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Transformers: Age of Extinction

/ / Movie Reviews
  • Title: Transformers: Age of Extinction
  • IMDb: link

Transformers: Age of ExtinctionI’m not a fan of Michael Bay‘s Transformers movies. In fact I’ve hated every single one. Transformers: Age of Extinction is not an exception, but on the sliding scale of horrific awfulness that is the Bay Transformers franchise it’s the least objectionable of the lot. Lazy, inane, and almost completely without merit, the latest Transformers film didn’t so much anger me as leave me increasingly confused and apathetic to the “storytelling” that was unfolding before my eyes.

The first film ruined a beloved childhood toy and cartoon franchise by centering the film not on the transforming robots themselves but a lazy 80s teenage sex comedy between Shia LaBeouf and Megan Fox and lots of (pointless) robot porn. The sequel lowered the bar with a plot that makes Highlander 2: The Quickening sound plausible involving Transformer reincarnation and various inanity including a sexbot, racist robots, more American flag waving, and even more (pointless) robot porn.

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How to Train Your Dragon 2

/ / Movie Reviews
  • Title: How to Train Your Dragon 2
  • IMDb: link

How to Train Your Dragon 2Picking up five years after the events of the first film, How to Train Your Dragon 2 finds Hiccup (Jay Baruchel) dealing with new challenges including his father‘s (Gerard Butler) plans to hand over the kingdom of Birk to his son, an enemy (Djimon Hounsou) creating his own army of dragons to conquer the world, and the unexpected return of Hiccup’s mother Valka (Cate Blanchett) who disappeared and has been presumed dead since Hiccup was a baby.

Returning the original cast of characters including Astrid (America Ferrera), Gobber (Craig Ferguson), Fishlegs (Christopher Mintz-Plasse), Snotlout (Jonah Hill), Tuffnut (T.J. Miller), and Ruffnut (Kristen Wiig), the sequel leaves time for the events of the the television show to take place without forcing the viewer to have seen the series to make sense of the current state of events. Blanchett’s addition of Valka, a woman more at home with dragons than her own son, and that of Hounsou as the film’s new villain Drago Bludvist prove to be excellent choices, but the heart of the film remains Hiccup and Toothless.

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Samurai Jack #8

/ / Comics

Samurai Jack #8In an issue without dialogue the focus of Samurai Jack #8 becomes the art as Samurai Jack‘s attempt to hide from the noise of the future city leads him to a sleeping pod. Thanks to the maneuvering of his old enemy Aku, Jack awakes in a mirrored cave where his reflection creates distorted doubles of the samurai out for blood.

I like the idea of doing a Samurai Jack storyline without any dialogue, something “Jack Renumbers the Past” put to tremendious use for most of the episode, but a throwaway one-issue adventure doesn’t have the same impact of Jack returning home for the first time.

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X-Men: Days of Future Past

/ / Movie Reviews
  • Title: X-Men: Days of Future Past
  • IMDB: link

X-Men: Days of Future PastHoping to bridge the gap between the success of X-Men: First Class and the more star-studded original X-Men films, and wash the taste of how horrifically that series ended, 20th Century Fox brought back director Bryan Singer and decided on adapting one of the long-running comic’s most popular stories for the big screen. The task set before Singer was no small one but the director steps up with X-Men: Days of Future Past and, in a Geoff Johns-ian effort of making disparate (and often inane) pieces fit, finds a way to deliver the best X-Men movie to date.

Opening in a dystopian not-too-far future the film sets up its basic premise of the time travel of a character’s mental consciousness in an opening action sequence involving Kitty Pryde (Ellen Page) and Iceman (Shawn Ashmore) along with several mutants we haven’t seen before: Bishop (Omar Sy), Warpath (Booboo Stewart), Blink (Bingbing Fan), and Sunspot (Adan Canto). What we learn is that Kitty can send a X-Men’s mind back in time to his younger self to warn of coming dangers and change the outcome.

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Godzilla

/ / Movie Reviews
  • Title: Godzilla (2014)
  • IMDB: link

GodzillaGodzilla returns to the big screen in an American film for the first time since 1998. Although better than Roland Emmerich‘s much despised film, while outdoing the director known for CGI disaster porn, the new version of Godzilla isn’t without its own issues. As a summer popcorn flick the new Godzilla may satisfy in the short term but it’s unlikely to entice me to return to its story anytime soon (if ever).

Opening in 1999 in the Philippines where an ancient monster is awoken before it makes its way to Japan unseen (this happens more than you’d expect in the film) and destroys a nuclear reactor to feed on the radioactivity for the next 15 years, the film jumps forward to present day where the scientist in charge of the facility (Bryan Cranston) still struggles with what really happened. Although much of the extended opening centers around Cranston (which could be trimmed considerably), the movie’s main character is the scientist’s son Lieutenant Ford Brody (Aaron Taylor-Johnson), a bomb disposal expert whose skills will come in quite handy before the end of the film.

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