3.5 Razors

Red Sonja: Black, White, Red #8

Three more tales of Red Sonja in black and white, and more than a little red thrown in, are collected in Red Sonja: Black, White, Red #8. In “Last Words,” my favorite of the three, Red Sonja confronts Master Valik the Merchant known for finding lucrative, but dangerous, jobs for thieves. These jobs are so dangerous, Sonja wonders just why any thief (including a few she knew) would ever take them.

Red Sonja and fifteen sailors survive the trip to Sleeper Island only to face the wrath of a demon even deadlier than the storm in “Fifteen Men on the Sleeper Chest.” And “Cursed” gives us Red Sonja and a young girl in the midst of a winter storm talking over the legend of a witch, killed by Sonja years ago, whose memory still haunts those in the woods demanding a sacrifice to be made to her.

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Seven Secrets #15

The contents of not one but two cases will be revealed in Seven Secrets #15, although there’s a lot of explanation needed of what exactly the final reveal means. The Sixth Case’s opening reveals a baby demon with the power to destroy, but instead just looks a bit lost, leading to the death of another of the Order and a strategic retreat by Amon to the land of Faerie where he may have just stumbled on some unexpected allies. Releasing a demon on the world, and they still think themselves the good guys?

Coming at the end of the issues is the reveal that the Seventh Case is actually empty. The Seventh Secret has been walking around for several years now. And, if the world is to be saved, he’s going to need to live up to his destiny. We now know why Anton is scared of Caspar, but (given we know his death is coming) how exactly will this play out?

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Wolf Like Me – Episode 4

  • Title: Wolf Like Me – Episode 4
  • IMDb: link

After another public run-in, that gets a bit more comedic than it needs to (but still entertains), Mary (Isla Fisher) comes to dinner in an episode that suggests maybe having a girlfriend who is a werewolf isn’t the worst thing in the world. “Episode 4” continues to build on Mary’s relationship with Emma (Ariel Donoghue) and, despite his objections and insecurities that eventually drive her out of the house, Gary (Josh Gad) continues to fall for her as well. I will assume the final two episodes will explore if this relationship will work, and what happens when Emma learns Mary’s secret?

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Legacies – Not All Those Who Wander Are Lost

  • Title: Legacies – Not All Those Who Wander Are Lost
  • wiki: link

The various drama at the school is put on hold in “Not All Those Who Wander Are Lost” as Hope (Danielle Rose Russell) and Lizzie (Jenny Boyd) torture Aurora de Martel (Rebecca Breeds) and, in Limbo, Alaric (Matthew Davis), Landon (Aria Shahghasemi), and Ted (Ben Geurens) make a deal with a genie getting three wishes that don’t go as anyone expects. The Limbo storyline, with its various twists, turns out to be the better of the two stories returning on character to his villainous alter-ego, one character back to the land of the living, but leaving two of them trapped in Limbo. As for the Hope/Lizzie storyline, I can’t help question whether Lizzie’s big breakthrough moment, leading to a team-up with Aurora), is merely another of Hope’s plans. I guess we’ll wait and see.

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Charli XCX: Alone Together

  • Title: Charli XCX: Alone Together
  • IMDb: link

Feeling isolated during the 2020 COVID quarantine, English singer and songwriter Charli XCX decided to create a new album from her home, which would become How I’m Feeling Now, and enlisted the help of her fans to help with the collaboration with plans to create and release the album in a matter of weeks with only what was available to her in isolation. Charli XCX: Alone Together documents the unusual process showcasing the artist’s daily life, her relationship, her fans, and the work involved putting together the album.

While likely more of interest to those already fans of Charli, the documentary does touch on several interesting themes and ideas including an artist’s relationship with her fanbase, the struggles of the creative process (in most unusual circumstances), and as a snapchat of life in quarantine and the emotional and psychological toll of all the days captured on film.

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