Hulk News

I’m still not completely sold on the idea of Edward Norton as a scientist, but from these early glimpses it seems that at least the production design looks good and closer to the characters than Ang Lee’s flawed film.  Rumors are also flying that Robert Downey Jr. has a cameo as Tony Stark.  The story involves Banner’s search for a cure while avoiding Gen. Thunderbolt Ross (William Hurt) and his attempts to track him down, as well as a new a new baddie exposed to Gamma Radiation who becomes the villain Abomination (Tim Roth).  The Incredible Hulk is set to be released on June 13, 2008.  Check out the full sized images inside the Full Diagnosis.  You’ll know more when we do!

The Incredible Hulk
N/A

 

 

Also, here’s a look at the comic version of Abomination.

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Spike: Shadow Puppets

One of Season Five’s best episodes from Angel (read our Season Five DVD review) involved Angel’s transformation into a puppet.  Well, now it’s Spike’s turn!  The recent mini-series from Brian Lynch and Franco Urru is now available in a trade paperback which includes an army of puppet ninjas, a telepathic fish, a guy with a giant brain and a helper monkey, oh, and did I mention Spike is turned into a Wee Little Puppet Man!

Spike: Shadow Puppets
Custom Rating

“No, No, No…I’m a…I’m a…Wee Little Puppet Man!”

 

“I feel as though I should be on a lily pad with a banjo.”

The story follows Lorne and Spike making a trip to Japan where the Smile Time demons have set up a new base of operations.  On arriving in the Land of the Rising Sun the pair are immediately attacked by a horde of puppet ninjas (how cool is that!), and their reunion with Beck and Betta George (introduced in Spike: Asylum and their new ninja pal Tok Shinobu.  Together the team makes a run on the Smile Time Japan facility, but it seems Spike, Lorne and Beta George take a small wrong turn and end up in the “Don’t Room.”

Those familiar with Season Five‘s “Smile Time” (and if you’re not, why did you pick up this book?  how did you even find it?) know what that means.  The threesome find themselves puppetized, and then the fun can begin in earnest.  Brian Lynch captures Spike’s spirit, insecurities and insanity (all exponentially maximized in Puppet Spike).  Puppet Spike is quite a bit of fun to watch, as is the comic relief of Puppet Lorne.  Franco Urru‘s drawings are the perfect fit for the zaniness and the madcap puppet savagery unleashed.

I love how this book gets crazier and manic as it goes along.  Spike takes on puppet ninjas, then is turned into a puppet, then is forced to take on puppets made to look like Angelus, Fred, Gunn, Wesley, Drusilla, and others.  Through all of this our hero takes hits to his pride and vanity along with a real beating including getting his arm ripped off and getting impaled.  Fun, fun, fun!

The trade paperback also contains a short writer’s commentary where Lynch discusses some of the hidden jokes of the script and background props (my favorite by the way is the Angel puppet hanging by a noose in Spike’s apartment early in the tale).  Also included are all the covers for the mini-series, which I always appreciate being included in collections like this.

 

Fans of the show, and fans of Spike in particular, will really enjoy this tale.  Although you don’t need to have read Spike: Asylum or seen “Smile Time” to enjoy the read, both are referred to and built on in this new story and fans who have experience with both will get the most out of it.

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Paprika

When three of the unfinished DC Minis disappear, the head scientists on the project struggle to figure out where they went.  The DC Mini allows therapists to see their patient’s dreams to better analyze their unconscious state.  Unfortunately the DC Minis were not yet finished, which made them more dangerous if someone were to use them improperly.

Paprika
4 & 1/2 Stars

When three of the unfinished DC Minis disappear, the head scientists on the project struggle to figure out where they went.  The DC Mini allows therapists to see their patient’s dreams to better analyze their unconscious state.  Unfortunately the DC Minis were not yet finished, which made them more dangerous if someone were to use them improperly.

The beginning of the movie is a little strange, you first start out in a dream.  The dream takes your from the circus through a series of movie scenes, finally ending with the final moments of a murder scene currently being investigated.  The dreamer wakes up and you meet Captain Kogawa and Paprika.  Seconds later you are rushed into the next part of the plot where you are introduced to Doctors Tokita, Chiba and Shima, the lead developers on the DC Mini project.  Dr. Shima, a short and balding man, is their Chief.  Dr. Tokita, an excessively obese “kid in a genius’ body,” is where the original idea started.  Dr. Chiba, an all work and no play kind of woman keeps Dr. Tokita in line.

Trying to keep the theft of their most important, and most dangerous project a secret they rush to Dr. Shima’s office.  When they open the door to the office they were surprised by the Chairman sitting facing the window in his wheel chair.  He lets them know immediately that he is aware of the theft.  They put their heads together to attempt to figure out the culprit.  The only option is an inside job.  Seconds later Shima flips out, he begins saying things that are irrelevant while running out of the room and jumping out a window.  While he is knocked out from the fall they run the DC Mini on him to monitor his dream state.  In the dream he is perched on top of a float in a huge parade, which is where the strangeness continues.  Himoru, a fellow developer, shows up in the dream, making all the blaming fingers point to him.

