Amanda Peet

End of Days – Armageddon: The Day After 2012

  • Title: 2012
  • IMDb: link

I didn’t expect much from director Roland Emmerich’s latest disaster flick other than a little dumb fun. 2012 couldn’t even deliver that.

What follows is a short, and hopefully concise, review for a long, and depressingly boring, film (158-minute running time) that is almost as much fun as spending three hours alone in a doctor’s waiting room.

Maybe it was asking too much of Emmerich to give us another big disaster flick (after all, it’s not like 10,000 B.C. did anyone any favors). The man who gave us Independence Day, The Day After Tomorrow, and that woeful Godzilla remake, it seems, has nothing new to share. Instead he brings back the same tired storylines, with new actors and larger special effects, in hopes that this alone will be enough to satisfy.

It’s not.

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I Want to Believe

  • Title: The X-Files: I Want to Believe
  • IMDB: link

“Let’s just say that I want to believe.”

The abduction of one of their own and arrival of a psychic (Billy Connolly) on the scene leads Agent-in-Charge Dakota Whitney (Amanda Peet) to ask for the help of a former member of the bereau with experience in the paranormal.

Dana Scully (Gillian Anderson), now a brain surgeon, is asked to bring in her former partner from the wilderness.  Fox Mulder (David Duchovny) is living like a hermit cutting clippings of unexplained activity out of newspapers.  Reluctant at first, he agrees under the condition Scully comes with him.

Fans of the show should feel right at home here in terms of tone, mood, and storytelling.  Those unfamiliar with the mythology of the show should still able to follow the events, though you may miss some of the layers of the film, and specific moments added just for fans.

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Men are from Earth, Children are from Mars

  • Title: Martian Child
  • IMDb: link

“I don’t want to bring another kid into this world, but how do you argue against loving one that’s already here?”

martian-child-poster

John Cusack stars as David, a science fiction writer who is still dealing with the loss of his wife.  A social worker (Sophie Okonedo), who had been working to place a child with the couple contacts David about a special case.  Dennis (Bobby Coleman) is an odd little kid who spends most of his time in a box, collects (steals) items from other children, and wears a weight belt made of batteries.  Oh, and he thinks he’s a Martian.

You can probably guess where the film goes from here.  David and Dennis have their problems and grow to love each other.  It terms of storytelling the film doesn’t break any new ground, but the script from Seth Bass and Jonathan Tolins, based on the novel by David Gerrold, does hold our interest with smart characters and a story willing to hedge its bets on whether the kid is delusional or actually an alien.

There are some nice supporting performances here in roles that are could have been easily forgettable with less talented actors.  Amanda Peet charmed the socks off me as David’s sister-in-law, Joan Cusack is good as always playing a role she knows well – the sister, and Richard Schiff brings his trademark gruffness to the head of the review board who has the power to take Dennis away from David.  Although none of the characters are that well-written, these actors infuse them with energy and charm; there are several scenes between Peet and Cusack which nearly steal the film.

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Studio 60 on the Sunset Strip

  • Title: Studio 60 on the Sunset Strip
  • tv.com: link

“I don’t even know what the sides are in the culture war.”
“Well, your side hates my side because you think we think you’re stupid, and my side hates your side because we think you’re stupid.”

In many ways Studio 60 on the Sunset Strip was Aaron Sorkin‘s most ambitious project to date.  Returning to the show within a show concept he used to craft Sports Night (read that review) Sorkin also brought in weighty issues to balance against the behind the scenes sketch comedy.  The merging of the two doesn’t always work in every scene, but every single episode contains some magic and something not just to enjoy but to savor and discuss as well.

Studio 60 takes place behind the scenes of a late night sketch comedy similar to SNL.  After the producer and creator of the show Wes Mendell (guest star Judd Hirsch) loses a final battle against Standards and Practices and interrupts a live feed to rant against the state of television (watch that clip).  The new head of programming for NBS (the National Broadcasting System) Jordan McDeere (Amanda Peet) brings in two of the show’s most popular alumns, Danny Tripp (Bradley Whitford) and Matt Albe (Matthew Perry) to produce and write the show.

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An EX-cruciating Experience

  • Title: The Ex
  • IMDb: link

Nothing tires me out and makes me more bored than a lazy film that relies completely on formulaic plotlines and predictable story.  The Ex is just such a film, and not even the casting of some truly funny people can save this film from itself.  It’s just a stupid, boring, excruciating bore.

The Ex?  Well, at least we know the same amount of time and energy that went in to making this turkey was also used to come up with the title.  “The Waste” or “The Crap” or “The Disappointment” would all have been (slightly more) appropriate titles as well.

Tom Reilly (Zach Braff) is a nice guy who’s just never been able to hold down a stable job.  Now that his wife Sofia (Amanda Peet) has just delivered their first child Tom decides to leave New York and take Sofia’s father (Charles Grodin) up on his offer to work at his ad agency in Ohio.

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