2 Razors

1994 – The Chase

/ / Home Video
  • Title: The Chase
  • IMDB: link

The ChaseReleased on or around this date 20 years ago, The Chase is by no definition a good movie. However, despite its many faults the absurd road chase of falsely convicted Jack Hammond (Charlie Sheen), his rich-bitch hostage (Kristy Swanson), and the various cops, rednecks, and documentary crew following them to the Mexican border does provide some dumb-fun moments (along with one of the most preposterous sex scenes ever filmed).

Other than The Phantom, The Chase is arguably Swanson’s best movie role (especially for those of us who far prefer Sarah Michelle Gellar in the role of cheerleader turned vampire hunter Buffy Summers). At its best The Chase is a guilty pleasure fans of Sheen and Swanson can enjoy without using any more brain power than those who put the film together in the first place.

Available on DVD (but not Blu-ray), the only feature the home video version includes is the ability to watch the film in either Full Screen or Widescreen.

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Batman and Robin Annual #2

/ / Comics

Batman and Robin Annual #2My issue with Batman and Robin Annual #2, which is a mostly unremarkable recreation of Dick Grayson first day as Robin, is the comic is simply yet another example of DC continuing to shit all over their own characters’ beloved comic history by rebranding the first Robin costume as a crappy version of Tim Drake‘s pre-New 52 costume.

Although the Annual’s story allows it to weave in Damian (reminding us how much the Bat-books miss him right now), it doesn’t actually do much to compare Damian and Dick’s versions of Robin (which is really supposed to be the point). I will say the joke about an average day in school for Dick was funny (but didn’t need to be repeated). But the villain, Tusk, is completely forgettable, and even this younger version of Batman comes off like a complete prick through 90% of the story.

Even with the fan bait of giving Batman fans a taste of the character Grant Morrison killed only because he could, Batman and Robin Annual #2 is unremarkarkable except for the fact it will likely continue to piss off longtime DC fans. Pass.

[DC, $4.99]

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Sherlock – His Last Vow

/ / Television Reviews
  • Title: Sherlock – His Last Vow
  • wiki: link

Sherlock - His Last Vow

Well that… kinda sucked. Following a messy, but thoroughly enjoyable, episode, Stephen Moffat dives into his old bag of tricks for the season finale which features Sherlock Holmes (Benedict Cumberbatch) in defeat, morphs Watson‘s (Martin Freeman) new bride Mary (Amanda Abbington) into the Holmes’ equivalent of River Song (Alex Kingston), and offers yet another super-villain who is arguably both smarter and more dangerous than Moriarty (Andrew Scott). Oh, and I should mention Holmes fails to solve the case.

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The Best Produced Lifetime Movie for Women Ever Made

/ / Movie Reviews
  • Title: Labor Day
  • IMDB: link

Labor DayI’m a Jason Reitman fan. Young Adult made my Top Films of 2011, as did Juno a few years earlier. I consider Thank You For Smoking the best satire (by far) of the past decade, and Up in the Air was easily my favorite film of 2009. With a combination of wit, talent, and an eye for casting, the writer-director has produced some terrific films over the past few years. Sadly, Labor Day is not one of them.

Based on the novel by Joyce Maynard, Labor Day lacks Reitman’s usual flourishes or the trademark edge of the director’s previous work. Although competently acted and well produced, neither the director nor its stars (Kate Winslet, Josh Brolin, Clark Gregg, and Gattlin Griffith) can save the movie from trashy romance novel themes about the nicest escaped murderer (Brolin) this side of Mayberry and an implausible love story that is impossible to take seriously (but also not quite cheesy enough to laugh at or enjoy). It’s with neither malice nor spite, but with a heavy heart, that I dub the film the best produced Lifetime Movie for Women ever made.

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Supergirl #27

/ / Comics

Supergirl #27I’m saddened, but not surprised, by DC refusing to capitalize on the perfect situation to admit a horrific mistake and move on. Last issue ended with Supergirl killing the pointlessly redesigned pseudo-Lobo which I had hoped might mean that DC Editorial had chosen to listen to fan outrage of yet another bastardization of a classic character and carefully orchestrated a way to get rid of the character in a single issue. Nope. At least the art is good.

The “dead” pseudo-Lobo of course comes back to life to cause trouble for Supergirl along with Shay Veritas and the other scientists trapped aboard the dimensionally-trapped Block. The comic also introduces us the ship’s prisoner/passenger with the New 52 introduction of Lady Blaze (who, if possible, interests me less than pseudo-Lobo).

Although I’ve grown to like this depiction of Kara, the comic’s hot-and-cold storylines have been hit-and-miss for me and I have little interest in seeing Kara and pseudo-Lobo, Round 2 after her solar recharge. Maybe I’ll come back for the next arc. Pass.

[DC, $2.99]

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