The DC Mini is incredibly dangerous to the host, the more you wear it the harder it is to distinguish the difference between reality and dream.  Since Tokita, Chiba and Shima had been testing it on themselves they often merge dream and reality.

Since Shima is injured it becomes Tokita and Chiba’s job to find Himoru and track down the remaining DC Minis.  They went to Himoru’s house only to find nothing but dolls.  Chiba snaps into a dream and nearly jumps over the balcony, only to be grabbed at the last second by another doctor who had accompanied them.

Kogawa is searching desperately to understand his dream, so he spends much of his time in a dream state at the bar with Paprika.

Tokita and Chiba finally find their friend and partner Himoru, or rather he nearly lands on top of Chiba.  They rushed Himoru back to the lab to remove the DC Mini, which had already taken over Himoru.

Chiba and Tokita discover the Dreamland amusement park, where they find a doll that had been sort of following them everywhere.  When Chiba advances towards the doll Himoru comes crashing out of the sky and nearly lands on top of her.  Himoru is badly injured by the fall and they rush him back to the lab so the doctors can take the embedded DC Mini out of his scalp.  Tokita sees his friend laying there dreaming he decides to put the DC Mini on to join his dreams.  Tokita then gets sucked into the parade and cannot escape.

Chiba and Shima join back up to attempt to stop the “psycho-terrorism.”  Chiba, closely monitored by Shima, dives into Tokita and Himoru’s dream, changing her to Paprika.  Paprika is trying to save the two stuck when she discovers who the real terrorist is.  The Chairman and his little minion attempt to take over dreams and reality.  The Chairman then becomes a gigantic dream-mass, black, translucent and naked.  Paprika then realizes that she must sacrifice herself to save her friends.  She too becomes a translucent, naked being and begins swallowing everything in site, making her grow from an infant to an adult.  She then swallows the Chairman and the dream is over.

Kogawa finally realizes what was going on in his dreams, and what he had been running from since he was young.  Tokita and Chiba, after expressing their love for one another, get married.

With the entire thing a mystery, dipping back and forth between reality, it may be a little difficult to follow.  The story is strange, and futuristic, but does have an interesting idea.  I am still a little unsure on how I feel about the film.  The artwork is great, full of color and nice details.  The only thing that I would say is poor is the ending.  The ending seems too happy, Kogawa’s problems are solved, yes he is in love with the other side of Chiba, but he still figured out what he was running from.  Not to mention the love interest between Chiba and Tokita, that was a little strange to me.  It seemed like they were really good friends, and Tokita loved Chiba, but I would have never guessed she loved him back.  Although, the film did keep me entertained and guessing until the very end, which is what it was supposed to do.

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Howl’s Moving Castle (Hauru no ugoku shiro)

Sticking with the movie trend, I decided to do a critically acclaimed masterpiece known as Howl’s Moving Castle. Again, I was worried this was going to be a girl’s fantasy anime with no action and no plot really. But again, I was only slightly wrong. Howl’s Moving Castle has a great story line, plenty of action, and was a total let down.

Howl’s Moving Castle
2 & 1/2 Stars

At the start of the movie, you follow Sophie, a plain girl that works at a hat shop and goes unnoticed by everyone around her. She lives in a small riverside market town. One day after work, she goes to see her sister that works at the bakery when she was stopped by two soldiers. They harass her a bit before a mysterious man saves her. He escorts her down the street when he is attacked by gelatinous creatures. He tells her to hold tight and jumps high into the air. They calmly float down into the balcony of the bakery where Sophie’s sister works. The mysterious man bids her a due and jumps off the balcony and disappears. Sophie is awestruck by the spectacle. She wanders into the bakery and tells her sister about what happened. Her sister was worried since it sound like a wizard, which to them, try to steal people’s hearts, and tells her to avoid him.

Sophie returns home at the hat shop and locks up the place. A large, wealthy woman comes in and starts to poke fun at the “tacky hats”. Sophie gets mad and tells her to leave. The woman gets angry reveals she is the dreaded Witch of the Wastelands. Sophie tries to get away but is stopped by the witch’s henchmen. The witch then casts a spell on Sophie that makes her a 90 year old woman. Another part of the curse is that Sophie can’t talk about it.

She stares at herself in disbelief and goes to bed thinking it’s just a horrid dream. She wakes up to find out that it wasn’t. She goes out to the Wastelands to find a wizard named Howl and this magical Moving Castle. Before she leaves, she hears that a neighboring kingdom declared war on them because of their missing prince. She leaves town before any military action occurs.

