2 Razors

Miss Peregrine’s Home for Peculiar Children

  • Title: Miss Peregrine’s Home for Peculiar Children
  • IMDb: link

Miss Peregrine's Home for Peculiar ChildrenAdapted from Ransom Riggsnovel of the same name, Tim Burton‘s latest tells the story of high school outcast named Jake Portman (Asa Butterfield) who is drawn into a mystical and macabre world following his grandfather’s (Terence Stamp) death as he discovers all the childhood bedtimes stories told to him are actually based on real people and real events just waiting for Jake to find them.

As a film Miss Peregrine’s Home for Peculiar Children features all the trademarks of Burton’s style, although without Johnny Depp or Helena Bonham Carter the movie feels more serious and less madcap than several of the director’s more recent projects. As a story, the movie feels very much like a book (somewhat akwardly) adapted to film. The odd story moves in fits and starts introducing Jake’s life prior to his grandfather’s death, his psychoanalysis, and his journey to England with his father (Chris O’Dowd), before getting down to introducing Miss Peregrine (Eva Green in the role Helena Bonham Carter would usually play) and her unusual students all trapped in a time-loop in a single day during WWII where they are safe from the monsters hunting them.

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Blindspot – Hero Fears Imminent Rot

  • Title: Blindspot – Hero Fears Imminent Rot
  • wiki: link

Blindspot - Hero Fears Imminent Rot

While the rest of the team is busy hunting the group responsible for a series of bombings around New York, Jane (Jaimie Alexander) is given a test by Sheppard (Michelle Hurd). Although Jane will fail her assignment to kill as ordered to by Sandstorm, Roman (Luke Mitchell) will step in to cover for his sister. Shaken from the experience, but now accepted by the organization, Jane is offered some ominous words of wisdom from her brother stating he will do whatever it takes to bring back the sister he lost before Sandstorm wiped Jane’s memories. Roman also suggests Sandstorm’s plans will now proceed quickly (which would be news to both the show’s writers and its audience).

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Lethal Weapon – Pilot

  • Title: Lethal Weapon – Pilot
  • IMDb: link

Lethal Weapon - Pilot

Well, at least it’s better than the new Rush Hour TV-series. Yeah, that is an incredibly low bar. The show’s “Pilot” introduces us to Clayne Crawford as the new Detective Martin Riggs, a Texas good ‘ol boy relocated to Los Angeles after the death of his wife and unborn child six months earlier. Riggs’ new partner is career cop Roger Murtaugh (a completely miscast Damon Wayans) coming off of heart surgery and not ready for the crazy antics of his new partner. The pair’s first two cases involve a bank robbery Riggs solves by killing all three suspects and blowing up the bank (which doesn’t get him suspended) and a soldier’s apparent suicide which is obviously something more.

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Romantic Comedy Triple Feature

  • Title: Fools Rush In, The Wedding Planner, Made of Honor
  • IMDb: link, link, link

Fools Rush In / The Wedding Planner / Made of HonorThis Romantic Comedy Triple Feature collects three relatively recent romantic comedies in one set which is perfect if you need to torture your boyfriend but not much good for anything else.

Made of Honor is a pretty bland reversal of My Best Friend’s Wedding with Patrick Dempsey discovering he has romantic feelings for his best friend (Michelle Monaghan) after she asks him to be the maid of honor at her wedding. Read the full review.

The Wedding Planner isn’t that much better starring Jennifer Lopez as a wedding planner who falls for the one of her clients (Matthew McConaughey) and ruins his impeding wedding to his fiance (Bridgette Wilson-Sampras). Home-wrecking has never been so sickly sweet.

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The Light Between Oceans

  • Title: The Light Between Oceans
  • IMDb: link

The Light Between OceansIn the hands of a less talented cast The Light Between Oceans would be a tedious disaster. Soap opera dressed in drag as high drama, the manipulative tale is made watchable by its choice of leads Michael Fassbender and Alicia Vikander in what feels very much like a story predestined for Lifetime television. Still, a talented cast can only do so much with the sordid, and extremely predictable, source material.

Adapted from the novel of the same name, Fassbender stars as Tom Sherbourne, a WWI vet who takes a job as the lighthouse keeper on an isolated island. Falling for the daughter of one of the men who hired him for the position, Tom and Isabel’s (Alicia Vikander) life on the island is full of tragedy, but the arrival of a shipwrecked boat promises a new start for the couple. To do so they will make a choice which will not only affect themselves but a woman they have never met (Rachel Weisz) for years to come.

At more than two-hours no amount of pretty (but never quite amazing) scenery or closeups of Vikander and Fassbender can prevent the lull which director Derek Cianfrance can not seem to avoid.

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