Anne Hathaway

Les Misérables

  • Title: Les Misérables
  • IMDB: link

les-miserables-poster

As someone who has never read Victor Hugo’s novel nor seen the musical adaptation on stage I was hardly going in to Les Misérables completely blind, but I was certainly coming from a different perspective from that of people who know either version of the source material by heart.

Clocking in with a running time of more than two-and-a-half hours, Les Misérables refuses to skimp in big set pieces (such as the opening sequence set in the Bagne of Toulon), large themes (faith, freedom, liberty, and morality), or filling out its roster with several big name stars.

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Glamourous short-haired Anne Hathaway is far from Misérable

In the January 2013 issue of Glamour actress Anne Hathaway shows off her sporty new hairdo (courtesy of her role in Les Misérables) and talks with the magazine about her recent marriage, her upcoming projects, her honeymoon, taking on the role as the face of One Billion Rising (the global movement to end violence against women), her love of dance and fashion, swearing off shopping until the end of the year, her critics, and how different she might act if she didn’t know people were always watching. You can find the pics from her cover photoshoot inside.

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The Dark Knight Rises

  • Title: The Dark Knight Rises
  • IMDB: link

dark-knight-rises-posterJoel Schumacher killed Batman, at least in the movies, and at least for the better part of a decade. In 2003 the Caped Crusader was still in limbo six years after the theatrical debacle known as Batman and Robin. (One word: Bat-nipples.) Enter Christopher Nolan.

Batman Begins would hit theaters two years later followed up by the critically acclaimed The Dark Knight in 2008 featuring the Oscar-winning performance of Heath Ledger as the Joker. Four years later Nolan releases the third, and final, movie of his Bat-trilogy, The Dark Knight Rises, which brings the story of Nolan’s version of Batman full circle.

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Like Crazy

  • Title: Like Crazy
  • IMDB: link

like-crazy-posterLike Crazy wants to be this year’s Blue Valentine. Paradoxically it also wants to be a romantic love story. Despite some nice performances and an understated feel, the movie leaves much unsaid about a pair of people who, even after spending two hours with them, we’re not sure if they belong together.

The film has a documentary feel that stresses real moments. This gives us small petty fights and cute moments with the pair in bed together, but it also shares with us long stretches that would have been better off on the cutting room floor. Too often the film’s rabid embrace of realism gets in the way of basic storytelling.

Like Crazy begins with the meeting of British exchange student Anna (Felicity Jones – think a more bubbly version of Emma Roberts) and Jacob (Anton Yelchin). The pair hit it off immediately and the glory days of their relationship is a montage blur until Anna’s Visa expires and she has to return home. Against the advice of some very cool movie parents (Alex KingstonOliver Muirhead) Anna overstays her time in America.

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