Best of 2011

Melancholia

  • Title: Melancholia
  • IMDB: link

melancholia-posterIt begins, and ends, with the end of the world. The latest from writer/director Lars von Trier is a bleak examination at the lives of two sisters in the days before the arrival of a mysterious planet on a collision course with the Earth.

We begin with Justine (Kirsten Dunst) and Michael (Alexander Skarsgård) who are late to their own wedding reception. At first this cute occurrence of a limbo driver not being able to navigate the narrow drive to where the event is held seems nothing more than a mildly diverting challenge for the new couple to navigate. We soon learn, however, that the newlyweds have all kinds of problems they will struggle through on this night.

Over the course of the evening Justine, already stressed by the wedding, is pressured by her husband sister to act normal, her boss Stellan Skarsgård) wants a slogan for a new campaign, her sister’s husband (Kiefer Sutherland) wants her gratitude for the gala he’s paid for, and her mother (Charlotte Rampling) is complaining constantly at the absurdity of marriage.

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The Muppets

  • Title: The Muppets
  • IMDB: link

the-muppets-posterIt’s time to play the music. It’s time to light the lights. It’s been a long time since the The Muppets took Manhattan, had a great caper, or set their sites on an original movie. Sure there was that attempt to give Gonzo his own film, and the series of movies adapted from literature to star The Muppets over the years, but for the first time in a long time, with no small part to Jason Segel, The Muppets are back.

The story begins with brothers Walter (Peter Linz) and Gary (Segel) traveling to Los Angeles with Gary’s longtime girlfriend Mary (Amy Adams). Although the trip was initially set as an anniversary getaway for the lovers, Gary brings Walter along to let him realize one of his dreams by visiting Muppet Studios.

Walter is crushed to find the studio in disrepair and horrified to learn that an oil tycoon (Chris Cooper) is set to take ownership of the property and destroy it. The Muppets have only one chance, the contract leaves a clause that they can buy back the studio before the deadline if they can raise $10,000,000.

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Hugo

  • Title: Hugo
  • IMDB: link

hugo-posterFor the first half-hour or so of Hugo you’re wondering to yourself why is Martin Scorcese directing a children’s story about an orphan who lives in a train station with a broken robot?

Don’t get me wrong, the characters are engaging and the look of the film (especially in 3D where the effects bring to mind a child’s pop-up book) are terrific, but the question still remains. And then this film about an orphan and his automaton becomes a story about a famous filmmaker and the celebration and preservation of old films, and you know exactly what struck the director’s fancy.

When we first meet Hugo Cabaret (Asa Butterfield) he’s living in the walls of the Paris train station. The son of clockmaker (Jude Law), Hugo was orphaned when his father died in a museum fire. Now all Hugo has to remember him is a notebook and a broken automaton his father was attempting to fix before his death.

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The Descendants

  • Title: The Decendants
  • IMDB: link

the-descendants-posterOn the beautiful islands of Hawaii, Matt King’s (George Clooney) world crashes down when the real estate lawyer is hit with two bombshells at once. First, he learns that his wife (Patricia Hastie), who suffered a boating accident and has languished in a coma for weeks, isn’t going to get better. Her living will makes it obvious what will happen next, even if Matt and his two daughters aren’t ready for inevitable.

Things only get more complicated when breaking the news to his oldest daughter Alexandra (Shailene Woodley) Matt learns his wife has been having an affair and it’s this, not the daughter’s recently troubling behavior, which was the cause of the friction between mother and daughter in recent months.

Through his anger and grief Matt tries to keep his dysfunctional family together, deal with the outbursts of his younger daughter (Amara Miller) in school, and put up with Alexandra’s moron of a boyfriend Sid (Nick Krause), all while managing a complicated land sale that means millions of dollars for his extended family.

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The Tree of Life

  • Title: The Tree of Life
  • IMDB: link

tree-of-life-blu-rayThe Tree of Life is one of those rare films that you can use as a barometer to judge other’s tastes in films. If they dismiss it completely for its odd editing, non-linear structure, and perplexing nature that will tell you one thing. If they simply praise the look of the film and its challenging storytelling without noting its obvious flaws that will tell you something else.

The Tree of Life is a very good, but sometimes maddeningly frustrating, film. The director gives us the story of a family in Waco, Texas, in the 1950’s. We also get a much shorter look at one of the children (Sean Penn) years later. Interspersed with these tales is the origin of the universe and creation of life on Earth.

Those who don’t wish to be challenged by a film should give The Tree of Life a wide berth. You’ll need patience and a willingness to accept the kind of journey on which it wants to take you.

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