Carey Mulligan

• Title: Promising Young Woman
• IMDb: link

Referring to Promising Young Woman as revenge porn may be apt, but it’s also doing writer/director Emerald Fennell‘s devilish film a disservice. Mixing revenge, genuine dramatic underpinnings, and a dark sense of humor, the story twists and turns to squealish delight. Once promising medical student Cassie (Carey Mulligan) now lives with her parents and serves coffee at a small café. And in her spare time she targets men who take advantage of women in compromising positions.

Fennell is careful early on not to show us too much of Cassie’s tactics after she’s sprung her trap, allowing our imaginations to fill in the blanks about what this woman is up to as well about the reasons driving her behavior. The later is hinted at as the script drops breadcrumbs before confirming the events which led to Cassie leaving school. Cassie’s more general attacks become focused as she targets those connected to medical school (Adam Brody, Alison Brie, Connie Britton, and Alfred Molina). However, her plans are complicated by her first relationship in years and a boyfriend (Bo Burnham) who causes her to question the dark turns her life has taken.

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• Title: Inside Llewyn Davis
• IMDB: link

Over the years the Coen Brothers have used setting, music, and tone to tell a variety of tales. Lacking the broad comedic strokes of Burn After Reading or the darker undertones of No Country for Old Men and their True Grit remake, the brothers’ latest is a more straightforward and personal character study of life of a struggling artist. Thinking over their filmography you can say the Coens have produced funnier, stranger, more disturbing, and perhaps even more memorable films, but this immersive drama ranks as one of their best.

Set primarily in the Greenwich Village folk music scene of 1961, Inside Llewyn Davis follows the life of Llewyn Davis (Oscar Isaac), a known and liked (or at least tolerated) folk singer in his small circle and a real son of a bitch to nearly ever single person he knows. Over the film’s 105-minute running-time we witness Davis nomadically travel with his guitar, a carton of unsold records, and a friend’s cat as his only prized possessions.

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