King Klong & The Island of Monsters

  • Title: King Kong
  • IMDb: link

See what happens when you reward a director for 4 hour CGI heavy movie! King Kong is a maddening film. Peter Jackson has been dreaming of making Kong for years now.  Who would have thought his dream would become our nightmare?  There are some good moments and acting but it’s all been hidden beneath so much CGI that you can hardly see it.  I preferred the remake of Mighty Joe Young with Charlize Theron or the 1976 King Kong with Jeff Bridges to this monstrosity.

The story in a nutshell is this…  Filmmaker Carl Denham (Jack Black) along with his writer (Adrien Brody), stars Ann Darrow (Naomi Watts) and Bruce Baxter (Kyle Chandler) and his crew travel to the mysterious Skull Island to film a movie.  After about a third of the film’s running time they arrive on the island and Miss Darrow is taken captive by a aborigine tribe of pole jumpers (who mysteriously appear and disappear completely in the film) who plan to sacrifice her to Kong (voice by Andy Serkis).  While trying to save Ann the group encounters every kind of CGI monster you can imagine including numerous bugs, velociraptors, T-Rexes, oh who gives a crap, there’s a bunch of monsters okay?  After saving Ann, Carl decides to capture Kong and take him to Broadway to make his fortune.

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Golden Globe Nominees

Can a gay cowboy film be best picture?  The Golden Globe nominations hit the air this morning and the question could be a resounding yes.  With seven nominations including picture, director, actor, and supporting actress Brokeback Mountain (which just yesterday won the NY Film Critic’s Circle best picture award) it’s the belle of the ball.  It’s competition includes Clooney’s Good Night, and Good Luck and Woody Allen’s Matchpoint.  Clooney also could clean up and take home four trophies (three for Good Night and one for Syriana).  For a full list of the nominees click here.

The 63rd Annual Golden Globes
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After the Sunset

  • Title: After the Sunset
  • IMDB: link

I’m not a huge Brett Ratner fan, but of all his movies this is probably my favorite.  I like heist flicks and After the Sunset is a good, though not great, one.  Brosnan’s charm, Harrelson’s wackiness, and Hayek’s beauty make this an enjoyable little film.

Max (Pierce Brosnan) and Lola (Salma Hayek) pull their last heist in Los Angeles stealing the second Napoleon diamond from FBI Agent Stan Lloyd (Woody Harrelson) before retiring to the Bahamas.  On arrival Lola is content with retirement, but Max grows bored.  His boredom comes to an end when Stan shows up telling him that the third Napoleon diamond is on it’s way to the Bahamas and dares him to try and steal it.

Max is in a quandary as Lola wants nothing more than to be married and leave their criminal past in, well, the past.  Also involved is a local gangster Henri Moore (Don Cheadle) who wants Max to steal the diamond to help him pay for his gun running, prostitution, and drug business.

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“The Most Brilliant Comic in America”

We were saddened this weekend to learn that Richard Pryor had passed away at the age of 65.  Pryor had been battling multiple sclerosis and succumbed to a heart attack in Los Angeles on Saturday.  The transcendent stand-up comedian of his era Pryor’s straightforward and outspoken style of comedy won him fans the world over.  With an angry yet sensitive stage performance he spawned many imitators but no real successor.  Explicit, raw and emotional, Pryor was a storyteller who could find the humor in even the bleakest circumstances through his conversational comedic style.  His comic success moved him into a wide variety of movie roles such as The Toy with Jackie Gleason, Harlem Nights with Eddie Murphy, Brewster’s Millions with John Candy, Superman III (um, let’s forget that one) and his collaboration with Gene Wilder that produced Stir Crazy, Silver Streak, See No Evil Hear No Evil, and Another You.  He also co-wrote, directed, and starred in the semi-autobiographical Jo Jo Dancer, Your Life Is Calling and wrote an autobiography Pryor Convictions.

