Emma Roberts

We’re the Millers

  • Title: We’re the Millers
  • IMDb: link

We're the MillersDespite boasting four separate screenwriters who cobble together a script which teases (but doesn’t really deliver) an attempt to be edgy and cool, We’re the Millers is your predictable raunchy comedy featuring three unlikable characters and one idiot who all learn important life lessons before the credits roll. The result is an occasionally amusing by-the-book flick that’s far less cool than it wants to be.

Jason Sudeikis stars as a low-rent drug dealer who needs to come up with some cash fast after he’s robbed while trying to help out his dimwitted neighbor Kenny (Will Poulter). Owing nearly $50,000, his drug-dealing boss (Ed Helms in a role that requires him to be both funny and scary, only one of which he pulls off) offers David (Sudeikis) a way out by taking a trip down to Mexico and bringing back a small load of marijuana over the border. With no choice, David enlist the help of Kenny, a homeless girl (Emma Roberts), and a stripper (Jennifer Aniston) to pose as his family and help him drive the RV chock full of drugs back into the United States.

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Lymelife

  • Title: Lymelife
  • IMDb: link

lymelife-poster

One of the issues you often run into with films made by first time directors is a film that never quite comes together. Lymelife, written and directed by Derick and Steven Martini, does quite a bit right but also falls into a few traps that more seasoned directors could have avoided. It’s not a bad film, however it’s pretty uneven. That’s not to say I’m calling this one a pass. There’s an awful lot happening here, and although some might have grown tired of the sub-genre of quirky little suburban independent films, it’s still worth a look.

The film centers around two dysfunctional families. The Bartlett’s are doing well, at least from the outside looking in. Mickey (Alec Baldwin), the family’s breadwinner, is the envy of everyone else except perhaps his wife (Jill Hennessy) who seems to breathe a passive-aggressive hatred that it turns out is more than warranted.

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