3 Razors

Red Hood and the Outlaws #17

Red Hood and the Outlaws #17 comic review

Red Hood and the Outlaws #17 offers an opportunity for a team-up between the Outlaws and the Suicide Squad who head to the Arctic to destroy a Colony base whose continued operation poses a threat to the planet. Mainly an excuse to team-up the two groups, the issue has its individual moments (such as the back-and-forth between Artemis and Harley Quinn), but more often than not it’s fan service rather than anything driving the plot. Still, there’s some fun to be had here seeing the two groups interact. For fans.

[DC, $2.99]

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Wonder Wheel

  • Title: Wonder Wheel
  • IMDb: link

Wonder Wheel movie reviewFalling neither at the top nor bottom of the Woody Allen scale, the writer/director’s latest fits somewhere in the middle. Set in Coney Island during the 1950s, Wonder Wheel tells the story of a distraught waitress (Kate Winslet) cheating on her husband (Jim Belushi) with a lifeguard (Justin Timberlake) with delusions of becoming a great writer. Matters are complicated by the arrival of her husband’s daughter (Juno Temple) from a previous marriage, on-the-run from her gangster husband, who also catches the lifeguard’s eye, and our waitress’ arson-loving preteen son (Jack Gore) setting fire to everything he can find.

Winslet is the ensemble stand-out of the piece as a middle-aged woman determined that her affair lead her out of the mess her life has become. Other than the fact that he’s the outsider to the family, Timberlake turns out to be an odd choice for narrator. Winslet, Temple, or even Belushi (who is almost too convincing as the prototypical bad drunk with a temper) would seem to offer a better insight into the story. In the end, Winslet’s perfomance and the setting of a 50s Coney Island help make up for some of the film’s shortcomings (including an opening act better suited to a stage performance).

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Tomb Raider: Survivor’s Crusade #1

Tomb Raider: Survivor's Crusade #1 comic reviewThe first issue of Tomb Raider: Survivor’s Crusade takes Lara Croft to Corniglia, Italy inside a secret underground tomb discovered by Trinity. Lara isn’t there for the tomb, its riddles, or its treasures. She’s come seeking out members of the mysterious organization for answers concerning the identity of the person responsible for her father’s death.

Narrated throughout with the multiple attempts by our protagonist to explain her absence, and failing, the first issue does a fairly good job in kicking off the point of the series and just what Lara is questing for this time around. Although I enjoy Ashley A. Woods’ work, I’m not wild about the art in this issue. The action scenes work well-enough but there’s a grit to Lara and her adventures that doesn’t come across well in this first issue.

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The Man Who Invented Christmas

  • Title: The Man Who Invented Christmas
  • IMDb: link

The Man Who Invented Christmas movie reviewOn television, stage, and in film there have been plenty of adaptations of Charles Dickens’ A Christmas Carol over the years (Mickey Mouse and Bill Murray have provided two of my favorites). The latest from director Bharat Nalluri and screenwriter Susan Coyne, based on Les Standiford‘s book, doesn’t add much new to the proceedings, but proves to be an enjoyable holiday romp focused on the turmoil in Dickens’ (Dan Stevens) life and the creation of one of his most famous works. The script follows a familiar path seen before with authors talking directly to their characters and stealing names and lines from real-life to work into their writing. The later reminded me of Shakespeare in Love, which had far more wit than we find here.

The main takeaway of the movie seems to be that Dickens had as much Scrooge (Christopher Plummer) in him as Bob Cratchit, and only by coming to terms with the fact was he able to finish the book that had ties to his own troubled upbringing. Stevens is likable enough in the role, with serviceable support from Plummer, Jonathan Pryce, Morfydd Clark, and others while the movie brings Victorian London, and various Dickens’ characters, to life.

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The Killing of a Sacred Deer

  • Title: The Killing of a Sacred Deer
  • IMDb: link

The Killing of a Sacred Deer movie reviewWriter/director Yorgos Lanthimos (The Lobster) is known for unconventional storytelling, and his latest certainly fits that bill. Steven Murphy (Colin Farrell) is a respected surgeon with a wife (Nicole Kidman), two children (Raffey Cassidy and Sunny Suljic), and secretive relationship to the son (Barry Keoghan) of a former patient with an equally strange mother (Alicia Silverstone, in a surprisingly small role). When Steven’s son develops odd symptoms that can’t be explained, the doctor is confronted by Martin (Keoghan) who makes veiled threats while suggesting that he is somehow responsible.

The Killing of a Sacred Deer is a frustrating movie. The film is visually stunning with a haunting score, but every time an actor delivers a torturous line-reading (more appropriate to a group of lonely souls reading publicly from their Twilight fan fiction) the spell is broken. There’s a stiltedness to every performance, no character speaks naturally, and even their reactions, movements, and manners are so affected it will make you wonder if you missed the note explaining that everyone in the film is autistic.

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