Surf’s Up, Dude!

Yeah, I know what you’re gonna say.  Another film about penguins?  This time they surf?  I know, I know, but hear me out.  Unless you are totally penguined-out, Surf’s Up is worth a look.  It’s an odd mix of intelligence and creativity and lowbrow humor that, when its not getting in its own way, provides a good message and an enjoyable ride.  It might not be the best animated film you’ll see this year, but it is a memorable one.

Surf’s Up
3 & 1/2 Stars

Surfing penguins you ask?  Yeah, I’ll admit the idea is a bit outside the box.  Maybe that’s what I like about it.  Surf’s Up isn’t a great animated film, but it’s a darn good one that, when it’s not too busy getting in its own way, provides a good story arc, memorable characters and some terrific animation.

Cody Maverick (Shia LaBeouf) wants only one thing out of life, to become a surfer like his hero the famous Z.  Cody leaves the cool confines of Antarctica to travel with a promoter (James Woods) and his assistant (Mario Cantone) to enter the Penguin World Surfing Championship.

There he meets a other competetors including Chicken Joe (Jon Heder), the nine-time defending champion Tank Evans (Diedrich Bader) the lovely lifeguard Lani (Zooey Deschanel) and her anti-social friend Geek (Jeff Bridges doing a pretty funny penguin version of the Dude) who hides out from the rest of the world in his shack up in the hills (don’t worry, he’s not a penguin unabomber).

The story isn’t anything new, but the choice of filming it as a documentary is a gutsy call.  The entire film is presented with these characters speaking to and in front of the camera.  It turns out to work wonderfully and gives the film a quite different feel from you average animated flick.

Where it gets into trouble, however, is when it cow-tows to the more base audience.  The film is filled with cheap poop/fart humor that seems shoved in at random to get the young kiddies to laugh.  I honestly wonder if the studio though the film was too smart for kids and demanded more cheap laughs.  Although these don’t ruin the film, and many younger kids might like them, they do begin to wear on the older members of the audience.

Where the film succeeds is when it pushes the envelope and tries to create something new in a mockumentary approach to the fully realized world of competitive penguin surfing.  The characters are well fleshed-out and the story, though predictable, is quite enjoyable – except when the film lowers itself for cheap jokes that mostly fall flat.  It’s not the best animated film, but it does have a unique style and, in my opinion, is a superior film to last year’s Happy Feet (read the review).  I guess I would rather see penguins surf than dance.

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2007 Cannes Film Festival

A big RF congratulations to director Christian Mungiu and his film 4 Months, 3 Weeks and 2 Days which took home top honors and was awarded the Palme d’Or (The Golden Palm) at this year’s Cannes Film Festival.  Mingui’s small film (made for less than $700,000) examines the issue of abortion in Romania during Communist rule and how attitudes to this volatile issue are affected by political systems, how a country indoctrinates its citizens, and stereotyping.

4 Months, 3 Weeks, and 2 Days (4 luni, 3 saptamini si 2 zile)
N/A

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The Sith Rise Again

The new Dark Lord of the Sith has arrived.  Sacrifice by Karen Traviss, the middle chapter of the Legacy of the Force series, hit bookshelves last week.  Who will Jacen Solo have to kill to finalize his transcedence as a Sith Master?  Will the Galactic Alliance survive the civil war that rages on all sides?  Is this pricey hardcover worth picking up?  Let’s find out, shall we… 

Don’t worry, no spoilers!  Unless, of course, you can use the Force!

Star Wars: Legacy of the Force – Sacrifice
Custom Rating

The turning point has arrived.  The fifth book by Karen Traviss, and middle chapter, of the Legacy of the Force series (check out the story so far) brings everything to a head as Jacen Solo fulfills his final task to become the next Lord of the Sity by sacrificing someone he loves.

 

The book picks up right where Exile left off.  Jacen sends Ben off on a dangerous mission, Mara searches for Lumiya, and Luke struggles with making sense out of what is happening to his family and the galaxy.

One of this series strengths has been to show the Sith philosophy as different than the Jedi belief system but not exactly evil (though this has fluctuations somewhat in the different novels as each of the writers has taken their own path to revealing the Sith and exploring the rational behind Jacen’s actions).  Whether or not his actions are right or wrong, you can hardly state that they are self-centered or purely evil.  It’s a nice change of pace, still with eerie similarities, to Palpatine and Vader’s rise to power.

