Best of 2020

The Top Ten Movies of 2020

The Top Ten Movies of 2020

2020 was a hard year, and an unusual one for the movie business at large. In the void of many larger films being rescheduled and pulled from theaters due to COVID, the vacancies left room for many smaller films to garner more attention than normal. While the year may not have given us all that we wanted, and left several movie houses on the verge of bankruptcy, the quality of the movies did not diminish. The list includes all films released up until this date (so it does not include 2020 releases which won’t be available to the public until February or later). Here’s a look back the best films of 2020.

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Nomadland

  • Title: Nomadland
  • IMDb: link

Nomadland movie reviewNomadland is a quiet, contemplative film not unlike Into the Wild or Wild in which a character leaves behind the conventions of society in search of something their former life can no longer offer. In the case of writer/director Chloé Zhao‘s tale, adapted from the book by Jessica Bruder, our character is an older widow who has lost nearly everything in the Great Recession including the home she made with her late husband when the town completely collapsed.

Taking to the road in a van, we travel along with Fern (Frances McDormand), meeting a number of other people in the same position searching for a way to make due with the little they have and hang on to the last of their independence. We discover a large community of the nomads, helping each other learn the tricks to survive. Bruder’s book took an in-depth look at the real nomad culture of older Americans hitting the road in RVs of all shapes and sizes looking for work and a way to get by. We don’t have to guess about the reality of these characters as many people play themselves in the film making Zhao’s tale an unusual blend of dramatic character study and documentary with Fern acting as the audience’s doorway into this world.

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The Vast of Night

  • Title: The Vast of Night
  • IMDb: link

The Vast of Night movie reviewPresented as something very similar to an episode from the original Twilight Zone, The Vast of Night offers a glimpse into a non-descript small town on a night when almost all are gathered for a high school basketball game and only a scattered few become aware of odd goings on in the night sky. The small town, set in the 1950s, focused on radio and reel-to-reel recordings, sets just the right mood for story which will slowly unfold. Self-financed, the low-budget film from writer/director Andrew Patterson is something to behold as it slowly builds before earning its final shot.

Our main characters are the night telephone operator Fay Crocker (Sierra McCormick) and her friend and local disc jokey Everett Sloan (Jake Horowitz) who become aware of an odd signal broadcasting across phone and radio lines. Putting the sound on the radio, in hopes others might be able to identify it sends the pair down a rabbit hole starting with the story of a soldier (Bruce Davis) about top secret military projects and including the account of an elderly shut-in (Gail Cronauer) forcing both characters to question what they believe.

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One Night in Miami

  • Title: One Night in Miami
  • IMDb: link

One Night in Miami movie reviewRegina King brings Kemp Powers’ award-winning play to the silver screen offering a fictionalized account of the gathering of four prominent Black Americans, – Cassius Clay (Eli Goree), Malcolm X (Kingsley Ben-Adir), Sam Cooke (Leslie Odom Jr.), and Jim Brown (Aldis Hodge) one night in Miami after Clay beat Sonny Liston (Aaron D. Alexander) to become the Heavyweight Champion of the World. The contemplative gathering, coordinated by Malcom X, is far from the raucous celebration the others expected, but it delivers dramatic tension aplenty as tempers flare over disagreements on the role of prominent black men in America.

Kemp Powers is on-hand to adapt his own screenplay, and Regina King adds some nice touches here (including showing us some of the Liston/Clay fight) to help set the stage. The real movie takes place once the four men get in a room together. Despite relying on larger-than-life characters, the film doesn’t caricaturize them in any way, presenting them of men of the time with strong opinions and passions. Four men alone in a room arguing may not sound like the key to crafting a can’t-miss film, but King and Kemp pull it off.

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Palm Springs

  • Title: Palm Springs
  • IMDb: link

“It’s one of those infinite time loop situations that you might have heard about.”

Palm Springs movie reviewPalm Springs would fit perfectly in in a triple-feature nestled snuggly between Groundhog Day and Edge of Tomorrow. When we meet Nyles (Andy Samberg), through the eyes of bridesmaid Sarah (Cristin Milioti), he’s already stuck in a time loop around the events of the wedding of Sarah’s sister Tala (Camila Mendes). A flirtatious night between the pair leads to Sarah accidentally becoming trapped in the loop as well (although her circumstances are a bit more complicated than simply being a guest at the wedding).

Director Max Barbakow and writer Andy Siara team-up to deliver an incredibly smart, engaging, and charming film centered around the two leads (and to a lesser extent J.K. Simmons as the only other person aware of the loop). Time is rebooted once they fall asleep, lose consciousness, or die. Unable to break free of the loop, Nyles and Sarah struggle to find meaning in a meaningless existence where one day literally is the same as the next. Although it doesn’t break new ground with the concept, Palm Springs knows how to make the most out of each day and delivers the best comedy of 2020.

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