3 Razors

Guilty Pleasure – Hard to Kill

  • Title: Hard to Kill
  • IMDb: link

Hard to Kill movie review

Today’s Throwback Tuesday post takes us back to 1990 and the ouvere of action star Steven Seagal. For me, Hard to Kill fits firmly into the category of a guilty pleasure. Objectively it’s hard to argue that Hard to Kill is anywhere near a great movie, but damn if I haven’t had a great time with every viewing.

Easily my favorite of Seagal’s career, the actor stars as cop whose family is attacked in their home after he stumbles onto a conspiracy involving a politician and local mob boss. After being in a coma for seven years, with his reputation shredded and wife dead, Mason Storm returns to the land of the living to clear his name and seek vengeance for his family.

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Solo: A Star Wars Story

  • Title: Solo: A Star Wars Story
  • IMDb: link

Solo: A Star Wars Story movie reviewIn many ways Solo: A Star Wars Story is the antithesis of Rian Johnson’s The Last Jedi. Solo plays things ultra-conservative, continually dumbs down the plot for the audience, and relies heavily on nostalgia. The result is a fun, if flawed and unambitious, film that offers fans the Cliff’s Notes version of Han Solo‘s (Alden Ehrenreich) past.

Star Wars fans will know the planet Corellia. Aside from being the homeworld of Han Solo, the planet played a major role in various storylines of the Star Wars Expanded Universe. Solo: A Star Wars Story is the first Star Wars film to give fans a glimpse of the world… and it’s about and underwhelming as possible. It doesn’t help that the only scenes we get involve a young Han, saddled with a Dickensian backstory which turns him into Oliver Twist, working along with other local younglings as a thief.

If the film has a major flaw its the first 30-45 minutes which struggles mightily to set-up the story and at times is borderline bad. Thankfully, once Han makes some new friends and the heist plot is introduced, things begin to pick up.

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Supergirl – Shelter from the Storm

  • Title: Supergirl – Shelter from the Storm
  • wiki: link

Supergirl - Shelter from the Storm TV review

“Shelter from the Storm” proves to be a pretty anti-climactic end to the Reign (Odette Annable) saga as the now triple-powered super-villain goes looking for Ruby (Emma Tremblay) who Lena (Katie McGrath has hidden. Eventually Reign finds the daughter of her human half, with plans to kill Ruby and vanquish Sam. Only with help form both Lena and Mon-El (Chris Wood), and advice from M’yrnn (Carl Lumbly) – in a subplot that feels particularly shoehorned in, is Supergirl (Melissa Benoist) able to halt her path. With Reign defeated, at least for now, it looks like the remainder of the season will deal with carnage and fallout she caused including turning Lena and Supergirl against each other.

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Hawaii Five-0 – Kōpī wale nō i ka i’a a ‘eu nō ka ilo

  • Title: Hawaii Five-0 – Kōpī wale nō i ka i’a a ‘eu nō ka ilo
  • wiki: link

Hawaii Five-0 - Kōpī wale nō i ka i'a a 'eu nō ka ilo television review

Over the years Hawaii Five-0 has provided several episodes sending McGarrett (Alex O’Loughlin), and occasionally the rest of the Five-0 team, out of Hawaii and into more military-style adventures. The penultimate episode of the show’s rocky Eight Season follows this formula as McGarrett hitches a ride with Junior (Beulah Koale) and his SEAL team after learning their mission could involving finding Joe White (Terry O’Quinn). Not all that subtly, the episode mirrors the McGarret/White relationship with that of McGarrett and Junior. We also get flashbacks to a younger McGarrett on Joe White’s team, and the lengths Steve’s mentor went to keep him alive. Although its unclear if the team was successful in their primary mission of killing their target, McGarrett does get his man and brings him home.

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Legion – Chapter 14

  • Title: Legion – Chapter 14
  • wiki: link

Legion - Chapter 14 television review

Although it offers some interesting moments, it’s hard not to view “Chapter 14” as a filler episode used to artificially lengthen the series (a process Netflix has made an art form out of). All taking place in a blink of the eye as David (Dan Stevens) discovers the truth about his sister, the episode jumps around alternate realities where David is in more or less control of his powers and mental state. Be it a homeless man, a warehouse worker, or a the richest man in the world, in any reality David’s condition continues to be both a potential burden or boon. Had this sequence taken place in a third of an episode, rather than stretched out over an entire episode, I think the idea would have been more effective and not left me feeling that it was sort of a waste of my time. You could skip this entire episode and not miss a single beat or reference going forward with the rest of the season.

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