Dancing Fools

Yet another film about dancing.  Joy.  In this one, a thuggish young brute learns to love dance thanks to a beautiful girl.  How original!  I went into this film fully prepared to hate every frame, but despite it’s glaring errors (and it has more than a few) somehow I enjoyed myself enough to, marginally, recommend the film.  I think fans of this genre will be satisfied and enjoy themselves (and the dates they drag along may be able to enjoy themselves a little too).

Step Up
3 Stars

You’ve seen this before, we all have.  A girl falls for a guy from the wrong side of the tracks.  A classically trained dancer learns to use hip hop moves to create a new revolutionary routine that will get her into the big time.  Step Up is the latest dance film to recycle these themes.  There is little originality, and even fewer surprises, but the choreography and presence of the films leading lady make up for some, though certainly not all, of its flaws.

Tyler Gage (Channing Tatum, in a very accurate John Cena impersonation) is a thug who enjoys stealing cars, partying hard, destroying and vandalizing, and quitting anything that requires the smallest bit of effort, commitment, or time.  After breaking in and vandalizing a fine arts school with his friends, Tyler is sentenced to 200 hours of community service at the school.

While working as a janitor Tyler meets a young dance student, Nora (Jenna Dewan), in need of a partner for her showcase.  Discovering Tyler’s ability to dance the two partner up.  Nora begins to make Tyler believe more is possible, and as they work together…well, star crossed lovers from opposite sides of the tracks, you can guess where the film goes from here.

It is odd how every student in the film looks like a college graduate.  In fact the revelation that they are supposed to be high school students was shocking.  What, does high school in this area go up to the 27th grade?

Odd casting aside, the actors do their best with the roles.  Dewan is the stand-out, and based on her performance here I think we’ll be seeing much more of her in the future.

Tatum is fine as the ogre-like Tyler who spends half his time trying not to scrape his knuckles when he walks and the other half as a dance wiz.  Drew Sidora and Mario have a nice subplot (which is the only thing that feels teenage about the entire film).  And Rachel Griffiths adds some class as the stern but loving principal of the school.

The film marks the directing debut of Anne Fletcher who has worked as a dancer and choreographer in more than 30 Hollywood films.  The dance scenes are some of the best of the film.

It’s not a must see, but in terms of chick-flicks guys might be able to survive this summer, Step Up gives you more than you’d expect.  Hey, it’s got some good dancing, beautiful girls, and a good sense of humor about its subject.  The film does have some darker spots involving gangs, and violence.  These scenes don’t exactly mesh with the rest of the film but do help carry the storyline to its conclusion.  It’s Dewan’s spirit and personality, not to mention her tights-clad body in motion, that helps carry the film.  She reminds me a little of Susan Ward, and I’ll be interested in seeing where her career goes from here.

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World Trade Center

  • Title: World Trade Center
  • IMDb: link

Let’s get this out of the way right now – the film does not, in any way, exploit the events of 9/11.  In a strange way, in fact, it celebrates the good that came out of such a horrific tragedy.  Oliver Stone and his cast and crew have rarely been better.  World Trade Center is one of the best movies of the year.

On an otherwise normal September day the unthinkable happens when a commercial airliner runs into the World Trade Center.  Sergeant John McLoughlin (Nicolas Cage) leads a group of Port Authority police down to help evacuate the towers.

As the team gathers supplies and travels by bus down to the towers they hear rumors of other planes hitting the towers and the Pentagon.  The information is sketchy, as is their role in this crisis.  As McLoughlin states, there is no plan for a tragedy this size.

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New on DVD

We’re here to let you know what’s out there for your entertainment dollar.  Every week a new batch of DVD’s gets shipped out and thrown onto the shelves.  This week we’ve got Denzel Washington and Clive Owen in Spike Lee’s heist flick, another film of cheerleaders “bringing it on,” Larry the Cable Guy as a health inspector, the Avengers assembling once more, and season sets of Sealab 2021, Prison BreakFarscape, and more.  Take a peek inside for the full list.

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Here’s what is getting released today on DVD:

Film:

Inside Man – Spike Lee gives us a heist flick which pits Denzel Washington against Clive Owen.  The DVD includes commentary by Lee, an interview with Lee and Washington discussing their past collaborations, and deleted and extended scenes.  As I said in my original review “it’s a pretty good heist flick.  If you’re a fan of the genre or these actors I’d recommend the film to you.”  Read the full review here.

Brick – A loner (Joesph Gordon Levitt), who in searching for the truth about the disappearance of his ex-girlfriend, finds himself suddenly in the middle of a high school crime ring.  Included on the DVD are extended and deleted scenes, a casting of the film featurette, and commentary by cast and crew.

Bring It On: All or Nothing – Hey, I’ll admit I’m a fan of the first film, but do we really need a franchise of straight to DVD sequels?  The latest stars Hayden Panettiere as the school’s spunky cheerleading captain.  DVD extras include a gag reel, a behind the scenes featurette, a dance tutorial, and a cheer camp featurette.

