Biopic

J. Edgar

  • Title: J. Edgar
  • IMDb: link

j-edgar-poster

For his latest film director Clint Eastwood teams up with Milk writer Dustin Lance Black to examine the life of one of the 20th Century’s most famous, and infamous, men ever employed by the United States Government – J. Edgar Hoover. Eastwood and Black offer us a Hoover who was a fascinating figure, a great American, and a deeply flawed human being unprepared to deal with his own paranoia, latent homosexuality, and the eventual wealth of power he possessed as the first Director of the Federal Bureau of Investigation.

As with many biopics, the story is told through a series of flashbacks as Hoover (Leonardo DiCaprio) goes over his experiences with a series of writers working on his autobiography. The film begins with Hoover’s early days with the agency, his promotion, and the ruthlessness he used to move the F.B.I. into the 20th Century by incorporating new techniques such as fingerprint analysis and forensics into police work and changing the image of government agents in the public’s perception. He also managed to blackmail a great many people.

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Casino Jack

  • Title: Casino Jack
  • IMDB: link

Jack Abramoff was a greedy prick. That’s really the only message Casino Jack has. If you were expecting anything more from this political biopic by director George Hickenlooper and screenwriter Norman Snider you’re bound to leave disappointed.

Kevin Spacey stars as the Washington D.C. super-lobbyist who became a household name working for Preston Gates & Ellis and Greenberg Traurig and a director of the National Center for Public Policy Research. The film gives us a look into Abramoff’s rise to prominence and the personal flaws and series of events which led to his conviction on charges of embezzlement, fraud, and corruption.

The script is never quite sure what to do with this charismatic character who has dreams of helping the world while robbing his defrauding of Native American tribes and lining his own pockets with gold. It’s certainly a meaty role for Spacey, but the film gives us no reason to root either for or against this deeply flawed individual addicted to both money and power.

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The Best Hits of the 50’s, VH1 Style

  • Title: Cadillac Records
  • IMDb: link

“That mother fucker!”

The film, written and directed by Darnell Martin, tells the tale of Leonard Chess (Adrien Brody) and the creation, tribulations, and successes of Chess Records which boasted now legendary artists Muddy Waters (Jeffrey Wright), Little Walter (Columbus Short), Willie Dixon (Cedric the Entertainer), Howlin’ Wolf (Eamonn Walker), Chuck Berry (Mos Def), and Etta James (Beyonce Knowles), all of whom are members of the Rock and Roll Hall of Fame.

Given these figures you might expect something more than your basic paint-by-number music biopic.  If so, like me, you’ll be disappointed.

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Chaplin

  • Title: Chaplin
  • IMDb: link

“What do we do now Charlie?”
“Smile.”

It is impossible to discuss Chaplin without first mentioning the singular performance by Robert Downey Jr. There are many biopics where the star does a passable job and others where movie magic truly happens and the actor, to an almost eerie extent (think Jim Carey in Man on the Moon, only better), embodies the subject on film.

Downey may have failed to take home the Oscar (Anthony Hopkins, also in this film, spirited it away for his performance as a cannibal), but there is nothing here to be ashamed of.  From the recreation of Chaplin’s famous scenes to the more intimate moments far from the cinema, Downey gives us a Chaplin that lives and breathes, and a magic that makes us want to go out and buy all of the Tramp‘s films.

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Dubya

  • Title: W
  • IMDB: link

“Any kind of government will do, as long as it’s a democracy.”

Oliver Stone‘s biopic on George W. Bush (Josh Brolin) is a bit of a mixed bag.  On one side you have a terrific lead performance by Brolin and strong performances by Elizabeth Banks as Laura Bush and James Cromwell as Geroge Herbert Walker Bush.  On the other hand you’ve got a group of caricatures from the likes of Thandie Newton, Scott Glenn, Ioan Gruffudd, Toby Jones, and Jeffrey Wright, among others, all of which seem to belong more on a parody sketch from MADtv than a feature film.

Also, and perhaps more surprising, is that Oliver Stone, the guy who gave us an epic conspiracy in JFK and the foibles which brought down a president in Nixon, doesn’t have much to say about W.

Stone’s basic premise is George is a dumbshit with a daddy complex better suited to be a used car salesman who became president.  That’s not exactly breaking news.  And although there are some good scenes throughout the film, Stone doesn’t really offer much insight into the character as he’s too busy poking fun at everyone involved.

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