2.5 Razors – Page 87 – RazorFine Review

Men in Black: International

Alan Rapp / September 26, 2019 / Home Video

Title: Men in Black: International
IMDb: link

Other than its existence, the most shocking thing about Men in Black: International is that it isn’t a complete dumpster fire and does deliver some enjoyable moments over its uneven 114-minute running time (although, in the end, the entire enterprise is largely forgettable). The movie franchise dormant for seven years is reawoken by bringing in Thor: Ragnarok stars Chris Hemsworth and Tessa Thompson as the primary agents. Thompson is cast as the young woman smart enough to uncover the existence of MIB while Hemsworth is the weary agent who has been skating on his reputation for years.

The plot is more complicated than it needs to be as Agent M (Tessa Thompson) is sent to London by Agent O (Emma Thompson) who suspects something foul may be happening on the other side of the pond. M soon hooks up with Agent H (Hemsworth) only to bungle their assignment and end up on the run with a valuable piece of alien technology that a race known as the Hive are desperate to get there hands on.

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Carnival Row – Some Dark God Wakes

Alan Rapp / September 2, 2019 / Television Reviews

Title: Carnival Row – Some Dark God Wakes
IMDb: link

The best word to describe the first episode of Amazon’s new series Carnival Row is awkward. Attempting to blend fantasy, sci-fi, and a kinda-sorta (but not really) steampunk ascetic around a winding story lacking a true focus offers some interesting ideas but really shows no intention of heading somewhere interesting (at least until its final few minutes). Before we even get to a single scene, a dump of narrative exposition informs us about three different races, a war, refugees, and human smuggling across borders. In the first few minutes we also get refugees fleeing an occupied land and a shipwreck. None of this, however, takes place in the show’s primary setting. Here the shift focuses away from the faerie lands of Tirnanoc to the far more human lands of The Burgue where Inspector Rycroft Philostrate (Orlando Bloom) is searching for a serial killer. Th premiere also offers glimpses at the charged political climate of the land (a not-so-subtle allusion to the U.S. and its current views on immigration) and, for good measure, throws in the proclivities of a politician’s son frequenting faerie whorehouses.

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Guilty Pleasure – Coyote Ugly

Alan Rapp / August 29, 2019 / Home Video

Title: Coyote Ugly
IMDb: link

Throwback Thursday takes us back to… wait, has it really been 19 years? Piper Perabo stars in 2000’s Coyote Ugly as aspiring songwriter Violet Sanford who leaves the comfort of her sleepy New Jersey suburb to move to New York City and become a singing barmaid at a trendy bar known for its attractive waitresses dancing on the bar.

While not what one would call objectively good (sappy and predictable are both apt descriptions), the movie does work as a guilty pleasure mostly for Perabo’s lead performance, the high energy from her often scantily-clad co-stars (Izabella Miko, Bridget Moynahan, Tyra Banks), and the film’s soundtrack sporting four songs written by Diane Warren (which proved more successful than the film itself).

The larger supporting cast includes Maria Bello as the bar’s gruff owner with a heart of gold, Adam Garcia as Violet’s love interest (who is thrown together with Violet in a sickeningly-sweet meet-cute), and John Goodman as Violet’s disapproving father, both of her move to New York and how she spends her nights.

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Batman: Hush

Alan Rapp / August 14, 2019 / Home Video

Title: Batman: Hush
IMDb: link

The latest DC Comics animated feature is an adaptation of the hugely popular twelve-part mini-series by Jeph Loeb and Jim Lee. The film takes quite a few liberties with the source material, even going so far as to change the identity of the villain named Hush who the arc introduced as a mastermind attacking both Batman (Jason O’Mara) and Bruce Wayne from multiple angles prior to revealing himself. Although some cutting may be necessary to fit within the structure of the movie, the script still oddly keeps an excessive amount of the (mostly unnecessary) thread involving Superman (Jerry O’Connell) and Poison Ivy (Peyton List).

Fitting into the existing storyline of the Son of Batman movies, with only a cameo from Damian, the script does take steps to push Batman into more of a classic costume for most of the film to more closely resemble the look of the comic (if only the those in charge of the project had done the same with the plot).

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Hobbs & Shaw

Alan Rapp / August 1, 2019 / Movie Reviews

Title: Fast & Furious Presents: Hobbs & Shaw
IMDb: link

The Fast & Furious franchise has produced a series of films over the past two decades that range from fairly okay (Fast Five and Tokyo Drift) to largely forgettable (see everything else). Fast & Furious Presents: Hobbs & Shaw may not have a lot going for it but it does have Dwayne “The Rock” Johnson and Jason Statham who take their bickering to the next level when forced to work together on a joint CIA and MI6 assignment (despite neither one working for either agency).

The plot steals more than a little from M:I-2 when an agent (Vanessa Kirby) injects a deadly virus into herself rather than let it fall into the hands of terrorists. Hobbs is tapped to find the agent, who our suped-up super-villain (Idris Elba) and his super-secret villainous organization have framed for the theft and deaths of her team. Ryan Reynolds gets a fun, if largely unnecessary, cameo to bring the hero onboard. Shaw‘s motivations are far more personal.

The film offers plenty of chase sequences but far less muscle cars and heists than the usual Fast & Furious flick. In fact, other the the forced family theme shoved down the audience’s throat at every turn, Hobbs & Shaw feels like a rather purposeful departure from the franchise which spawned it.

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