In Sacrifice the new Sith pupil is given the final task of sacrificing someone or something dear to him to achieve his rightful place as a Sith Lord.  How exactly such a sacrifice works, and how it will increase his power is rather unclear.

Another slight problem with this entry into the series is there are too many clues as to who the sacrifice will be.  The red herrings provided are never really presented strongly enough, and with the necessity of certain characters to live to carry on the characters’ bloodlines, there isn’t enough to give the reader doubt as to who will die.

The final scenes for some characters (sorry no spoilers here) also becomes anti-climatic given the slow build up to these moments, though the emotion in the aftermath of the loss of a major character from the Skywalker/Solo family is filled with emotion.

For you Force users out there wanting to know who dies in the novel but without the cash to plunk down for this hardcover, use the Force and click and move your mouse below to uncover the hidden text:

What?  You can’t figure it out from the cover?  Some Force user you turned out to be!  That’s right, Mara Jade Skywalker is the one who dies!

In terms of moving the story forward the novel works well, but the series has begun to drag its feet a little with the last two books.  Hopefully with the death of a major character and the rise of the new Dark Caedus the series will shift back into gear for the final four novels.  So is it worth the $25.95 price tag?  For true fans of the novels yes, but casual observers may want to wait for the paperback version.  Since the next couple of novels will be released straight to paperback before that happens it will mean you will be two or three books behind on the series by that time.  What should you do?  Trust the Force young Padawan!

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Comic Rack

Hmm, we’re about to talk about comics so it must be Wednesday!  Welcome to the RazorFine Comic Rack boys and girls.  Pull up a bean bag and take a seat at the master as we look at the new comics set to hit comic shops and bookstores today from DC, Marvel, Dark Horse, Wildstorm, Vertigo, Dynamite Entertainment, IPW Publishing, and Image Comics.

This week includes Buffy the Vampire Slayer Season 8, Danger Girl: Body Shots, Detective Comics, The Lone Ranger, Ms. Marvel, New Warriors, Strange Embrace, and Superman.  Also don’t forget the truckload of new graphic novels including Alien vs. Predator Omnibus Vol. 1, Batman: Turning Points, Bullet Points, Civil War: Marvel Universe, A Man Called Kev, Transformers: The Greatest Battles of Optimus Prime and Megatron and much, much more.

Enjoy issue #24

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The Return of Cool

With the release of Oceans Thirteen on Friday we look back…

Steven Soderbergh created an almost instant classic with 2001’s Ocean’s 11.  Related only by name and the basic plot of the Rat Pack original, Soderbergh proved that the easy going charm and effortless cool of bygone days could be captured on film for the current generation.  Call it the anti-heist movie, if you will.  Soderbergh dipped back into the pool in 2004 for the sequel, bringing back the original cast in its entirety (as well as adding some new faces), but audiences didn’t seem to warm up to this go-around like they did the first.

Ocean’s 12
Custom Rating

Steven Soderbergh created an almost instant classic with 2001’s Ocean’s 11.  Related only by name and the basic plot of the Rat Pack original, Soderbergh proved that the easy going charm and effortless cool of bygone days could be captured on film for the current generation.  Call it the anti-heist movie, if you will.  Soderbergh dipped back into the pool in 2004 for the sequel, bringing back the original cast in its entirety (as well as adding some new faces), but audiences didn’t seem to warm up to this go-around like they did the first.

Fools!  Ocean’s 12 was easily one of the most enjoyable films of 2004, as it was just seeped in the unshakeable cool of the original while refusing to conform to the audience’s expectations of what should happen to George Clooney’s Danny Ocean and his band of merry thieves.  Sure, you can argue that the big gag towards the end just reeks of film maker hubris, but I personally was willing to play along.  It’s a ballsy move on Soderbergh’s part, and I thought it fit with the spirit of the series.

So bully on you, Warner Home Video, for putting out a bare-bones disc of a film that should have been chock full of extras. Ocean’s 12 is still great, but a lack of features makes this a must-have only for die-hard fans of the film.

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