The Lost City – A project Andy Garcia has been trying to get made since he hit Hollywood is a loving look at his native Cuba and his directorial debut.  The story involves a nightclub owner (Garcia) in 1958 Cuba caught between the transition from the oppressive Fulgencio Batista (Juan Fernandez) regime to Fidel Castro’s Marxist government.  The DVD extras include commentary by Garcia, Nestor Carbonell, and production designer Waldemar Kalinowski, a featurette on the making of the film, deleted scenes, a still gallery, and notes from cast and crew.

Larry the Cable Guy: Health Inspector – The one-joke redneck blue collar comedian gets his own film playing a health inspector(?), teamed up with a rookie partner (Iris Bahr), trying to uncover the cause of food poisoning at all the top restaraunts while wooing (can a cable guy woo?) a waitress (Megyn Price).  No DVD extras.

 

Special Edition:

Airplane (“Don’t Call Me Shirley!” Edition) – Do you like gladiator movies?  Jim Abrahams and David Zucker bring us their first, and best, crazy film that taught us not to call Leslie Neilsen “Shirley,” the troubles of a drinking problem, how to talk jive, and the lesson to never order the fish on a plane.  This new edition contains commentary by Abrahams, Jerry and David Zucker, and producer Jon Davison, deleted scenes, an extended edition of the film, interviews, a trivia track, and the theatrical trailer.

 

Animated/Family:

Ultimate Avengers 2: Rise of the Panther – For fans of the first animated film of the Ultimate line of the Marvel heroes, here’s a sequel.  The team reunites to help the Black Panther stop a new force of invading aliens.

Sealab 2021Season Four – More misadventures of the Adult Swim hit involving “scientists” in the research station at the bottom of the sea.  All 13 episodes are included with deleted scenes, alternate endings, and a best of Sealab featurette.

 

TV:

Prison BreakSeason One – Last year’s unexpected hit about a wrongfully convicted man (Dominic Purcell) and his brother (Wentworth Miller) who decides to break him out of prison.  All 22 episodes are collected on six discs including commentary, alternate and deleted scenes, a featurette on the making of the show, TV spots and more.

The Fresh Prince of Bel-AirThe Complete Fourth Season – All 26 fourth season episodes of Will Smith and the rest of the Banks family in their wacky adventures.

FarscapeSeason 4, Collection 2 – More of the Sci-fi original.  This collection includes commentary for one episode by cast and crew, a “listening in” segment, select histories, a production design gallery, and deleted scenes.

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This Week

So what’s out there this week?  Well today we’ll take a look at the films scheduled to be released this week.  On Wednesday Oliver Stone’s 9/11 film World Trade Center will be released (check back for our review!).  Friday’s releases include Tim Allen and a bunch of kids trying to save the world, Kristen Bell hearing voices from the other side, and yet another film about dancing.  All that and a boatload of indie films out this week in limited release as well; read on…

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Here’s what’s scheduled to hit theaters this week.  Want to know more?  Just click on the title for film info including a full cast list.  Want a closer look?  Just click on the poster to watch the trailer.

Opening Wednesday:

World Trade Center

Oliver Stone has never been more subtle.  This is the film United 93 wanted to be.  Stone tells the story of a pair of Port Authority cops (Nicholas Cage and Michael Pena) who are buried alive after entering the towers trying to save others on 9/11.  The film moves between their circumstances and those of their families (Maria Bello and Maggie Gyllenhaal as the wives) who watch in horror and desperation, not knowing if they are alive or dead.  Stone tells a basic story relying on human emotion and strong performances from a terrific cast.  The film opens on Wednesday and we’ll have the review.

Opening Friday:

Zoom

Tim Allen plays the superhero Captain Zoom who sends off his daughter (Kate Mara) to a special academy called Sky High where the youngsters with super powers are taught how to develop them by Professor X.  (Sony was actually sued over the “similarities”).  At the academy the kids learn about the plot of a new super-villain and band together to stop the new menace.  If the trailers are true, and they never lie, looks like it could be fun.  Anyone else think director Peter Hewitt might have made more out of Fantastic Four franchise?  (‘Course so would a coma patient, or a rock).

Pulse

Kristen Bell (the delectably cute Veronica Mars) stars in this English remake of Kiyoshi Kurosawa’s 2001 Kairo.  The plot involves the discovery of an evil signal that is hacked into and can’t be shut off.  The film also stars Christina Milan (why does there always have to be a “musician” in the group?), Ian Omerhalder, Riki Lindhome, Jonathan Tucker, and Julie Newcaster.  The track record of Japanese horror flicks remade by Hollywood doesn’t exactly inspire (remember last year’s Dark Water?), but the trailer comes off as both creepy and intriguing.  We’ll have to see for ourselves.

Step Up

Yet another film where the main plot focuses around dancing.  Oh boy.  In this one Tyler (Channing Tatum) is sentenced to community service at a super elite dance school (yeah, riiiight…).  There he meets a young sexy ballet dancer (Jenna Dewan) who pulls him out of his shell and helps him discover his hidden talent, a new respect for life, and a love of dancing.  Rachel Griffiths (Six Feet Under), Diedre Lovejoy, Ryan Sands, Alyson Stoner, Schuster Vance, and Courtney Irons also star.  Also with Anne Fletcher, choreographer turned first time director.  Check back Friday for the review.

