3 Razors

Darkwing Duck #9

After a brief meeting with an image consultant in an attempt to clean up his image after the army of Darkwings helped demolish large sections of St. Canard. Next up for our hero: an unlikely team-up with an agent of F.O.W.L.

Things must really be bleak if Steelbeak is willing to turn on his own criminal organization and befriend the duck who has thwarted his criminal enterprises for years. So what could be so awful, so unthinkable? F.O.W.L. has decided to use dark magic to bring forth… Duckthulhu!

Okay, I’ll grant you that this isn’t a great idea for a story, but I actually enjoyed Darkwing Duck and Steelbeak together on the same side, and the plot for this story arc (even if it makes me groan) does allow this to happen. It also gives us a chance for a harebrained scheme and the pair behind overwhelmed by an army of Eggmen.

Throw in the funny opening with the Duck Draper (which goes over as badly as you’d expect) as well as the reactions of both Gosalyn and Morgana Macawber to being taken for granted, and there’s more than enough here that’s worth a look.

[BOOM $3.99]

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Take Me or Leave Me

  • Title: Glee – Comeback
  • tv.com: link

There may have been way too much Justin Bieber for my tastes in this week’s episode of Glee, but the message of getting back to basics was a good one for both Sue (Jane Lynch) and Rachel (Lea Michele). We also got more of the Finn (Cory Monteith)/Quinn (Dianna Agron)/Sam (Chord Overstreet) triangle – with a little Santana (Naya Rivera) thrown in for good measure – and more of the odd pairing of Puck (Mark Salling) and Lauren (Ashley Fink). And, I kind of liked Britney’s (Heather Morris) arm-warmers. This week also marked another diva-off between Rachel and Mercedes (Amber Riley) with a very entertaing performance of “Take Me or Leave Me” from Rent which you can watch in this clip.

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Definitely, Maybe

  • Title: Definitely, Maybe
  • IMDB: link

“I’m going to tell you the story and I’m changing all the names, and I’m not telling you who your Mom is.”
“I like it; it’s like a love story mystery”

definitely-maybe-posterOkay, here’s where I usually blast contrived romantic comedies like this one.  And although Definitely, Maybe does fall into that category the level of talent involved and the sheer joy of the tale make it a far more enjoyable experience than it has any right to be.

On the eve of his divorce Will Hayes (Ryan Reynolds) tries to explain love and relationships to his precocious daughter Maya (Abigail Breslin).

Will recounts a bedtime story of his relationships with three women (Elizabeth Banks, Isla Fisher, Rachel Weisz), one of which is Maya’s mother.  Changing names and small facts Maya analyzes her father’s romantic history and tries to guess the identity of her mother, and try to figure out just what’s wrong with her father.

With a premise like that I thought I might be pulling my hair out by the time the film moved into the second act, but although the story is a tad contrived (and at times just too cute for words) it’s balanced by a darn good cast and Reynolds’ ability to find chemistry with each of his leading ladies.

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Barebreast Mountain

  • Title: Imagine Me & You
  • IMDB: link

imagine-me-and-you-posterImagine Me & You is an interesting film.  It’s a love story without almost any heat or sex.  Instead it focuses on the romantic and emotional type of love.  Can a film like this work?  Well, kinda’.  Rated R because of the subject of lesbian romance, the film probably should have earned a PG rating as it’s good fun for the whole (liberal) family.

On the day of her wedding to Heck (Matthew Goode) Rachel (Piper Perabo) meets Luce (Lena Headey) the florist hired for her wedding.  Rachel feels an instant connection to Luce and something more.  Finding out later that Luce is gay makes Rachel weigh instant attraction and chemistry against her marriage, friendship and commitment to her husband.

Truthfully we’ve already seen the “you can’t help who you fall in love with” film done many times and just recently with a gay slant (Brokeback Mountain).  This film doesn’t really add anything new to the equation and the tone and pace of the movie is uneven as hell. 

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Gotham City Sirens #19

The latest issue of Gotham City Sirens is split up into two-halves. The first half concludes the Talia/Zatanna tale and the problem over the dangerous knowledge Catwoman carries.

The second half of the issue deals with the fallout from that encounter, the sirens getting a new pad, and Selina and Harley sitting down together for a heart-to-heart that leads one of them off the deep end. (I’ll give you one guess as to which one.)

It’s here where the sane, clinical side of Harley is shown (right before she journeys on another trip to crazytown). Given her various antics, it’s easy to forget the character was a psychologist before falling for the Joker and it’s nice to see that part of here honored here in her attempt to help a friend in need.

I also enjoyed how writer Peter Calloway juxtaposed the Catwoman/Batman relationship with that of Harley and the Joker. Harley’s internalizing of the pain Selina has endured at her relationship with a man who wouldn’t and couldn’t give himself to her fully sparks the crazy fires one more time as Harley sets out to find Mr. J. for a final confrontation. It’s not a great issue but the scene between Catwoman and Harley alone makes it worth a look.

[DC $2.99]

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