3 Razors

Justice League United #7

Justice League United #7The Infinitus Saga continues with Stargirl stepping up and talking some sense into both teams about the rather unheroic actions of killing a powerful child because of what he might one day turn into in one possible future timeline. The entire concept of the Legion of Super-Heroes heading backwards in time to commit murder has bothered me since the beginning of the arc rather than having the heroes struggle to find the more heroic thing to do, and I’m happy to see my favorite member of the current Canadian Justice League team be the one to step-up here as the cheap out of snapping someone’s neck appears to be off the table.

With all that settled there’s still plenty of action to be had as the two super-hero groups will combine resources to stop Byth from turning Ultra into a creature of mass destruction eventually responsible for the death of millions. With my need to cut back a bit on my monthly comic bills, Justice League United continues to straddle the line of worth picking up although this month’s beautiful Darwyn Cooke variant cover made the choice a little easier. For fans.

[DC, $3.99]

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The Mentalist – Black Market

  • Title: The Mentalist – Black Market
  • wiki: link

The Mentalist - Black Market

“Black Market” feels a bit like a story concept that has struggled to make it to air for several seasons as Jane‘s (Simon Baker) illness forces Lisbon (Robin Tunney) into the role of fake psychic to draw out a killer. I think the idea is more interesting than the final product, but Tunney has fun with the script having Lisbon be the one to unmask a killer through a bit of subterfuge, grandstanding, and keen observation.

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The Flash: Season Zero #3

The Flash: Season Zero #3Captured by the circus, the Flash learns the tragic origin of Mr. Bliss and discovers the ringmaster’s powers firsthand as Bliss feeds Barry his greatest fear and worst nightmare simultaneously stopping the Scarlet Speedster dead in his tracks. With the help of a couple of Bliss’ unwilling minions, Caitlin and Cisco are able to rescue their friend from the circus but not before the damage had already been done.

Along with Bliss’ full introduction, the main takeaway from The Flash: Season Zero #3 is how the ringmaster uses his power to control those around him. The Flash doesn’t need to take down the entire gang, just one man (albeit a man who can look straight into his soul and feed him his darkest fears).

The issue also illustrates that Barry’s deepest fears and nightmares don’t involve the legion of evil meta-humans waiting for him, or even the mysterious man in the yellow suit who stole his life, but the two most important people in his life he feels he has failed: his parents. For fans.

[DC, $2.99]

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Detective Comics #37

Detective Comics #37After taking down a delusional Mad Hatter, Batman turns his attention to a crime that Harvey Bullock has been persuing for weeks without any real leads other than graffiti left as a signature for each crime. The death of a Wayne Enterprises’ executive brings the detective and Batman both to Wayne Tower just in time to discover what explosive situation Anarky has left for them.

After a couple of months off, Brian Buccellato and Francis Manapul return to Detective Comics with the opening of this new arc. I’ve never been a huge Anarky fan, but the villain does have his uses especially if (as this issue suggests) this is the first time he’s been active in Gotham City.

The method which the super-villain uses to turn the office building into a bomb works (at least for a Batman comic book), although we still don’t know why he has chosen to target a building full of Bruce Wayne’s employees or what Anarky’s end game might be. Worth a look.

[DC, $3.99]

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St. Vincent

  • Title: St. Vincent
  • IMDb: link

St. VincentSt. Vincent is a perfectly fine (if all-too-familiar) by-the-numbers dramedy about a grumpy old man’s relationship with a nice kid who, to absolutely no one’s surprise, will show his new friend isn’t as bad as everyone believes him to be. Comparable to last year’s Bad Words, it lacks the dark wit of Bad Santa or the soundtrack and amusing race sequences of Six Pack, and is far less moving than Up, but writer/director Theodore Melfi‘s film does allow space for Murray’s talent to flourish and finds a way to use Melissa McCarthy in a way which reminds us she is capable of acting when not stuck in crappy films such as Tammy, Identity Thief, or The Heat.

The premise is relatively simple, Murray stars as a grumpy bastard with a pregnant hooker girlfriend (Naomi Watts) and general disdain for nearly every other living person. Desperately needing money, Vincent (Murray) agrees to babysit his new neighbor’s (McCarthy) son Oliver (Jaeden Lieberher) after school. From there Vincent shares with the kid useful, but mostly inappropriate, knowledge that eventually raises the ire of Oliver’s mother and threatens her custody case with her ex-husband.

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