3 Razors

G.I. JOE: The Cobra Files #2

G.I. JOE: The Cobra Files #2The second issue of G.I. JOE: The Cobra Files opens with the son of the original Cobra Commander awaking from a coma. After shaking the kid up a little, the JOEs send in Chameleon for the role she was born to play, bending men to her will. Realizing his role as the team’s intelligence officer into Cobra may be diminished by Billy agreeing to cooperate, Tomax makes some moves of his own by beginning to plant seeds of discord among the ranks starting with the teams technical officer Clockspring.

Although Billy has only limited knowledge of the operation, he does offer the team a target: a Tiger Team known as the Night Creepers who recently attacked a base in Los Alamos to steal “exotic materials.” Flint‘s plan for catching the group is more than a little unorthodox as he proposes hiring the team… to break into the Pentagon.

G.I. JOE: The Cobra Files #2 is a solid issue that gives us a closer look at how the team does business, and how far they are willing to go to stop Cobra. For fans.

[IDW, $3.99]

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Nashville – I’ll Never Get Out of This World Alive

  • Title: Nashville – Why Don’t You Love Me
  • tv.com: link

Nashville - I'll Never Get Out of This World Alive

The show’s soapy First Season comes to a close with Juliette (Hayden Panettiere) reeling from the shooting of Dante (Jay Hernandez) and Jolene’s (Sylvia Jefferies) suicide, Gunnar (Sam Palladio) faced with the decision of choosing a career based on a the songs of his brother or fixing his broken relationship with Scarlett (Clare Bowen) who has been spending more and more time with Avery (Jonathan Jackson) both on-stage and off, the U.S. Attorney closing in on Teddy (Eric Close), Maddie (Lennon Stella) and Deacon (Charles Esten) learning the truth that Rayna (Connie Britton) has kept from both of them for 13 years, and the arrival of the CMA Awards.

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Natalie Maines – Mother

Natalie Maines - MotherSeven years after the release of the Dixie Chicks 2006 album Taking the Long Way lead singer Natalie Maines returns with her first solo album. Mother, a collection of seven covers songs with three original songs from Maines and her collaborators Ben Harper, Jesse Ingalls, Jason Mozersky, and Gary Louris. Although the eighth song credits her former band mates Martie Maguire and Emily Robison, the album is a complete departure from the Chicks mix of country, bluegrass, and pop that made them so successful over the years. Rather than a triumphant new beginning, Mother feels very much like Maines is still trying to find herself following her comments about George Bush and the backlash of the Chicks fanbase that led to the Dixie Chicks taking a prolonged hiatus.

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G.I. JOE: Special Missions #3

G.I. JOE: Special Missions #3The race for Cobra’s lost fortune continues as the Baroness‘ attempt to recover the billions Snake Eyes sunk to the bottom of the ocean becomes more complicated by the the Scarlett and the Special Mission force’s arrival on the scene, back-up JOEs on the way (along with an entire legion of Serpentor’s best warriors), and an on-board mutiny when the sailors for hire discover just what the Baroness is having them pull out of the watery depths. And Scarlett punches a shark. Twice.

Scarlett and the shark, which only take up about half a page of the comic, are really the highlight here. Chuck Dixon reminds us again just how smart and dangerous the Baroness is as she sniffs out the mutiny well-before the crew make and attempt on her life to keep the cash for themselves.

Forgive me for the water metaphor, but three issues in the storyline still feels like its treading water. I’m still interested to see where things are going, and trust Dixon to get there, but I would like events to move forward a little faster. For fans.

[IDW, $3.99]

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Fast & Furious 6

  • Title: Fast & Furious 6
  • IMDB: link

Fast & Furious 6When the sixth installment of the Fast & Furious franchise plays to its strengths (fast cars, good cinematography, beautiful women kicking butt, and some terrific action sequences) it works well. Sadly, we are also forced to sit through the franchise’s usual hamfisted attempts at dramatic tension and clichéd (not to mention extremely corny) dialogue which give us a mopey Vin Diesel for the first half-hour of the film and an inexplicable subplot involving Paul Walker in prison that doesn’t so much shit in the face of logic as refuse to exist the concept exists at all.

Director Justin Lin reassembles the team from the last film as Hobbs (Dwayane “It’s Okay To Call Me The Rock Again” Johnson) recruits Toretto (Diesel) and his drivers to take down a mercenary group of high-speed thieves attacking military targets. For Hobbs its about using the lesser of two evils to stop a greater one. For Toretto its about bringing a lost member of his family back home when Hobbs informs him that Letty (Michelle Rodriguez) is alive and working for the murderous leader (Luke Evans) of the group.

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