3 Razors

20th Century Women

  • Title: 20th Century Women
  • IMDb: link

20th Century Women movie reviewI was a big enough fan of writer/director Mike Mills‘ 2011 film Beginners to include it on my best of the year list. In his first film since Beginners, Mills reuses themes of nostalgia and the awkwardness of life along with some of the same structure (including inter-cut stills and narration to frame a time and place), but although 20th Century Women features a strong cast it lacks the intimacy and magic of his previous movie.

Set during the 1970s, the film focuses on single mother Dorothea (Annette Bening), her teenage son Jaime (Lucas Jade Zumann), and the other women in their lives, Jaime’s longtime best-friend Julie (Elle Fanning) and Dorothea’s friend and tenant Abbie (Greta Gerwig), who Dorothea enlists to help raise her son to grow into a proper man.

The strength of the script is the film’s characters and their interactions (even if Mills struggles a bit a making some of these women, based on the real women who raised him, a bit too cute and quirky for their own good). A notable weakness is the size of the cast leading to a less focused film that while enjoyable isn’t necessarily all that memorable.

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Emerald City – Mistress – New Mistress

  • Title: Emerald City – Mistress – New Mistress
  • wiki: link

Emerald City - Mistress - New Mistress TV review

Three episodes in I can already see a problem with Emerald City and how each story is constructed. In The Wizard of Oz, Dorothy is the stand-in for the audience. As she is introduced to the bizarre new world so are we. We never learn information or specifics about Oz which Dorothy herself isn’t subject to. The construction of Emerald City, which feels much more like a book with different chapters from different characters’ point-of-view, proves problematic as it chooses instead for a rotating narrative as we see the world from the perspectives of Dorothy, but also the Wizard, the witches, and Tip. While this might help balance the screentime for the series’ cast, it creates a less cohesive narrative structure.

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Agents of S.H.I.E.L.D. – Broken Promises

  • Title: Marvel’s Agents of S.H.I.E.L.D. – Broken Promises
  • wiki: link

Agents of S.H.I.E.L.D. - Broken Promises TV review

Agents of S.H.I.E.L.D. puts its Ghost Rider storyline behind as it moves forward with S.H.I.E.L.D. dealing with an out-of-control Aida (Mallory Jansen) who has replaced May (Ming-Na Wen) with an android, attacked and murdered agents, and invaded S.H.I.E.L.D. headquarters to get its hands on the Darkhold. Things don’t go exactly as planned for the android, who faces Mack (Henry Simmons) and all his anti-robot wisdom (from years of sci-fi movies), but the episode’s closing scenes show this storyline is far from over (and the android isn’t the one behind the search for the Darkhold).

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Beyond – Ties that Bind

  • Title: Beyond – Ties that Bind
  • wiki: link

Beyond - Ties that Bind television review

After an intriguing set-up, Beyond takes a bit of a step back in an episode which continues to tease larger ramifications but spends most of its time on typical family dysfunction. After learning that his family isn’t as perfect as they’ve struggled to make it seem, Holden (Burkely Duffield) finally becomes convinced to allow Willa (Dilan Gwyn) to help restore his memory of his time in the Realm and, she hopes, learn to harness and control his dangerous and unpredictable abilities. There’s also a bit of foreshadowing that although Willa cares for Holden, and will do her best to protect him, her motives are more complicated than she’s willing to let on (and isn’t above putting him in danger to get what she needs).

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Hawaii Five-0 – Ka ‘aelike

  • Title: Hawaii Five-0 – Ka ‘aelike
  • wiki: link

Hawaii Five-0 - Ka 'aelike television review

“Ka ‘aelike” is a strange episode that wraps-up the show’s big mid-season cliffhanger before the opening credits even roll. Quickly sent back to Hawaii, with Chin (Daniel Dae Kim) now having custody of Sara (Londyn Silzer), the Five-0 crew gets back to business as usual for the case of the week. It’s odd for the show to throw away such a big lead-in, and I wonder if something larger wasn’t originally planned (involving the impregnable stronghold where the bad guys don’t even bother to take Chin), but was cut for either time or cost. Plus, the (completely unnecessary) involvement of Adam (Ian Anthony Dale) seems to be included for the sole purpose of helping Adam and Chin bury the hatchet (and possibly set-up trouble or the parole later this season).

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