Zorro

As Brett Matthews and Sergio Cariello did for The Lone Ranger this time Dynamite Entertainment taps Grendel creator Matt Wagner and artist Francisco Francavilla to retell the classic story of Zorro in this new series.  Here’s our review of the first issue!

Zorro #1
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“A legend is formed by those who hear it..by those who believe it.”

In the tradition of Frank Miller’s Batman: Year One, Matt Wager (creator of Grendel) retells the origin of one of comics earliest and most enduring characters – Zorro.

In this first issue the tale is told of the first appearance of a mysterious demon who attacks a band of soldiers by the lone survivor of the altercation.  Intermixed with his tale is the origin of Diego De La Vega as told by his childhood friend and loyal supporter Bernardo who peals back the veil to give us a look at the important events in the life that shaped Deigo into the man he would become.

There is much here to enjoy and as the story unfolds on multiple fronts from Diego’s first experience at injustice as a child to juming out of the night in the shadows.  In these short and limited panels of our hero’s first foray into the night the story borrows from Miller’s Batman origin tale, which is only fair as Batman has borrowed much from Zorro over the years.  In fact my only real complaint is that it’s done so well we never actually get to see Zorro!

Wagner also adds a new element to including in the tale Isabel Allende’s version of Diego’s mother as a Mexican tribal warrior whose heritage, along with the Spanish heritage from his father, was passed on to her son.  The story includes a Spirit Quest for both Bernardo and Diego as each finds part of their future, and a piece of Zorro.

The art by Francisco Francavilla captures both the harsh light of Diego’s past and the darkness and mystery (what little we do see) of Zorro.  I’ll wait a little longer until the masked man makes more of appearance in the series to provide a final critique, but I like what I’ve seen so far.

The tale is dedicated to Zorro creator Johnston McCulley and the “countless films and comic creators who have chronicled the adventures of America’s first masked super-hero.”  From the first words to the reveal of the final panel the story, one that has been told many times over the years, will keep you enthralled.  Whether this is your first experience to Zorro or your hundredth, this is a Zorro worth spending some time with.

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Love & Basketball

Love & Basketball mixes sports and love by following two friends through their lives on the court and with each other.  It’s not a great film, but it is the type of film that bridges the gap and provides a sports flick which couples can enjoy together.

Love & Basketball
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“It’s a trip, you know.  When you’re a kid you see the life you want, and it never crosses your mind that it’s not gonna turn out that way.”

Love & Basketball follows the lives of two children (Kyla Pratt, Glenndon Chatman) who grow-up to be best friends and share a love for the game of basketball.  As they reach maturity Quincy (Omar Epps) struggles with the stress to reach the NBA and prove himself as a better man than his womanizing father (Dennis Haysbert).  Monica (Sanaa Lathan) struggles through playing college ball to near empty auditoriums before graduating and moving overseas to follow her dreams.

One of the film’s strengths is the dichotomy it shows between the men and women’s game and the perception and reality of each.  Quincy, a second-generation player is courted and recruited to play for sell-out arenas and Monica struggles to make a name for herself in a game with a far smaller following, all the while fighting expectations of those, including her mother (Alfre Woodard), who just want her to leave her aggression and the game behind and grow into a successful and demure young woman off the court.

Whether she’s a better actress or just given the better role Lathan’s half of the movie seems to have more resonance than Epp’s storyline.  Perhaps it’s her constant struggle not just with her circumstances and the expectations of others, but the expectations of herself which help round her into a more interesting character.

Of course the film is also cursed with cliches from two genres – sports dramas and romantic comedies.  The film weathers most of these scenes pretty well, even the awkward other love interests the story throws in from time to time, and an ending which is a little too weak (and far too cute) for the rest of the film and includes a short speech which is guaranteed to get squeals from the women and earn equally loud groans from the men.  Some things are too corny, even for film.

I wouldn’t argue that Love & Basketball is a great sports film, but it’s far better than the insipid chick flick I expected going in to view it for the first time.  It has both heart and brains, and tells a compelling story of two people (though Monica’s story is the more interesting) struggling to live their dreams, make their careers, and find love.

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Angel – After the Fall #4

Issue #4 is a bit of a break, a chance to include a pair of familiar faces, and set-up some storylines which should (hopefully) play out down the road.  Taken by itself however the latest issue feels a bit too much like filler before the big fight between Angel and the champion demons of Hell.

Angel: After the Fall #4
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“That almost made the whole damn thing worth it.”

Season Six continues with a few more familiar faces – those of Lorne and the Groosalugg (who show up in Silver Lake of all places), but the anticipated throw-down between Angel and demons is sadly not covered here.

Most of the issue is taken up with Angel’s preparation for the upcoming battle of champions, although we do get a short flashback to Angel’s, and Los Angeles’, first moments in Hell.