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Syriana

Syriana, while not based on any specific events, gives a chillingly accurate portrait of the many pressures brought to bear on the Middle East oil concerns.  Multiple storylines (each intrinsically tied together) converge to show how poverty, politics, reform, and economic opportunity work against each other, creating unintended consequences for all.  People who don’t follow politics might get lost among the multiple storylines, but in reality each scene impacts every other, even if it’s not readily apparent.  Top notch performanaces from all the leads, with particular notice going to the excellent Jeffery Wright, as a lawyer who slowly gives in to corruption.

Syriana
5 Stars

If ever there was a film to showcase the banality of evil, Syriana is it.  There are no scenery-chewing maniacs gleefully cackling over their nefarious plans here; just dedicated men and women quietly doing a job they believe in because they can’t comprehend the alternatives, and the few reformers whose efforts are stymied at every turn.  Easily one of the most honest and frank portrayals of how American oil interests shape and define the Middle East at every level, Syriana is a film that is heartbreakingly relevant to our day to day lives, even if it’s portraying a world most of us never see.

Matt wonders how long it will take George to realize he’s lifted the Cloonster’s wallet.

On one side of the equation of Syriana is Bennett Holiday (Jeffery Wright), a lawyer tasked with easing the passage of a massive oil company merger that’s currently stuck due a Justice Department investigation.  Quiet and dignified, Holiday is being presented an opportunity to ascend into the realm of the real power-brokers, which would let him leave his past behind if only he can find and ‘eliminate’ any problem spots in the companies’ histories, while still allowing Justice to give the appearance of due dilligence.  Holiday’s boss Dean Whiting (Christopher Plummer) is a power broker of the highest order; juggling favors and influence in his other role as member of the Committee for the Liberation of Iran, a hawkish think tank that’s mouthpiecing the unofficial position of the administration.  Killien Oil owner Jimmy Pope (Chris Cooper) is sitting on the rights to one of the most lucrative drillings fields in existence, which Connex Oil desperately wants.

The other side of the equation has Bryan Woodman (Matt Damon), an analyst for an energy commodities firm whose personal tragedy opens the door to working with Prince Nasir Al-Subbai, a reform minded Gulf Prince who is next in line to become an Emir, if he can outmanuver his younger brother.  Together Woodman and Al-Subbai are attempting to bring the modern age to the Gulf region, by ignoring American influence and pursuing home grown democracy. 

In the middle is CIA agent Bob Barnes (George Clooney), a dutiful and capable agent doing work he believes in, but is beset by beauracratic meddling and manipulation from higher authorities.  Set up as a fall guy after a botched job, Barnes is simply trying to save himself from the machinations of government ideologues whose goals fly in the face of the reality Barnes lives in.

Finally we’re presented with the story of Wasid Ahmed Khan, a young Pakistani oil worker whose livelihood is taken away when one of Prince Nasir’s oil fields is shut down in retaliation for Nasir’s selling of drilling rights to a Chinese corporation.  Unable to find work and treated as ignorant trash by a corrupt system, Wasid falls under the influence of an extremist Islamic school, and is set upon the path to martyrdom in the name of a cause he doesn’t fully understand.

Still with me?  Yah, it’s convoluted, but every single frame impacts every other.  While similar to Traffic in terms of the multiple storylines converging to a single point, Syriana sidesteps the moralizing and speechifying of that film while also refusing to dumb down any of the issues at hand.  Indeed, Syriana’s authenticity can be confusing for non-political minded viewers, as most of what’s going on is revealed in spite of the vague and non-commital speech of the Washington aspects.  Syriana is a film that rewards both your patience and your intelligence, as after a slow start the seemingly random plotlines slowly converge into a tragic point. 

Beautifully filmed, and well acted all around, Syriana takes the high road with intelligent film making and, while it may not be a thrill-a-minute fun ride, it’s a power and compelling look at an issue that effects every single person on the planet.

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