Drama

United 93

  • Title: United 93
  • IMDb: link

United 93 is an interesting and captivating film without actually haviing much to say about the 9/11 terrorist attack.  In many ways it can be compared to your average action/thriller but because the events that it deals with are both factual and terrifying one would thing it would try a little harder to be more.

The film isn’t an analytical look examining the causes and effects of the event.  Nor is it a character study as it never stays with any character long enough for us to distinguish one from the other (we don’t even get their names).  Nor does the film try to put the events into a historical perspective.

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Schlepgirl

  • Title: Shopgirl
  • IMDb: link

ShopgirlSteve Martin’s novella might be a wonderful story but you’d have a hard time convincing anyone of that after they see this pretentious and emotionless thud of a movie.  This movie is a mess of bad direction, odd editing, and both over the top and totally unemotional acting.  One of the biggest disappointments of the year.

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Heads You Live, Tails You Die

  • Title: Domino
  • IMDb: link

What an entertaining ride.  Although rather messy and with more than a couple of flaws, Domino delivers one of the most enjoyable and watchable films this year.  Comparison to Tarantino’s Kill Bill are probably inevitable, but this is a far superior film with actual heart.  And damn, is it fun!!

Domino Harvey (Keira Knightley) is a glamour girl with a thirst for violence turned bounty hunter.  As the film opens Domino is in custody telling FBI Agent Taryn Miles (Lucy Liu) discussing what went wrong and landed her handcuffed in the interrogation room.  Something horrible happened on the last bounty and the movie is a series of flashbacks inter-cut with Knightley telling her story and finding her own understanding of what happened out in the desert.

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It’s Hard Out Here for a Pimp

  • Title: Hustle & Flow
  • IMDb: link

Can a you root for a pimp?  The answer Hustle & Flow gives is a resounding yes.  Djay isn’t a bad man, just one who is stuck in a life he never really wanted and wishes to live out his lifelong dreams.  Well, that’s a pretty universal story I think most people will be able to relate to.

Djay (Terrence Howard) is a middle-aged pimp who treats his hookers better than some parents treat their children.  Djay’s main source of income is Nola (Taryn Manning) the skinny young ghetto white girl who he pimps out of his car.  Also part of his family are hookers Shrug (Taraji P. Henson) who is pregnant and the loudmouthed Lexus (Paula Jai Parker).  Djay waxes nostalgic daily about life and dreams about becoming a rap star.

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We Crash Into Each Other

  • Title: Crash
  • IMDb: link

crash-posterIntertwining tales of violence and bubbling racial tensions crash into each other as residents of L.A. deal with issues of hate, bigotry, and racism that present themselves sometimes subtly and sometimes not-so-subtly throughout the course of the film.  Crash tries to show how many people live their lives with certain ideas and notions that they might not even be aware of until they are forced to confront them.  Many people won’t like the film for it’s bleak look at the human condition, but in examining this small group of people the film works for me as it shows how easily ill-will and prejudice can be passed on from one person to the next through angry or hateful exchanges.

There is a cop (Don Cheadle) who is sleeping with his partner (Jennifer Esposito) and dealing with a drug addict mother and a younger brother (Larenz Tate) who likes to carjack white folks with his friend (Ludacris).  The car they choose one night belongs to the District Attorney (Brendan Fraiser) whose wife (Sandra Bullock) is tramatized by the incident and takes it out on her husband and the Hispanic (Michael Pena) locksmith they hire to change the locks who she takes for a gangbanger and has an Iranian customer (Shaun Toub) who thinks he is ripping him off and then when his shop gets robbed he takes the gun his daughter (Bahar Soomekh) bought him and searches for revenge.  Then there’s the racist cop (Matt Dylan) who can’t get his father the health care he needs and takes it out on a young black couple he pulls over (Terrence Howard and Thandie Newton) to the disgust of his partner (Ryan Phillipe).

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