Jason Schwartzman

Asteroid City

  • Title: Asteroid City
  • IMDb: link

Asteroid City

Writer/director Wes Anderson leans into his quirks and fancies in this 1950s live television production of a play set in the fictional town of Asteroid City. We learn very little about the actors themselves. While most of the events take place in the play itself, characters occasionally break the fourth wall revealing themselves to be the production’s actors and occasionally narration will stop to explain information about the play’s writer Conrad Earp (Edward Norton).

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Quiz Lady

  • Title: Quiz Lady
  • IMDb: link

Quiz Lady

Flirting with themes of fandom and family, Quiz Show stars Awkwafina as an isolated young woman whose main pleasures in life are her dog and the popular quiz show she has watched since she was four years-old. Her mother running away from her nursing home, leaving a large amount of debt, and the arrival of her sister (Sandra Oh) will push Anne out of her comfort zone. When her sister takes note of Anne’s quiz knowledge, a plan begins to form for the pair to come up with the cash needed to pay off their mother’s gambling debts to a loan shark (the same one who has stolen Anne’s dog).

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Spider-Gwen: Across the Spider-Verse

  • Title: Spider-Man: Across the Spider-Verse
  • IMDb: link

Hailed by fans and critics as one of the best Spider-Man movies ever created, is it possible the sequel to 2018’s Spider-Man: Into the Spider-Verse is even better? Yes, yes it is. Shifting the focus more on Gwen (Hailee Steinfeld) this time around, giving her equal star treatment along with Miles (Shameik Moore), Spider-Man: Across the Spider-Verse is not only a great super-hero film but throws out the expected battle a new big bad by instead offering an existential discussion on what it means to be Spider-Man.

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The French Dispatch

  • Title: The French Dispatch
  • IMDb: link

Writer/director Wes Anderson‘s latest is a quirky ensemble piece set around the final issue of the fictional French Dispatch circular from the Liberty, Kansas Evening Sun in which each of the magazine’s stories, all taking place in and around the equally fictional town of Ennui-sur-Blasé, are acted out for the audience. The reason for the final issue is the unexpected death of its editor Arthur Howitzer, Jr. (Bill Murray, who appears in flashbacks).

The film starts out strong with Owen Wilson‘s short piece on the town as a bicycling reporter followed by J.K.L. Berensen’s (Tilda Swinton) more lengthy article about a murderer (Benicio Del Toro) finding artistic talent in prison with the help of one of the prison guards (an often nude Léa Seydoux) who becomes his muse. Both Del Toro and Sydoux are terrific here, and Adrien Brody adds some fun as a white-collar criminal who works to try and make money of the talented, but moody, artist.

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Klaus

  • Title: Klaus
  • IMDb: link

Klaus reviewKlaus offers a fun, if a bit predictable, holiday tale that explains various aspects of the Santa Claus mythology when a spoiled postman (Jason Schwartzman) is shipped off to the edge of the world and enlists the help of a hermit named Klaus (J.K. Simmons) to provide toys to the children of Smeerensburg where two rival families have been at odds for generations. While Jesper’s (Schwartzman) motives are originally selfish in terms of bumping up the post office’s numbers to earn a trip back home to the good life, his actions lead to a dramatic change in the town’s children, and eventually their parents.

The pair’s attempt to deliver presents sets the precedent of Santa coming through the chimney, lumps of coal, and a sleigh pulled by reindeer. Klaus works well as a holiday film where both our selfish protagonist and the bizarre city he finds himself exiled to discover the meaning of Christmas. Even the lonely Klaus is helped by Jesper’s schemes, although the story flounders a bit in the final act where Jesper’s motives behind the town’s changes are put into light prior to the inevitable conclusion to the story. Klaus is currently available on Netflix.

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