Sheldon‘s (Jim Parsons) breakthrough scientific discovery goes to his head, but once he discovers the mistake in his work that led to the discovery completely by chance, rather than his self-pronounced brilliance, the scientist becomes obsessed with accepting no credit for his remarkable discovery.
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The Romance Resonance Read More »
Filmed over the period of 12 days in director Joss Whedon‘s home, Much Ado About Nothing is a low-key character-driven of version of William Shakespeare’s play that comes off quite different than the far more lavish version Kenneth Branagh dazzled audiences with two decades ago.
Set in present day, shot entirely in black-and-white, and filled with performances of several of Whedon’s favorite actors, it could be easy to dismiss the film as a vanity project. To do so would be a mistake.
The film casts two of my favorite Whedon actors in Alexis Denisof, as the quick-witted Benedick, and Amy Acker, as the sharp-tongued Beatrice. Having spent many a night in Shakespeare readings with Whedon, as well as the time together on Angel, the pair have an obvious comfort level and chemistry that would impossible to create with such a short shooting schedule.
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Sydney (Sarah Michelle Gellar) cancels her forced vacation with a lesbian adventure club in Hawaii to help Simon (Robin Williams) lead the rest of the staff in an 11th hour strategy session to come up with a campaign for breakfast burritos. However, the team quickly gets offtrack with any distraction they can find including Lauren’s (Amanda Setton) poetry and discoveries that Andrew (Hamish Linklater) is back with his crazy ex and Zach (James Wolk) is dating a woman he actually cares for.
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Spending a little too much times with friends and loved ones is the theme of the latest episode as Sheldon (Jim Parsons) awlkwardly attempts to readjust to the new status quo when Amy (Mayim Bialik) takes a job at the university and Howard (Simon Helberg) begins sleeping on Raj (Kunal Nayyar) couch after a fight with Bernadette (Melissa Rauch) once his wife overhears his advice to Sheldon about never wanting to work with your significant other.
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The test group data for an Allstate commercial based on Sydney’s (Sarah Michelle Gellar) real-life driving experiences with her father reveals Simon’s (Robin Williams) unusual parenting habits have at times left his daughter traumatized. Upset by both the fact that others viewed the father in the commercial as a bad dad and the fact that his daughter has never learned to properly drive a car, Simon decides to rectify the situation by offering Sydney a far calmer driving lesson.
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