches, all well outside of the strike zone. It’s a musical featuring mostly conversational songs which occasionally are unexpectedly bolstered by a full choir. It’s a story about transition and change but is highlighted by characters falling back into bad habits which question how much people actually change. And it’s a tale of characters struggling with real emotional turmoil in a plot that is more interested in melodrama.

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