Howl’s Moving Castle (Hauru no ugoku shiro)

Sticking with the movie trend, I decided to do a critically acclaimed masterpiece known as Howl’s Moving Castle. Again, I was worried this was going to be a girl’s fantasy anime with no action and no plot really. But again, I was only slightly wrong. Howl’s Moving Castle has a great story line, plenty of action, and was a total let down.

Howl’s Moving Castle
2 & 1/2 Stars

At the start of the movie, you follow Sophie, a plain girl that works at a hat shop and goes unnoticed by everyone around her. She lives in a small riverside market town. One day after work, she goes to see her sister that works at the bakery when she was stopped by two soldiers. They harass her a bit before a mysterious man saves her. He escorts her down the street when he is attacked by gelatinous creatures. He tells her to hold tight and jumps high into the air. They calmly float down into the balcony of the bakery where Sophie’s sister works. The mysterious man bids her a due and jumps off the balcony and disappears. Sophie is awestruck by the spectacle. She wanders into the bakery and tells her sister about what happened. Her sister was worried since it sound like a wizard, which to them, try to steal people’s hearts, and tells her to avoid him.

Sophie returns home at the hat shop and locks up the place. A large, wealthy woman comes in and starts to poke fun at the “tacky hats”. Sophie gets mad and tells her to leave. The woman gets angry reveals she is the dreaded Witch of the Wastelands. Sophie tries to get away but is stopped by the witch’s henchmen. The witch then casts a spell on Sophie that makes her a 90 year old woman. Another part of the curse is that Sophie can’t talk about it.

She stares at herself in disbelief and goes to bed thinking it’s just a horrid dream. She wakes up to find out that it wasn’t. She goes out to the Wastelands to find a wizard named Howl and this magical Moving Castle. Before she leaves, she hears that a neighboring kingdom declared war on them because of their missing prince. She leaves town before any military action occurs.

While traveling to the wastelands where Howl’s Moving Castle was seen last, she finds out the limitation of her new body and almost gives up. She finds a scarecrow that is knocked over in a bush. She sets it upright and heads off only to find it actually is possessed by a demon and it follows her. She is first afraid of it, but when it helps her find Howl’s castle, she learns to enjoy his company.

She meets a flame demon (which is actually voiced by Billy Crystal) and falls asleep in a chair. She wakes up to a young boy named Markl running around doing errands. Howl later joins them and Sophie finds out he is the mysterious young man that saved her from the soldiers. He doesn’t recognize her with the spell. She volunteers to be their house keeper.

She quickly becomes loved by the whole gang and gets involved in a scheme to try to get Howl out of having to fight in the upcoming war. She claims she is Howl’s mother and goes to the head sorceress of the kingdom and says he is a coward and wouldn’t be any help. While Sophie is at the castle she runs into the Witch of the Wastelands. But the head sorceress stole her powers so she is just an old woman with no powers. The head sorceress sees through the disguise and attacks her. Luckily Howl is disguised near by and stops the sorceress from harming Sophie and pulls Sophie and the Witch of the Wasteland to safety. Sophie takes the witch while Howl provides a distraction and both of them escape safely to the castle.

Howl later returns all beat up but safe, but with a terrible cost. Using too much of his magic, he has a hard time turning back to his human self. Sophie is really worried and confronts him about her feelings. He takes them into consideration, so he decides to move them to a safe location. He moves them magically into her old hat shop, but with some serious redecoration.

They live in secret for awhile, but the head sorceress finds their location and tries to capture them, but the flame demon keeps them protected. The war finally finds its way to their doorstep and Howl has to come out of hiding to save them. Sophie tries to stop him, but he just flies off.

Trying to save him, Sophie mounts a rescue operation to save Howl, but it backfired, nearly killing Howl and his fire demon. She finds out that the demon has Howl’s heart and she puts it back in Howl’s chest. He is fine and they find out their scarecrow friend is actually the prince of the neighboring kingdom and his disappearance was the reason for the entire war.

So the war ends and Sophie and Howl fall in love and wander the world in his Moving Castle.

Well, this one was… different I guess. I was first surprised that Billy Crystal voiced in a anime cartoon. Also another odd thing was that the Moving Castle seemed like a reference to a Russian Fable about Baba Yaga’s Dancing House. Other than that, this anime was ok. I was a little let down because it wasn’t as amazing as I heard it was. It was just a normal movie to me and the plot was a little weak and spotty.

