1997’s Kiss the Girls is the first of two movies adapted from James Patterson‘s novels starring Morgan Freeman as forensic psychologist Alex Cross. The plot follows Cross attempting to locate a kidnapper and serial killer known as Casanova who has just added Alex’s niece (Gina Ravera) to his collection. Alex’s biggest asset is Kate (Ashley Judd), one of Casanova’s earlier victims and the only one who managed to escape her captivity.
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Carey Mulligan and Zoe Kazan star as New York Times reporters Megan Twohey and Jodi Kantor on the scent of a story centering around movie producer Harvey Weinstein‘s sexual and emotional abuse towards women his company, and Hollywood at large, were to willing to ignore and cover up for 25 years.
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As I was rather lukewarm on Divergent, the first movie of this series based on the young adult novels by Veronica Roth, it should come as no surprise that my reaction to its sequel is much the same. Insurgent continues the adventures of Tris (Shailene Woodley) and Four (Theo James) on the run in a dystopian future broken into strict factions which neither properly fits into. Although the movie has a nice message about individuality, the ponderous path it takes to get there leaves something to be desired.
Despite a strong performance by Woodley as a character far more heroic in her actions and convictions than Katniss Everdeen, time has not made the premise of the series any easier to swallow. Not making that job easier this time around is the sequel’s plot which involves a magic Pandora’s box which only a true divergent may open and which Jeanine (Kate Winslet) believes she can use to crush the outsiders once and for all.
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Based on the young adult novel by Veronica Roth, Divergent cashes in on several of the same themes that made The Hunger Games a box office success. Casting Shailene Woodley as Tris, the plucky young heroine in a dystopian future, the movie follows a similar formula of class warfare and child warriors.
In a world where people are grouped into five castes, each centered around a specific ideal, Tris reaches the age of choosing in which she decides to forgo a life of servitude to become a warrior. Her choice is heavily influenced by the fact that Tris, unlike the vast majority of the population, has a genetic code that doesn’t fit neatly into any one of the particular factions.
Hiding her divergence from both friends and enemies, Tris trains to become a member of Dauntless, but to succeed in becoming a full member of the faction she’ll have face the truth about herself and keep anyone else from learning her secret.
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Olympus Has Fallen comes from a long line of dumb action flicks that are more concerned about high body counts and how many rounds of ammunition can be pumped into nameless causalities at high speeds than little things like plot, logic, and character. Twenty years ago this kind of film would have starred Bruce Willis or Steven Seagal. Not surprisingly, this dumb-as-dirt action flick comes from a pair of first-time screenwriters (Creighton Rothenberger, Katrin Benedikt) who pull from numerous similar films about a lone disgraced hero in over his head.
Gerard Butler stars as Secret Service Agent Mike Banning, the best of the best and a personal friend to the President of the United States (Aaron Eckhart) and his son (Finley Jacobsen). In the film’s opening sequence an unfortunate turn of events forces Banning to sacrifice the First Lady (Ashley Judd) in order to save the President’s life. Although Banning’s service is exemplary, and he performed his duty perfectly, he finds himself sitting at a desk at the U.S. Treasury for 18 months (which is when the story picks back up).
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The Last Boy Scout is Under Siege after Olympus Has FallenRead More »
The Last Boy Scout is Under Siege after Olympus Has Fallen Read More »
