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Wreck-It Ralph

  • Title: Wreck-It Ralph
  • IMDB: link

wreck-it-ralph-posterPixar’s growing influence on Disney, particularly that of head of Walt Disney Animation Studios John Lasseter, is certainly evident in Wreck-It Ralph. The latest Disney animated feature from longtime Futurama director Rich Moore bucks the trend of most animated kids’ fare in that it’s a love story to classic video games (which skewers older) and is centered around the unlikeliest of heroes — a villain. It also doesn’t take place in our reality. Instead it’s set in a world where arcade games and their myriad characters roam about, but are connected to each other by a Grand Central-like power strip allowing them to come and go as they please.

Wreck-It Ralph (voiced by John C. Reilly) has spent every day of the last 30 years doing exactly the same thing. When the arcade opens and the first customer puts a quarter in the video game (as if a quarter would buy you a game anywhere today), Ralph sets to wrecking the digital landscape of Fix-It Felix, Jr. This, of course, allows the game’s hero (Jack McBrayer) to fix the villain’s destruction, vanquish his foe, and earn his medal.

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Alex Cross

  • Title: Alex Cross
  • IMDB: link

alex-cross-posterAlex Cross is a bad movie that aspires to be a mediocre movie, only to fail even at that modest goal — in spectacular fashion. Based on the series of novels by James Patterson, Tyler Perry stars as a Detroit cop-turned-FBI-Agent who finds himself playing cat and mouse with a vicious killer (Matthew Fox) intent on the murder of a prominent businessman (Jean Reno) and anyone else remotely related to him.

Perry isn’t the first to play Alex Cross on-screen. Morgan Freeman played the role in both Along Came a Spider and Kiss the Girls. As problematic as both those films are, Freeman’s performances are actually pretty good. Although it’s far from Alex Cross‘ biggest problem, Tyler Perry is no Morgan Freeman.

Trying to choose the film’s biggest weak point is a near impossible challenge, as there’s so little Alex Cross does well. In almost every aspect of filmmaking (acting, directing, cinematography, writing, editing, effects, and so on) the new adaptation of Patterson’s character comes off as both incompetent and sophomoric.

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Taken 2: The Wrath of Nameless Eastern European Thugs

  • Title: Taken 2
  • IMDB: link

taken-2-posterDirected by Pierre Morel and written by Luc Besson and Robert Mark Kamen, 2008’s Taken starred Liam Neeson as retired CIA Agent Bryan Mills – a man forced to use his “particular set of skills” to rescue his daughter Kim (Maggie Grace) who was abducted by an Albanian human trafficking ring while vacationing in Paris. Over the course of the film Mills racked up an impressive amount of property damage while assaulting, torturing, and killing dozens of people including shooting the wife of a French police officer (Olivier Rabourdin), and close friend, in front of him.

Taken 2 returns Neeson, Grace, and Famke Janssen (as Mills’ ex-wife), who take a family vacation in Istanbul only to find their past finally catch up with them. Mills and his family are hunted by members (who may, or may not, have ties to the trafficking ring) of the families of the men he killed in the first movie. When Mills and his ex-wife are taken the super bad-ass senior citizen will have to rely on the help of his daughter to wreck another city, rack up a hefty body count, and save both himself and her mother.

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The Dark Knight Rises

  • Title: The Dark Knight Rises
  • IMDB: link

dark-knight-rises-posterJoel Schumacher killed Batman, at least in the movies, and at least for the better part of a decade. In 2003 the Caped Crusader was still in limbo six years after the theatrical debacle known as Batman and Robin. (One word: Bat-nipples.) Enter Christopher Nolan.

Batman Begins would hit theaters two years later followed up by the critically acclaimed The Dark Knight in 2008 featuring the Oscar-winning performance of Heath Ledger as the Joker. Four years later Nolan releases the third, and final, movie of his Bat-trilogy, The Dark Knight Rises, which brings the story of Nolan’s version of Batman full circle.

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The Amazing Spider-Man

  • Title: The Amazing Spider-Man
  • IMDb: link

After the trainwreck that was Spider-Man 3 Sony decided, rather than allow director Sam Raimi to continue with the character, to reboot the entire franchise. Together director Marc Webb and screenwriters James Vanderbilt, Alvin Sargent, and Steve Kloves were chosen to return Peter Parker to high school.

The result, The Amazing Spider-Man, at times feels very much a retread of Raimi’s Spider-Man as it focuses on a very similar plot and villain. However, Webb’s film makes a number of different choices that make it at least the equal of Raimi’s first Spidey film.

Andrew Garfield is cast in the role of science nerd Peter Parker, a Midtown Science High School student and loner. The film begins with a scene of Peter’s parents (Campbell ScottEmbeth Davidtz), scientists for Oscorp, leaving Peter with his Aunt May (Sally Field) and Uncle Ben (Martin Sheen) just before they disappear.

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