Overall I’d have to say this is one of my least favorite movies I’ve seen.

This movie was previously mentioned on our site here.

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Anywhere But Here

Faith’s arc now finished, Buffy creator Joss Whedon returns to Buffy the Vampire Slayer Season 8 for a this one-shot tale of relationships and consequences of choices long past.  Here’s the review for “Anywhere but Here.”

Buffy the Vampire Slayer Season 8 #10
Custom Rating

“We could have move on.  Raised Dawnie, moved somewhere nice…but I chose.  I chose to put Tara in a bullet’s path.  I choose you over her.  I can’t do that again…to the woman I love.”

After the Faith arc from Brian K. Vaughn (read more about that here) the season shifts back to our main heroine and the relationships which are at the heart of the Buffyverse.

Joss Whedon returns as well to pen this stand-alone issue which, although it contains action, horror and adventure, its true purpose is to get back to the characters and relationships of Buffy and Willow, and to a lesser extent Xander and Dawn.

Starting out with a humorous dream sequence, the tale jumps into Willow and Buffy’s trip to talk with a demon known as the Sephrilian who can tell them about the future and help them understand the unbalance and coming Twilight.  But be careful what you wish for, especially in the Buffyverse.

What is revealed is a simple truth and stabbing at old wounds.  The death of Tara and Willow’s response bring back issues of trust, friendship, and love as Willow admits to Kennedy and Buffy the worst mistake she ever made, and her reluctance to do anything like it again.

The B story of the issue finally reveals the events which caused Dawn’s growth spurt, although, as with the main tale, the real interest here isn’t the revelation but the reconnection between the two characters who have had some nice moments together including one of my favorites of the entire series involving Xander’s speech to her at the end of “Potential”.

Although the story doesn’t do much to move the season’s main arc along, it does give us a better understanding of the characters and the state of their relationships since the Scoobies left Sunnydale.  The melancholy ending, though foreseeable, fits well with the format of the show and Willow’s discussion here is an important event in the lives of these characters which we finally get to see here on the comic page.  She has come to terms with the choices she’s made (much like Buffy at the beginning of Season Five‘s finale “The Gift”) and realizes the limits of how far she is willing to go in the future.  We’ll see how if her decision holds up, and if Kennedy (nice to finally see her) survives the season.  Anyone want to take odds?

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Comic Rack

Hmm, we’re about to talk about comics so it must be Wednesday!  Welcome to the RazorFine Comic Rack boys and girls.  Pull up a bean bag and take a seat at feet of the master as we look at the new comics set to hit comic shops and bookstores today from DC, Marvel, Dark Horse, WildStorm, Vertigo, Dynamite Entertainment, IDW Publishing, and Image Comics.

This week includes and the first issues of The All-New Booster Gold, Angel: After the Fall, DMZ, Grendel: Behold the Devil, Immortal Iron Fist, Justice League of America, The Sword, The Umbrella Academy: Apocalypse Suite, WildStorm: Revelations, Wolverine: Origins, and the first issues of ‘76, Cemetery Blues, and New Exiles.  Also don’t forget the truckload of new graphic novels including Dark Horse Omnibus Volume 1, Doom Patrol Vol. 6: Planet Love, Essential Marvel Saga Vol. 1, Futura: The Art of R. Black, Harley Quinn: Preludes and Knock-Knock Jokes, H, and much, much more.

Enjoy issue #55

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3:10 to Yuma Redux

  • Title: 3:10 to Yuma (2007)
  • IMDb: link

“Just remember, it’s your old man that hauled Ben Wade to that station… when nobody else would.”

3:10 to Yuma

This remake of the 1957 film (read that review) makes a few changes to the tale.  The down-on-his-luck farmer Dan Evans (Christian Bale) still agrees to help deliver the notorious outlaw Ben Wade (Russell Crowe) to justice, but in this version his reasons are just as much about making himself look better in his son’s eyes (Logan Leman) as providing for his family.

The inclusion of the son on the adventure changes the dynamic of the relationship and the one-upsmanship between Ben and Dan.  Although this gives the film a fresh take on the story, it’s a take that isn’t as good as the original.

