Tim Burton’s Dumbo
- Title: Dumbo (2019)
- IMDb: link
Love him or hate him, words you don’t usually hear to describe filmmaker Tim Burton are the exact same adjectives which are impossible not to use in talking about the latest Disney live-action remake of one of their animated classics. Burton has delivered a number of memorable films, and when he has failed he has often failed in spectacular fashion. Dumbo isn’t bad, but it’s bland, safe, unoffensive in the extreme, and utterly forgettable. Don’t get me wrong, Dumbo is an okay way to while away a lazy afternoon. The CGI of the title character is impressive, and the performances from the human cast are more than adequate. There’s just not much Disney magic this time around. And since Dumbo never talks, he comes off more of a trick dog than a fully fleshed-out character.
Making the choice that animals don’t talk, to humans or each other, necessitates a rather large change from the original animated film. In the new version, Dumbo’s path from freak to star attraction comes at the assistance of two human children (Nico Parker and Finley Hobbins) and their father (Colin Farrell), recently returned from WWI to the travelling circus run by Max Medici (Danny DeVito).
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