Daniel Day-Lewis

From A to Z – The Top Ten Movies of 2012

by Alan Rapp on December 28, 2012

in Top Tens & Lists

2012 turned out to be a pretty darn good year at the movies. There were two films which I gave perfect scores to this year, one of which the majority of the country won’t be seeing until early next year. I’m breaking my own rule of including it on the list, but we’ll get to that in a moment. Between these two films, which naturally open and close the list (as it’s presented alphabetically), are eight other films rounding out the class of 2012.

Cutting down my list to ten means I need to speak for a moment on films that barely missed the cut. John Carter was the year’s most under-appreciated film, The Cabin in the Woods turned the horror genre on its ear, Ang Lee delivered an amazing journey with Life of Pi, Wreck-It Ralph was this year’s best animated feature, Safety Not Guaranteed was a terrific little sci-fi flick almost no one saw, and Moonrise Kingdom was director Wes Anderson‘s best film since The Royal Tenenbaums.

Enough with what didn’t make the list, let’s get down to discussing what did:

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Lincoln

by Alan Rapp on November 16, 2012

in Movie Reviews 

  • Title: Lincoln
  • IMDB: link

lincoln-posterDirector Steven Spielberg‘s follow-up to last year’s disappointing War Horse is a far more personal character study of a single man during one of the most tumultuous times in America’s history. Adapted from Team of Rivals: The Political Genius of Abraham Lincoln, rather than give us a Hollywood version of “This is Your Life,” Lincoln chooses to focus on the final four months of Abraham Lincoln‘s presidency and the end of both the Civil War and slavery.

Daniel Day-Lewis carries the movie with yet another strong performance as our title character, and Sally Field is surprisingly terrific in the role of Mary Todd Lincoln. Although there is more going on, much like Paul Thomas Anderson‘s The Master, Spielberg’s movie can really be boiled down to two performances that elevate the story around them.

Tony Kushner‘s script focuses on the law, backdoor politics, and Lincoln’s struggle to reunite the Union and abolish slavery rather than the Civil War, which is only used as a backdrop to the events occurring in Washington D.C.

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