Also of interest here is the peculiar ending which seems haphazardly put together.  In the first film Wade reluctantly helps Dan at the last minute, but here Wade and Dan almost become bosom pals (which was the intention of director James Mangold) as they race through the town trying to catch the train.  So the tense psychological drama is dropped in favor of a buddy film. Sigh.

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Golden Globe Awards

No fashion, no glamour, no stars, but still an over drawn out spectacle with far less suspense than the presenters would have us believe.  Due to the writer’s strike the 65th Annual Golden Globes were not held, but the awards were still given out (and on prime time network TV no less).  In case you missed it, here’s who won (including a few choice words for the Hollywood Foreign Press)…

N/A

FILM AWARDS

Best Motion Picture – Drama
Atonement
Our take – What were they smoking?  Please ignore this film Oscar voters (hey, audiences already have)!
(read December’s review)

Best Motion Picture – Musical Or Comedy
Sweeney Todd: The Demon Barber of Fleet Street
Our take – Yeah, baby!  That’s more like it!
(read Alan’s review)

Best Performance by an Actor in a Motion Picture – Drama
Daniel Day Lewis – There Will Be Blood
Our take – DUH!  Easiest call of the night.
(read Ian’s review)

Best Performance by an Actress in a Motion Picture – Drama
Julie ChristieAway From Her
Our take – Far and away the best choice from the nominees.

Best Performance by an Actor in a Motion Picture – Musical Or Comedy
Johnny DeppSweeney Todd: The Demon Barber of Fleet Street
Our take – Depp, despite the stiff competition, is a cut above the rest.
(read Alan’s review)

Best Performance by an Actress in a Motion Picture – Musical or Comedy
Marion CotillardLa Vie En Rose
Our take – The KCFCC agrees, but Ellen Page made it a close call. 

Best Performance by an Actor In A Supporting Role in a Motion Picture
Javier BardemNo Country for Old Men
Our take – The KCFCC agrees.
(read Alan’s review)

Best Performance by an Actress In A Supporting Role in a Motion Picture
Cate BlanchettI’m Not There
Out take – We haven’t seen it, but Amy Ryan would be hard to beat.

Best Foreign Language Film
The Diving Bell and the Butterfly
Our take – The KCFCC agrees.
Best Director – Motion Picture
Julian Schnabel – The Diving Bell and the Butterfly
Our take – The KCFCC agrees (but personally I’d give it to Tim Burton).

Best Screenplay – Motion Picture
The Coen Bros. – No Country for Old Men
Our take – We give the edge to Diablo Cody for Juno
(read Alan’s review)

Best Original Score – Motion Picture
Atonement
Our take – Eh?  None of the nominees knocked our socks off.

Best Original Song – Motion Picture
“Guaranteed” – Into the Wild
Our take – Where’s the love for “Let’s Duet,” people?
(read December’s review)

TELEVISION AWARDS

Best Television Series – Drama
Mad Men
Our take – haven’t seen it.

Best Television Series – Musical Or Comedy
Extras
Our take – I haven’t seen it, but it better be damned good to beat out Pushing Daisies and Californication.

Best Mini-Series Or Motion Picture Made for Television
Longford
Our take – didn’t see it.

Best Performance by an Actor In A Television Series – Drama
John HammMad Men
Our take – haven’t seen it.

Best Performance by an Actress In A Television Series – Drama
Glenn CloseDamages
Our take – haven’t seen it, but we hear good things.

Best Performance by an Actor In A Television Series – Musical Or Comedy
David Duchovny – Californication
Our take – Well deserved!

Best Performance by an Actress In A Television Series – Musical Or Comedy
Tina Fey30 Rock
Our take – WTF?  Isn’t the show being funny part of the criteria for this award?

Best Performance by an Actress In A Mini-series or Motion Picture Made for Television
Queen LatifahLife Support
Our take – didn’t see it.

Best Performance by an Actor in a Mini-Series or Motion Picture Made for Television
Jim BroadbentLongford
Our take – didn’t see it.

Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Jeremy PivenEntourage
Our take – score a win for John Cusack’s best bud!

Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Samantha MortonLongford
Our take – didn’t see it.

Cecil B. DeMille Award
Steven Spielberg

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