Gunn continues to put his plan in action by destroying the Wolfram & Hart Building.  This also has an unexpected consequence on poor Wesley, whether or not this was part of Gunn’s plan or just a side-effect will have to be seen.

We also get more time-loopyness around Spike this time who is offered a Hagun Shaft, said to be able to kill even Immortals, by the Demon Lords as a back up plan to take care of Angel should he find a way to win.  As to why they would saddle this task with Spike, or even Illyria isn’t explained (or even well though out, it seems to me).

Other than the big explosions by Gunn the main trouble with this issue, aside from getting reintroduced to Lorne and Groo, is how much it feels like filler prolonging the battle which is to come.  I’m also a bit concerned that the time-shifts we’ve seen effecting many of the characters haven’t even by addressed yet by the characters themselves (don’t you think someone would have commented on it by now?), or explained by the writers.  This is really the first mis-step of the series; however if some of the foreshadowing comes to fruition in the next few issues perhaps it will be worth it.  We’ll just have to wait and see.

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Blue Chips

Nick Nolte as an old-school college basketball coach in need of help.  A script from the writer of Bull Durham, Tin Cup and White Men Can’t Jump.  Teams filled with former college basketball stars.  An unscrupulous booster.  And a look at the ethics of recruiting modern day players.  These are the ingredients brought together for Blue Chips.

Blue Chips
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“You took the purest thing in your life and corrupted it, for what?”

Pete Bell (Nick Nolte), a once great men’s basketball coach coming off his first loosing season, begins to feel pressure from the boosters, alumni, and university to make a change and hastily improve the record of his team next year.

Unable to sign the top recruits of today’s game who want more than just playing time (Anfernee Hardaway, Matt Nover), Bell gives into the pressure and allows the university’s #1 booster Happy (J.T. Walsh) to do whatever it takes to sign the players.

The film has much going for it including casting real players like Hardaway, Shaquille O’Neal, Bobby Hurley and Calbert Channey, Chris Mills, Rex Walters, Rick Fox, and others as players, and providing cameos for real coaches including Jim Boeheim, Jerry Tarkanian, and Bobby Knight.  The real players add some drama on the court, especially during the movie’s climactic final game, but it’s lessened by quick-cuts and fast pasted camera work which make you unable to see the game unfold.

Although there’s much basketball on the court the film’s main story is Bell’s struggle against his own ethics, which is not helped by learning Happy has gotten to his players before.  Mary McDonnell plays Bell’s ex and conscience who helps him put his recent actions into perspective.

Part of the problem with the film is although Bell’s character is layered and given plenty to do, most of the players are little more than sketches who only come alive in scenes where they are directly interacting with their coach.  Sure there are a few scenes in the film involving the players in class (including a groan worthy Shaq moment discussing English Literature) and the like, but it’s nothing new or memorable from what you have seen in countless other films.

With a good set-up and some nice pieces in place the real question is why isn’t Blue Chips more memorable?  Maybe disillusionment of a college sports isn’t a crowd pleaser, or maybe the script (which doesn’t measure up to Ron Shelton‘s other sports films) could have used a bit more tweaking.  There are many basketball films, but few tackle the subject from this angle.  It’s certainly not the best basketball film we’re reviewing this week, but it does have something to say about the game on the court and, even more so, in the shadows which everyone seems to know about but doesn’t like to discuss.  Even with its various flaws it is a film worth seeing and discussing.

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The Umbrella Academy

“Forty-three extraordinary children were born to mostly single women, who had shown no signs of pregnancy, in seemingly random locations around the world.  The children were either abandoned or put up for adoption.  Enter Sir Reginald Hargreeves, a.k.a the Monocle, world renown scientist and wealthy entrepreneur…  For reasons unknown Sir Reginald set out with his bodyguard Abhijat aboard his private vessel The Minerva, rumored to be powered by the remains of King Amen-Kharej IV.  Using methods undisclosed, he sought to track down and adopt as many of the children as he could.  He only found seven of them…

umbrella-academy-apocalypse-1-coverThe first issue, “The Day the Eiffel Tower Went Berserk,” gives us the brief background of Sir Reginald before jumping into one of the team’s early adventures against Zombie Robot Gustave Eiffel (that’s right folks, the guy who built the Eiffel Tower has been living inside as a robotic robot zombie for years waiting for his opportunity to launch the Tower into space! – oh, did I mention that the Eiffel Tower is really a spaceship!!).

From here we jump 20 years into the future to the members of the long disbanded team who learn of the death of their mentor.  00.01 – Space Boy, the team’s leader, returns from his post at the moon for the funeral only to discover one more surprise – 00.05 has returned un-aged from his long disappearance with a terrifying tale to tell.

A great first issue that flushes out some of the characters, their origins, and the dynamics of the group while still moving on at a fun and brisk pace that isn’t lost under heavy narrative or exposition.

[Dark Horse, $2.99]

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