3 Razors

Bridge to Terabithia

  • Title: Bridge to Terabithia
  • IMDb: link

I wasn’t sure what to expect going in to see Bridge to Terabithia.  The film is being marketed as an imaginary fantasy tale much like Chronicles of Narnia: The Lion, the Witch, and the Wardrobe (which I hated to no end, see how much here).  But that’s not really what the film is, thank God.  It’s a simple tale about the importance of your first best friend and how children often use the power of their imagination to comfort themselves against a world that can often be cruel. If you are looking for a special effects feast for the eyes than this isn’t your film, but if you just want a film about kids being kids you could do worse than give this one a shot.

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Dancing Penguins

  • Title: Happy Feet
  • IMDb: link

happy-feet-poster

Happy Feet is a very average animated film with some brilliant animation.  Robin Williams does his thing, everyone learns an important lesson, and the world keeps on a spinin.’

Penguins mate by singing, if this animated tale is to be believed.  A penguin looks deep in his or her heart and finds the heartsong which will be sung and will attract a mate.  Two of the most musical penguins Memphis (Hugh Jackman) and Norma Jean (Nicole Kidman) come together in just such a moment.

Their son however is a disappointment.  Mumble (Elijah Wood) can’t sing, and has this odd habit of tapping his feet, and dancing to a beat that only he can hear.  He is in love with the lovely Gloria (Brittany Murphy) but without being able to sing a lick, he can’t win her heart or find a place in his world.

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Man of the Year

  • Title: Man of the Year
  • IMDB: link

Man of the YearWe’ve seen this done before, and done better.  Man of the Year doesn’t come close to Levinson’s direction of David Mamet’s wickedly humorous satire Wag the Dog and lacks the warmth of Dave.  It falls apart in the second act, seemingly written and directed by a studio exec’s retarded grandson, as the film losses all it’s momentum as the comedy is shelved for a thrill-less thriller.

Tom Dobbs (Robin Williams) is a comedian with his own late-night political show, think Bill Maher or Jon Stewart amped up on caffeine.  An offhand remark by a audience member begins a series of unusual and unbelievable circumstances leading this funny man to become the President of the United States.

It has a perfect set-up.  As Dobbs runs just to stir the pot, which no one takes seriously, Elanor Green (Laura Linney), an employee of the Diebold-like maker of the new voting machines, discovers a slight flaw in the system.  When she presents her findings to the CEO she is told the problem is being worked on and will be corrected.

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School for Scoundrels

  • Title: School for Scoundrels
  • IMDb: link

School for ScoundrelsRoger (Jon Heder) is a loser.  By day he is abused by fellow workers and law breakers in his job as a meter-maid.  By night Roger pines for his neighbor, a sweet girl named Amanda (Jacinda Barrett) whose roommate (Sarah Silverman) is as sarcastic as Amanda is nice.

Unable to express his feelings to the woman he loves Roger decides to join a secret confidence building course run by the unscrupulous Dr. P (Billy Bob Thornton).  There he meets other losers like himself (Todd Louiso, Horatio Sanz, Matt Walsh, Jon Glaser, Leonard Earl Howse) and for the first time begins to feel a part of something.

Roger’s success in the class has some dire consequences.  Dr. P decides to challenge Roger and make a move on Amanda, using every dirty trick imaginable.  Roger is forced to either tell the truth or beat his professor at his own game.

The film is full of gags and some increasingly brutal humor.  It doesn’t have the balls to go for the big laughs Thornton got in Bad Santa, but it is consistently funny throughout.

The supporting cast, stolen mostly from former SNL casts, does well.  Silverman plays her typical bitch on wheels and is a little too shrill for me here.  If she’s serious about giving acting a chance I’d like to see her branch out a little more.  There are two cameo roles that stand out, Ben Stiller and David Cross, who are so good you wonder why the script couldn’t fit them into the plot more.

It’s a fine comedy that won’t bore you.  It doesn’t have the huge belly laughs you would expect from this material, but it is consistantly funny throughout.  If guy humor, men getting shot in the crotch with paint guns, and losers trying pitifully to impress women sound like your thing, you should enjoy yourself.  It’s well worth the price of admission.

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Give Peace A Chance

  • Title: The U.S. vs. John Lennon
  • IMDb: link

The U.S. vs. John LennonThe year of the documentary continues.  The U.S. vs. John Lennon takes its place along a great list of documentaries released this year that include An Inconvenient Truth (read that review here), Who Killed the Electric Car? (read that review here), Cocaine Cowboys (that review is coming, I promise), and Wordplay (read that review here).  Aside from being informative and entertaining the documentary is quite timely; I urge everyone to watch closely at the speeches Richard Nixon gives about the Vietnam War and compare them, as the film does in a very small part, to our current administration’s conflict in Iraq.

John Lennon was a God in the late 1960’s and 1970’s.  He was also an intellectual, and in a way that would make Toby Keith go into fits of rage, a strong antiwar activist.  The documentary begins with a summing up of the political and cultural landscape of the time.  It discusses the Nixon White House, the Black Panthers, political activists Bobby Seale, Abbie Hoffman, Jerry Rubin and others.

From there the film jumps to Lennon’s height of popularity with The Beatles, his meeting with Yoko Ono, and how he evolved from the lead singer and spokesman of a British band into one of the world’s most outspoken anti-war activists.

The film follows Lennon’s attempts atpeaceful activism including his “Hair Peace, Bed Peace” sit-ins and his famous “Bed-Ins” in Amsterdam and Montreal, the recording of the album “Give Peace a Chance” which would become the international anthem for the peace movement, and the even more eccentric “Bagism” where Lennon and Ono were interviewed by reporters while completely covered under a bag.

Despite the couple’s list of eccentricities and oddities, Lennon was so popular and so out-spoken against the Vietnam War that Richard Nixon’s White House began a campaign to deport him.  The documentary follows those years of Lennon fighting the system and trying to stay in his adopted home of New York City, as Senator Strom Thurmond and INS worked just as hard to kick Lennon out of the country.

The film is fascinating watching interviews with those who knew Lennon inter-mixed with clips and music from the time period.  My sole complaint with the film is it’s a little slow getting started.  The first half-hour or so tries to paint the picture of the period and events before it ever gets to Lennon specifically.  While great for youngsters, many people will find this remedial history a tad boring.

However, once the film shifts focus to Lennon and his battles against the Nixon White House things get good, really good.  Lennon and his legacy are in good hands here, and we are given some timely and balls-on perfect commentary by Gore Vidal about Nixon’s White House and the Bush White House today.  I’m sure it will be enough to send Toby Keith into fits of rage, which is of course always a good thing.

John Lennon was an idealist, he was a little crazy, and he was right.  We need people like him today.  The documentary shows how this country needs people like Lennon to open their eyes to troubles we are all too willing to ignore.  Unlike today’s celebrities who pick up and leave causes at the drop of a hat, without ever really understanding them, Lennon understood, and felt deeply personal over, the issues of his day and saw a need and responsibility to share those views with the word.  He is missed, today more than ever.

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