2.5 Razors

Divergent

/ / Home Video
  • Title: Divergent
  • IMDb: link

DivergentBased on the young adult novel by Veronica Roth, Divergent cashes in on several of the same themes that made The Hunger Games a box office success. Casting Shailene Woodley as Tris, the plucky young heroine in a dystopian future, the movie follows a similar formula of class warfare and child warriors.

In a world where people are grouped into five castes, each centered around a specific ideal, Tris reaches the age of choosing in which she decides to forgo a life of servitude to become a warrior. Her choice is heavily influenced by the fact that Tris, unlike the vast majority of the population, has a genetic code that doesn’t fit neatly into any one of the particular factions.

Hiding her divergence from both friends and enemies, Tris trains to become a member of Dauntless, but to succeed in becoming a full member of the faction she’ll have face the truth about herself and keep anyone else from learning her secret.

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Legendary Star-Lord #2

/ / Comics

Legendary Star-Lord #2Marvel Comics’ unsubtle move to further turn Star-Lord into the Han Solo of the Marvel Universe goes into overdrive here as the second issue of the solo-series focuses on the character’s scruffy, smuggler with a heart of gold nature. Making an uneasy alliance with his half-sister, Star-Lord infiltrates a bounty hunter’s lair as a prisoner, nearly gets eaten by something that looks an awful lot like the Sarlacc Pit (although is revealed to be more than meets the eye), and manages to escape with a pocketful of credits.

Mentioned in the first issue of the comic, Legendary Star-Lord #2 offers us the first look at the villainous Mr. Knife (who we will no doubt be seeing more of), while also developing the relationship between Peter Quill and the sister he never knew he had.

Disconnected from the rest of the Marvel Universe (or the Guardians own continuity) the opening two issues have provided some fun but they also showcase why Peter Quill works better with partners rather than in Solo (pun intended) missions. Hit-and-Miss.

[Marvel, $3.99]

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Guardians of the Galaxy #17

/ / Comics

Guardians of the Galaxy #17After fracturing the team a couple of issues back and imprisoning its members across the galaxy, the series reunites the Guardians of the Galaxy in the latest issue with such relative ease you have to wonder what the point of this arc was. Yes, Peter Quill finally got the better of his father, but surely that small victory (with possible huge ramifications) could have been handled without disrupting the team and removing the core dynamic which makes the series work.

Although Venom hasn’t been found, apparently Carol Danvers is sticking around for the time being. Although I like the character, I have much the same complaints about her addition as I did about Venom where neither really fits on a team that has already been trimmed down of far more interesting characters (Cosmo, the time-displaced Vance Astro and Starhawk just to name three).

Although it still has the feel of a Guardians issue, I think both longtime fans and those inspired by the movie to pick up the issue may feel somewhat disappointed. Hit-and-Miss.

[Marvel, $3.99]

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Wish I Was Here

/ / Movie Reviews
  • Title: Wish I Was Here
  • IMDB: link

Wish I Was HereTen years ago Zack Braff wrote, directed, and starred in a little film called Garden State. Over the next decade the actor continued to work in front of the camera but other than directing a few episodes of Scrubs left the work behind the camera to others. With the help of a Kickstarter campaign, Braff returns to the big screen with Wish I Was Here which features many of the same quirks of his Garden State while focusing on sensibilities that have evolved over time.

Despite having a similar slice-of-life take on a character not too far removed from his own (here Braff stars as a struggling actor with an overworked wife and demanding children), Wish I Was Here is far less effective than Garden State. Co-written by Braff’s brother Adam, the new feature provides some great individual moments (including reminding us that Kate Hudson can act when called upon to do something more than braindead romcoms), but fails in becoming more than the sum of its parts by offering an overly simplistic ending to a messy (and increasingly cliched) life seemingly freed of all troubles in under two-hours.

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Under the Skin

/ / Home Video
  • Title: Under the Skin
  • IMDb: link

Under the Skin

The line between a movie being artistic and pretentious is, like beauty, often in the eye of the beholder. Director Jonathan Glazer helms this tale of a beautiful woman (Scarlett Johansson) stalking lonely men in Scotland. Adapted from the novel by Michael Faber, Under the Skin has sharply divided audiences over the issue of style versus substance.

Stripped down to its core, Faber’s story, adapted here by Glazer and Walter Campbell, is incredibly simple leaving very little room for character or plot development. Putting all his eggs in one basket, Glazer uses an over-stylized look to enhance the story that never attempts to ask or answer basic questions about what Johansson’s character, or her equally unnamed biker partner (Jeremy McWilliams), need with the men trapped like mosquitoes in amber in their monochromatic domicile (which must come from Gallifrey as it’s infinitely larger on the inside than the unassuming exterior would have you believe).

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