Horror

That Laughter You Hear is a Bad Omen

Wow, I didn’t know this was going to be a comedy.  John Moore’s remake of the 1976 horror flick The Omen is laughably, hilariously, uproariously bad.  It’s so impossible to take seriously you’ll find yourself (when you aren’t bored to tears) giggling and chuckling your way through this unmitigated disaster. 

The Omen
1 Star

I believe that any movie that kills off Julia Stiles can’t be all bad but this one certainly tries its darnedest to prove me wrong.

I must first start off with describing the opening scene of the film where the Pope (Bohumil Svarc) is shown omens coming to pass that lead the church to believe the Anti-Christ is about to be born.  The PowerPoint presentation (your groan here) involves images of comets and other signs including real images of the attack on the World Trade Center and the effects of Hurricane Katrina (your disgust here).  To call this bad taste doesn’t do the words justice.

The story, for those of you who don’t rember the orginal, involves a young couple Robert Thorn (Liev Schreiber) and his wife Katherine (Julia Styles).  The child Katherine gives birth to dies but Robert is approached by a priest who offers to substitute another child in his place.  And so young Damien (Seamus Davey-Fitzpatrick) comes home with the Thorns who begin to rise in the world of politics and power immeadiately.

 

Then on Damien’s fifth birthday things go crazy and the Thorns start to slowly come to terms with the fact that their son just might be the devil.  At first Robert can’t accept the fears of his wife but is convinced by a lunatic priest (Peter Postlewaite) and a tabloid photographer (David Thewlis) who insist he kill his son.

The movie is filled with the aburd including Mia Farrow who plays the nanny from hell Mrs. Blaylock.  I can only assume she’s meant to be tempting and menacing but like all the other characters in the film she is neither.  In fact no character in this flick is anything but unintentionally funny and impossible to take seriously.

I’ll give you an example of how the film comes up short.  At one point the characters come to a river covered in fog and make the way across on a small boat with a single robed figure which is obviously a homage to Caron but its done so cheaply and half-heartedly it sinks, like so much in the film, like a lead stone.  The scene isn’t necessary and in fact makes you think of much better films you would rather be watching like Clash of the Titans.  It’s rather sad.

The film’s premise is so off the wall that only in the hands of a very good director it still would have been a hard sell, and director John Moore just isn’t up to the task.  And so the plot of an evil child that must be killed (in sacrificial manner) before he destroys the world comes off lewd and silly rather than suspenseful or terrifying.

How bad is The Omen?  Well if it weren’t for the many unintentional jokes and the death scene of Julia Stiles (which itself is drawn out to such an extent to squeeze out all the joy) it would be unwatchable.  However despite its limitations it remains a pretty funny example of how far cinema can go off track and crash in spectacular fashion.

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Hard Candy

  • Title: Hard Candy
  • IMDb: link

Hard Candy

A two actor performance piece about a a deranged and vindictive 14 year-old girl and a pedophile. Yeah…you might say this isn’t exactly for everybody. I saw the film in a mostly empty theater during a press screening and I’m pretty sure I would not want to view it in a crowded one. It’s an intensely uncomfortable experience that never quite justifies what it puts the audience through, but there are points to, well not exactly enjoy, but at least appreciate.

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Scary Movie 4

  • Title: Scary Movie 4
  • IMDb: link

Scary Movie 4

Okay, I went to see the first Scary Movie back in 2000 and I laughed, groaned, and winced my way through.  In the end I had a fine time but didn’t feel the need to see the next two sequels.  In watching the fourth film of the “trilogy,” which hits theaters today, I experienced a very strong deja vu reaction.  The parts that work still work and the parts that don’t…. well, still don’t.  Even with it’s flaws, the film does have just enough to offer for me to recommend it.  What, you ask?  Well…

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The Ninth Gate

  • Title: The Ninth Gate
  • IMDb: link

The Ninth Gate

Roman Polanski at his best gave us Chinatown and at his worst gave us PiratesThe Ninth Gate is a great suspenseful mystery as Johnny Depp is thrust into the world of the occult and dark knowledge.  One of Polanski’s, and Depp’s, best films.

The film opens with an older gentleman, Andrew Telfer (Willy Holt), just finishing his affairs one evening.  He then gets up from his desk and very matter of fact manner hangs himself from the chandelier of his study.  The camera pans to the books of his study for in this film knowledge can bring both power and death.

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The Exorcism of Emily Rose

  • Title: The Exorcism of Emily Rose
  • IMDb: link

I am hard to please when it comes to horror movies.  I demand them to actually be creepy, scary and suspenseful which 98% of horror movies released these days sadly are not.  My curiosity was aroused from the plot blurb for The Exorcism of Emily Rose, and the actual experience I had viewing the movie was shocking.  Instead of relying on big budget special effects and buckets of blood as so many horror movies try today this film relies on suspense, character, plot, story, lighting, tone, and some of the simplest but most effective special effects I have ever seen in a horror film.  This film is gripping; I wasn’t able to take my eyes off the screen.  Nothing prepared me for what I was about to see.

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