47 Ronin #4

47 Ronin #4The calm before the storm finds the ronin of Lord Asano scattered across the land working as farmers or laborers, or, as in the instance of Oishi Kuranosuke Yoshio, shaming any lasting respect they might have by playing the role of a town drunk. After months of planning, Kira Yoshinaka has finally been lulled into a sense of security and begins to fire some of his guards and spies as he plans to move into his new palace.

Hearing the news they have been waiting for, the group finally gathers to fulfill their vow to return the honor of their fallen lord and exact their vengeance of Kira. Oishi joins the group, after taking care of a spy who has glimpsed his drunken buffoonery is nothing more than an act, setting up for what should be an action-heavy final issue next month.

Writer Mike Richardson and artist Stan Sakai’s retelling of the classic Japanese legend has been heavy on story and character, but that should change with the series’ finale. (And, even more importantly, it will free Sakai to return to doing what he does best – write and draw Usagi Yojimbo.) Worth a look.

[Dark Horse, $3.99]

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The Iconic Ashley Tisdale

The Icon Ashley Tisdale

In an interview for the Spring issue of Icon Magazine, actress Ashley Tisdale dicusses her near 20 year career in film and television, growing up in New Jersey, her role as Sharpay Evans in the High School Musical franchise, her love of cooking, branching out of her comfort zone to play the lead in Scary Movie 5, her production company Blondie Girl Productions, and remaining true to herself over her career. You can find more pics from her photoshoot inside.

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Worlds’ Finest #12

Worlds' Finest #12After discovering the creature masquerading as Michael Holt is actually Darkseid‘s right-hand man Desaad, Power Girl finds herself under attack from all sides as warriors from Apokolips destroy various Starr facilities around the globe, Boom Tube-ing in and out without a trace, and Karen Starr herself is attacked in the press as her carefully created celebrity persona begins cracking around the edges.

Once again we get three artists whose styles only sort of work well together giving the art of issue #12 the kind of inconsistent look readers have come to expect from the series one-year run. It appears we’re going to get much more Apokolips and Desaad for the foreseeable future. I’ll admit this doesn’t excite me, but the Kara/Helena relationship at the heart of the comic continues to be its real focus.

An interesting note, Power Girl here appears in her classic costume (as well as the crappy New 52 version in flashbacks) that was reintroduced in the latest issue of Supergirl. I’m happy to see her back in her classic costume, but I did expect some explanation or acknowledgement of the change.

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Star Wars Black Boba Fett SDCC Exclusive Figure

Star Wars Black Boba Fett SDCC Exclusive Figure

Star Wars fans heading to the San Diego Comic-Con should be on the lookout for this limited edition Comic-Con exclusive Boba Fett figure from Star Wars new Black Series line. The limited edition 6in. figure comes two weapons, his jetpack, and Han Solo frozen in carobinite. As long as supplies last, it will be available at the Hasbro booth for $44.99 (although you can expect the e-bay price in the following days to be a tad bit higher).

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The Mentalist – Red John’s Rules

  • Title: The Mentalist – Red John’s Rules
  • wiki: link

“She was just a memory that made me smile and Red John killed her. It’s like he just
reached into my head and killed a happy memory.”

The Mentalist - Red John's Rules

After spending a week in isolation Jane (Simon Baker) has narrowed the list of Red John‘s identity down to seven possible suspects. However, before he can share his findings the serial killer strikes again by killing a young woman connected to the mentalist’s past. Following the clues left by Red John, Jane and Lisbon (Robin Tunney) head to Carson Springs’ Child Protective Services and learn the name of the dead woman and her missing baby. The head of the agency (Laura San Giacomo) points them in the direction of the victim’s abusive husband (Scott Anthony Leet) and a trip home for Jane and a reunion with a pair of old friends (M.C. Gainey, Tangie Ambrose).

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