4 Razors

Arrow – Elseworlds (Part 2)

  • Title: The Flash – Elseworlds (Part 2)
  • wiki: link

Arrow - Elseworlds (Part 2) television review

“Elseworlds” continues as Barry (Grant Gustin), Oliver (Stephen Amell), and Kara (Melissa Benoist) head to Gotham City in search of the person responsible for the changes to reality. Who they find is Batwoman (Ruby Rose). As with Part 1, this episode has plenty of Easter Eggs for DC Comics fans including John Wesley Shipp in his classic Flash costume appearing in a vision (not unlike the Flash did in Crisis on Infinite Earths). The episode also cements a couple of points that, up until now, the Arrowverse has been coy about discussing: Batman exists on both Earths, although he’s been absent from the Gotham City of Earth-1 for quite some time.

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The Flash – Elseworlds (Part 1)

  • Title: The Flash – Elseworlds (Part 1)
  • wiki: link

The CW begins its latest crossover event on The Flash with Part 1 of “Elseworlds” as Barry (Grant Gustin) and Oliver (Stephen Amell) awake to a reality where they have each other’s powers and skills and everyone treats Barry as Oliver and vice-versa. The goofy Freaky Friday set-up provides some humorous moments such as Oliver struggling to deal with the affections of Iris (Candice Patton) and Barry getting some long-waited payback. There are nagging issues here in how quickly both are able to get up to speed, but the episode’s idea that the abilities/skills are inherent to them and just need to be tapped into does the bare minimum to gloss over the plot hole. Also troubling is Team Flash’s reaction to the pair. While throwing them into the pipeline allows for a nice escape sequence, and offering a reason to tie-in appearances from both Supergirl (Melissa Benoist) and Superman (Tyler Hoechlin), you would think that Barry and Oliver (who still have their own knowledge) should have been able to prove who was who simply by talking things through.

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Asher

  • Title: Asher
  • IMDb: link

Asher movie reviewWhile Asher doesn’t offer much in the way of surprise or suspense, there’s something magnetic about Ron Perlman as the career fixer whose age has finally started to catch up to him. Perlman captures Asher’s weary professionalism that is only ever disrupted by the chance meeting of a ballet teacher (Famke Janssen) whose life he literally falls into.

The script from first-time feature screenwriter Jay Zaretsky is pretty standard fare about an aging hitman whose life is about to get complicated by a new love and a past come back to haunt him. Perlman and Janssen help elevate the subject manner while director Michael Caton-Jones and cinematographer Denis Crossan combine to provide the film a visual style that highlights its stars and the world where Asher lives.

Filling out the story, the script throws in subplots involving Jacqueline Bisset the ballet teacher’s mother suffering from Alzheimer’s and troubles involving Richard Dreyfuss and Peter Facinelli as a honored boss and celebrity protege. Neither story offers easy answers, but, when force comes to bear, Asher will deal with all obstacles as best he can.

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Spenser: For Hire – Blood Money

  • Title: Spenser: For Hire – Blood Money
  • IMDb: link

Spenser - Blood Money television review

For Throwback Thursday we turn we turn our attention back to the mean streets of Boston. Spenser (Robert Urich) gets involved in a kidnapping of a CEO (James Rebhorn) that makes less and less sense the longer he stays on the case. The radical group claiming responsibility doesn’t appear to actually exist. The company’s head of security (Jimmie Ray Weeks) botches the routine ransom drop, the company cares more about the stock price than their missing CEO, and Spenser’s client (Lonette McKee) has more to gain from her husband’s death than his safe return. When the CEO’s body is dumped, Spenser’s job may be done but that doesn’t mean he’s willing to leave things be.

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Silk Stalkings – Dirty Laundry

  • Title: Silk Stalkings – Dirty Laundry
  • IMDb: link

Silk Stalkings - Dirty Laundry television review

Throwback Thursday takes us back to the unsolved crimes of passion in the wealthy playground of Palm Beach, Florida. The apparent natural death of a womanizing congressman (Tom Howard) brings in Chris (Rob Estes) and Rita (Mitzi Kapture) who discover there was more going on with the man’s family and death than meets the eye. First, there’s the son’s girlfriend (Kelly Miracco) who was also sleeping with the father (including on the night of his death). Second, no member of the family is all that sad to see the congressman dead. And third, there’s the drugs found in the congressman’s system which makes his “accident” look a whole lot more like murder. Miracco is well-cast as the gold digger who proves nothing more than a red herring for larger drama afoot.

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