Hugo
- Title: Hugo
- IMDB: link
For the first half-hour or so of Hugo you’re wondering to yourself why is Martin Scorcese directing a children’s story about an orphan who lives in a train station with a broken robot?
Don’t get me wrong, the characters are engaging and the look of the film (especially in 3D where the effects bring to mind a child’s pop-up book) are terrific, but the question still remains. And then this film about an orphan and his automaton becomes a story about a famous filmmaker and the celebration and preservation of old films, and you know exactly what struck the director’s fancy.
When we first meet Hugo Cabaret (Asa Butterfield) he’s living in the walls of the Paris train station. The son of clockmaker (Jude Law), Hugo was orphaned when his father died in a museum fire. Now all Hugo has to remember him is a notebook and a broken automaton his father was attempting to fix before his death.
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The Tree of Life is one of those rare films that you can use as a barometer to judge other’s tastes in films. If they dismiss it completely for its odd editing, non-linear structure, and perplexing nature that will tell you one thing. If they simply praise the look of the film and its challenging storytelling without noting its obvious flaws that will tell you something else.