While traveling to the wastelands where Howl’s Moving Castle was seen last, she finds out the limitation of her new body and almost gives up. She finds a scarecrow that is knocked over in a bush. She sets it upright and heads off only to find it actually is possessed by a demon and it follows her. She is first afraid of it, but when it helps her find Howl’s castle, she learns to enjoy his company.

She meets a flame demon (which is actually voiced by Billy Crystal) and falls asleep in a chair. She wakes up to a young boy named Markl running around doing errands. Howl later joins them and Sophie finds out he is the mysterious young man that saved her from the soldiers. He doesn’t recognize her with the spell. She volunteers to be their house keeper.

She quickly becomes loved by the whole gang and gets involved in a scheme to try to get Howl out of having to fight in the upcoming war. She claims she is Howl’s mother and goes to the head sorceress of the kingdom and says he is a coward and wouldn’t be any help. While Sophie is at the castle she runs into the Witch of the Wastelands. But the head sorceress stole her powers so she is just an old woman with no powers. The head sorceress sees through the disguise and attacks her. Luckily Howl is disguised near by and stops the sorceress from harming Sophie and pulls Sophie and the Witch of the Wasteland to safety. Sophie takes the witch while Howl provides a distraction and both of them escape safely to the castle.

Howl later returns all beat up but safe, but with a terrible cost. Using too much of his magic, he has a hard time turning back to his human self. Sophie is really worried and confronts him about her feelings. He takes them into consideration, so he decides to move them to a safe location. He moves them magically into her old hat shop, but with some serious redecoration.

They live in secret for awhile, but the head sorceress finds their location and tries to capture them, but the flame demon keeps them protected. The war finally finds its way to their doorstep and Howl has to come out of hiding to save them. Sophie tries to stop him, but he just flies off.

Trying to save him, Sophie mounts a rescue operation to save Howl, but it backfired, nearly killing Howl and his fire demon. She finds out that the demon has Howl’s heart and she puts it back in Howl’s chest. He is fine and they find out their scarecrow friend is actually the prince of the neighboring kingdom and his disappearance was the reason for the entire war.

So the war ends and Sophie and Howl fall in love and wander the world in his Moving Castle.

Well, this one was… different I guess. I was first surprised that Billy Crystal voiced in a anime cartoon. Also another odd thing was that the Moving Castle seemed like a reference to a Russian Fable about Baba Yaga’s Dancing House. Other than that, this anime was ok. I was a little let down because it wasn’t as amazing as I heard it was. It was just a normal movie to me and the plot was a little weak and spotty.

Overall I’d have to say this is one of my least favorite movies I’ve seen.

This movie was previously mentioned on our site here.

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Anywhere But Here

Faith’s arc now finished, Buffy creator Joss Whedon returns to Buffy the Vampire Slayer Season 8 for a this one-shot tale of relationships and consequences of choices long past.  Here’s the review for “Anywhere but Here.”

Buffy the Vampire Slayer Season 8 #10
Custom Rating

“We could have move on.  Raised Dawnie, moved somewhere nice…but I chose.  I chose to put Tara in a bullet’s path.  I choose you over her.  I can’t do that again…to the woman I love.”

After the Faith arc from Brian K. Vaughn (read more about that here) the season shifts back to our main heroine and the relationships which are at the heart of the Buffyverse.

Joss Whedon returns as well to pen this stand-alone issue which, although it contains action, horror and adventure, its true purpose is to get back to the characters and relationships of Buffy and Willow, and to a lesser extent Xander and Dawn.

Starting out with a humorous dream sequence, the tale jumps into Willow and Buffy’s trip to talk with a demon known as the Sephrilian who can tell them about the future and help them understand the unbalance and coming Twilight.  But be careful what you wish for, especially in the Buffyverse.

What is revealed is a simple truth and stabbing at old wounds.  The death of Tara and Willow’s response bring back issues of trust, friendship, and love as Willow admits to Kennedy and Buffy the worst mistake she ever made, and her reluctance to do anything like it again.

The B story of the issue finally reveals the events which caused Dawn’s growth spurt, although, as with the main tale, the real interest here isn’t the revelation but the reconnection between the two characters who have had some nice moments together including one of my favorites of the entire series involving Xander’s speech to her at the end of “Potential”.

Although the story doesn’t do much to move the season’s main arc along, it does give us a better understanding of the characters and the state of their relationships since the Scoobies left Sunnydale.  The melancholy ending, though foreseeable, fits well with the format of the show and Willow’s discussion here is an important event in the lives of these characters which we finally get to see here on the comic page.  She has come to terms with the choices she’s made (much like Buffy at the beginning of Season Five‘s finale “The Gift”) and realizes the limits of how far she is willing to go in the future.  We’ll see how if her decision holds up, and if Kennedy (nice to finally see her) survives the season.  Anyone want to take odds?

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