Heist

To Catch a Thief (Special Collector’s Edition)

  • Title: To Catch a Thief
  • IMDb: link

“I’m in love with you.”
“Now that’s a ridiculous thing to say.”

To Catch a Thief (Special Collector’s Edition)

A new string of burglaries along the French Rivieria prompt police to suspect the notorious John Robie (Cary Grant) has returned to his life of crime. The trouble is Robie is innocent. However no one, not the police nor his former friends, will believe him. With the help of an insurance agent (John Willliams) Robie hatches a plan to catch the thief in the act and clear his name.

Our retired thief cleverly insinuates himself into the lives of a wealthy widow (Jessie Royce Landis) and her beautiful daughter Fraces (Grace Kelly) knowing that their jewels will be on the list of the imposter. What he doesn’t anticipate is Frances recognizing him as the Cat and still being attracted to him.

In terms of enjoyment and escapism there are few films as well made as this one.  Though not on the level of some of Alfred Hitchcock‘s more important films like Psycho or Rear Window (also starring Grace Kelly, read that review) aside from North By Northwest it’s the most fun film the great director ever made.

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Killjoys – Heist, Heist, Baby

  • Title: Killjoys – Heist, Heist, Baby
  • wiki: link

Killjoys - Heist, Heist, Baby television review

Unaware of the chaos aboard the Hullen ship where Aneela (Hannah John-Kamen) is desperately searching for Delle Seyah Kendry (Mayko Nguyen) and consumed with taking back control of the green, the Killjoys come up with a plan to even the odds against their enemy. However, they’re going to need some unusual tech to do so. Buying some information off some less-than-trustworthy allies who end up betraying them, Dutch (John-Kamen), Johnny (Aaron Ashmore), and D’Avin (Luke Macfarlane) head out to steal a sonic amplifier and, as usually happens wit the Killjoys‘ plans, things go wrong rather quickly.

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Baby Driver

  • Title: Baby Driver
  • IMDb: link

Baby Driver movie reviewWritten and directed by Edgar Wright, Baby Driver is a fast-paced crime thriller overfilling with plenty of humor and music. Centered around a getaway driver named Baby (Ansel Elgort) attempting to pay-off a debt to local gangster (Kevin Spacey), the film is a mix of over-the-top action and characters and much more realistic violence and emotion. At times Wright struggles balancing the two sides of the film, especially in the final act which drags on with multiple epilogues, but when it works it’s a joy to behold.

With Baby driving for Doc’s (Spacey) crew on multiple jobs, we meet an assortment of criminals including the romantic pair of Buddy (Jon Hamm) and Darling (Eiza González), Griff (Jon Bernthal), and Bats (Jamie Foxx). We also learn while others are quick to underestimate Baby, there’s more going on with the young man who drowns out the noise of the outside world with his constantly playing iPod than meets the eye. We meet his foster father Joseph (CJ Jones), while seeing tragic flashbacks to his mother (Sky Ferreira) and father (Lance Palmer), and are introduced to Baby’s new love interest in the beautiful waitress Debora (Lily James).

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Rocket #1

Rocket #1 comic reviewThere’s quite a bit of set-up in the first issue of the new series starring one of the Guardians of the Galaxy‘s most notorious (and furriest) members. Savoring a few drinks in one of the galaxy’s lower-rent bars, a ghost from Rocket Raccoon‘s past walks back into his life with a sob story and a proposition. Unsure whether or not he can trust Otta Spice, who already sold him up the river once to save herself, it takes a bit of convincing to push Rocket out of his drunk reverie and into action to put together an alien crew for a heist.

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Supergirl – Star-Crossed

  • Title: Supergirl – Star-Crossed
  • wiki: link

Supergirl - Star-Crossed television review

The arrival of Mon-El‘s (Chris Wood) parents on Earth reveals his princely secret to Kara (Melissa Benoist) causing an immediate strain on their relationship. Kara’s unwillingness to forgive either his lies or the fact that Mon-El is the prince of a society which is the antithesis of her Kryptonian heritage and ideals appears to have ended the relationship before it began in earnest. While the show enjoys some fan casting here with Teri Hatcher cast as Mon-El’s mother, the role doesn’t really allow her to do much (and unfortunately also doesn’t bring her into contact with her former Lois & Clark co-star). While she’s good, and has one nice one-on-one scene with Kara, I would have preferred the show given her something more to do. Apparently she and Kevin Sorbo will be sticking around for at least one more episode so maybe there’s more to come.

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