Currently in Limited Release, Opening Wide on Friday:

Peaceful Warrior

The latest from writer/director Victor Salva (Jeepers Creepers, Clownhouse, Powder) is an inspirational and emotional tale of a young collegiate gymnast (Scott Mechlowicz) who strikes up a student/mentor relationship with a gas station sage (Nick Nolte) who teaches him the “way of the peaceful warrior.”  The film is based on Dan Millman’s semi-autobiographical book of the same name.  The supporting cast for the film includes Amy Smart and Ashton Holmes.  It’s been playing in limited release for about two months and will open wide on more screens this Friday.  Check back for our review.

Opening Friday in Limited Release:

Conversations with Other Women

At a wedding reception sparks fly between a man (Aaron Eckhart) and woman (Helena Bonham Carter) who continue to flirt.  The pair steal away together to a hotel room where more about their past and future is to be discovered and revealed.  For fans of dialogue, instead of action, you may have found something here in director Hans Canosa and writer Gabrielle Zevin’s latest collaboration (they gave us 2002’s Alma Mater).  The film also stars Olivia Wile, Brian Geraghty, Brianna Brown, and Thomas Lennon.  It opens on Friday in limited release in New York, Los Angeles, and San Fransisco.

The House of Sand (Casa de Areia)

A pregnant woman (Fernada Torres) and her new husband take her mother (Fernada Montenegro) and move to a remote region of northern Brazil in 1910.  Despite her husband’s love for the land, Aureilla will spend her life, with her mother and daughter, in the arid desert hoping only to escape.  Directed by Andrucha Waddington, the film is banking heavily on Montenego’s presence (one of the most respected actors in Brazil) and the chemisty in casting her real life daughter to play the same role in the film.  The Brazilian film is presented in Portuguese with English subtitles; it opens in New York and Los Angeles on Friday.

Waltzing Anna

Robert Capelli Jr. (who also co-wrote the script) stars as an unscrupuous New York doctor who thrives on the bureauracracy of the insurance system.  When found guilty he is sentenced to work six months at a nursing home where relationships with his patients and his romantic interest in a nurse (Emmanuelle Chriqui) begin to thaw the doctor’s cold heart.  The film also stas Marilyn Chris, Pat Hingle, Jeff Kovatch, Grant Shaud (of TV’s Murphy Brown), Casey Simasko, and Shelby Young.  The film was co-written and directed by Doug Bollinger; it opens in limited release on Friday.

Poster Boy

Matt Newton plays the title role of Henry, a closeted gay son of a conservative United States Senator (Michael Lerner).  When an openly gay friend (Jack Noseworthy) learns of Henry’s secret he decides to take advantage of the situation and get some revenge on the conservative right during the Senator’s re-election campaign.  Karen Allen, Valerie Geffner, Ian Reed Kesler, and Amanda Kaplan also star.  Co-written by Lecia Rosenthal and Ryan Shiraki, the film is directed by first timer Zak Tucker.  The only question is will anyone in the midwest get to, or want to, see it?  The film opens Friday in limited release.

Half Nelson

An inner-city junior high school techer (Ryan Gosling) is a favorite among students for his edgier approach and focus on teaching them to think for themselves.  When one of his students (Shareeka Epps) discovers his dark secret (drug addiction) an unlikely friendship forms as the two try to help each other.  Karen Chilton, Anthony Mackie, Tina Holmes, Monique Curnen, Stephanie Bast, and Bryce Silver also star.  The film is a longer version of writer/director Ryan Fleck’s 2004 short film Gowanus, Brooklyn (which also starred Epps and Chilton).  The film will be released in New York on Friday.

Viva Pedo!

Sony Pictures Classics is re-releasing eight of Pedro Almodovar’s films: Woman on the Verge of a Nervous Breakdown, All About My Mother, Talk to Her, Flower of my Secret, Live Flesh, Law of Desire, Matador, and Bad Education.  Each film has been restored and new prints have been made for each film.  In November Almodovar’s latest film Volver will also be released.  The films will open in New York and Los Angeles on Friday and gradually expand to other cities this fall.  For more information check out the official site.

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Whodunit?

  • Title: Who Killed the Electric Car?
  • IMDB: link

This film will make you both incredibly angry and deeply sad.  Once upon a time the United States was known for technological innovation, and it seems for a few years, in the early 90’s, we were again with the revolutionary electric car.  So what happened?  Just who killed the electric car and why?

Who Killed the Electric Car? is structured in two parts.  The first examines the creation of the electric car and its, much too short, history.  The second half of the movie is an investigation for the reasons behind the destruction of the futuristic automobile that was better, cleaner, and cheaper than the gas guzzlers we are driving today.

With interviews by consumers and celebrities who drove the cars, California activists, and a narration by Martin Sheen, the film presents a detailed look at the quick rise, and even faster fall, of an automobile powered by electricity which produced no harmful emissions.

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