Clint Eastwood

J. Edgar

/ / Movie Reviews
  • Title: J. Edgar
  • IMDb: link

j-edgar-poster

For his latest film director Clint Eastwood teams up with Milk writer Dustin Lance Black to examine the life of one of the 20th Century’s most famous, and infamous, men ever employed by the United States Government – J. Edgar Hoover. Eastwood and Black offer us a Hoover who was a fascinating figure, a great American, and a deeply flawed human being unprepared to deal with his own paranoia, latent homosexuality, and the eventual wealth of power he possessed as the first Director of the Federal Bureau of Investigation.

As with many biopics, the story is told through a series of flashbacks as Hoover (Leonardo DiCaprio) goes over his experiences with a series of writers working on his autobiography. The film begins with Hoover’s early days with the agency, his promotion, and the ruthlessness he used to move the F.B.I. into the 20th Century by incorporating new techniques such as fingerprint analysis and forensics into police work and changing the image of government agents in the public’s perception. He also managed to blackmail a great many people.

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Hereafter

/ / Movie Reviews
  • Title: Hereafter
  • IMDB: link

“How we deal with death is at least as important as how we deal with life, wouldn’t you say?”
-James T. Kirk

When I first heard the concept behind Clint Eastwood‘s latest film, Hereafter, I was confused. I wondered why Eastwood was taking on a project that seemed more suited to M. Night Shyamalan. Although ghosts play a role, the film is far from a ghost story. Instead, what Eastwood and screenwriter Peter Morgan deliver is a drama focused on how death touches, and changes, the lives of three disparate individuals.

The film is structured as three separate tales which will inevitably weave together in the final act. A French newswoman (Cécile De France) deals with the consequences after a near-death experience. A young child attempts to move on after death of his twin brother (both parts are played by Frankie McLaren and George McLaren) and the separation from his mother (Lyndsey Marshal). A psychic (Matt Damon) who has renounced his gift with communicating with the dead is pressured by others to use his abilities.

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Invictus

/ / Movie Reviews
  • Title: Invictus
  • IMDB: link

Invictus is a project Morgan Freeman has been trying to get off the ground for more than a decade. Although I think it’s a quality film, and the story is definitely worth telling, I can certainly see why it took this long for the film to get made. It feels at least one more rewrite away (the script was adapted from John Carlin‘s book by Anthony Peckham) from cashing in on its full potential.

Invictus centers around an event, the 1995 Rugby World Cup. The focus is split between that of the newly elected President Nelson Mandela (Freeman) and the captain (Matt Damon) of the South African Rugby team, the Springbok.

The film certainly captures the importance of the event and what it meant to a new South Africa coming out of the days of apartheid. It also succeeds in demonstrating the change in attitude of the South African people to the team, and effectively spotlights how sports can truly unify people in a very unique way.

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Gran Torino

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  • Title: Gran Torino
  • IMDB: link

gran-torino-posterGran Torino isn’t a bad way for Clint Eastwood the actor to go out (if this is indeed his last starring role), but Eastwood the director lets us down. Walt (Eastwood) is s a recently widowed grumpy old racist living in a neighborhood which has been taken over by the large immigrant population he refers to throughout the film as “gooks,” “chinks,” “zipperheads,” “barbarians,” and other terms of affection. Charming.

Walt is inconvenienced further when he becomes intertwined in the lives of his neighbors, a Hmong family, when the young boy (Bee Vang) is recruited by a local gang to steal Walt’s 1972 Gran Torino. Against his better judgement Walt takes the kid under his wing, finds him a job, and even helps out his sister Sue (Ahney Her) when she gets accosted on the street.

I could go into further detail about the other storylines involving a persistent priest (Christopher Carley) and Frank’s sons and grandchildren with whom he has nothing in common, but each are so predictable simply vaguely mentioning them is all that’s necessary.

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Changeling

/ / Movie Reviews
  • Title: Changeling
  • IMDB: link

“Miss Collins, if that’s your son I’ll eat my yardstick.”

Based on a true story the film, set in Los Angeles of the 1920’s, tells the tale of Christine Collins (Angelina Jolie) and her missing son.

When the police reunite her with who they believe to be her son Collins quickly finds plenty of evidence to support her own feelings that this boy is not Walter.  Attempts to get the police to acknowledge their mistakes fall on deaf ears and eventually Collins is thrown into an asylum for her “irrational” behavior.  Cue the inevitable electro-shock scene.

Director Clint Eastwood gives us a terrific looking picture filled with crazy and bizarre events.  However the film’s mood is never quite right and many of the disturbing events, such as the inane explanations in the change of Walter by the officer in charge (Jeffrey Donovan) and a doctor (Peter Gerety), come off silly rather than menacing.

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