Josh Brolin

True Grit (2010)

/ / Movie Reviews
  • Title: True Grit
  • IMDB: link

More than four decades ago John Wayne won an Academy Award for his performance in True Grit as the drunken U.S. Marshall hired by a young woman to track down the man responsible for killing her father. It would be the first, and only, time the actor would take home an Oscar.

Deciding to remake the film, the Coen brothers went back to the original novel by Charles Portis to give us their reinterpretation of the story. The result is the brothers most mainstream film to date: a traditional western filled with strong performances and splashes of the filmmakers’ trademark wit.

The film begins and ends with the narration (provided by Elizabeth Marvel, who plays the character in later scenes) of Mattie Ross (Hailee Steinfeld), who at the age of 14 travels to collect the body of her recently deceased father and hire a bounty hunter to track down his murderer (Josh Brolin).

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Milk

/ / Movie Reviews
  • Title: Milk
  • IMDB: link

“I’m Harvey Milk and I’m here to recruit you.”

Sean Penn stars as Harvey Milk, a businessman from New York who would struggle for years in an attempt to become San Francisco’s first openly gay elected official.

The film follows the failed campaigns and the process of organizing and entire community into public activism.  Director Gus Van Sant also spends considerable time on Harvey’s friendships and love life, giving us a complete picture of the man from his days before politics to his untimely end.

Penn is terrific as the lead.  Emile Hirsch, James Franco, Diego Luna, and Alison Pill all put in strong performances as the constellations which revolve around Hervey’s world.

Van Sant does a good job in showing us how Harvey related to the rest of the world.  Although the big public moments are meant to get your attention, its the quieter and more intimate ones that are more memorable.  Though those uncomfortable with gay relationships might want to steer clear of this one.

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Dubya

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  • Title: W
  • IMDB: link

“Any kind of government will do, as long as it’s a democracy.”

Oliver Stone‘s biopic on George W. Bush (Josh Brolin) is a bit of a mixed bag.  On one side you have a terrific lead performance by Brolin and strong performances by Elizabeth Banks as Laura Bush and James Cromwell as Geroge Herbert Walker Bush.  On the other hand you’ve got a group of caricatures from the likes of Thandie Newton, Scott Glenn, Ioan Gruffudd, Toby Jones, and Jeffrey Wright, among others, all of which seem to belong more on a parody sketch from MADtv than a feature film.

Also, and perhaps more surprising, is that Oliver Stone, the guy who gave us an epic conspiracy in JFK and the foibles which brought down a president in Nixon, doesn’t have much to say about W.

Stone’s basic premise is George is a dumbshit with a daddy complex better suited to be a used car salesman who became president.  That’s not exactly breaking news.  And although there are some good scenes throughout the film, Stone doesn’t really offer much insight into the character as he’s too busy poking fun at everyone involved.

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No Country for Old Men

/ / Movie Reviews
  • Title: No Country for Old Men
  • IMDb: link

“It’s a mess ain’t it sheriff.”
“If it ain’t it’ll do ‘til the mess gets here.”

no-country-for-old-men-poster

Brutally violent, with eloquently scripted dialogue and sumptuously cinematography No Country for Old Men has all the pieces in place for a great film, but although it’s certainly a very good film it loses much of its momentum over the course of its two-hour running time ending with more of a whimper than a bang.

The story begins when Llewelyn Moss (Josh Brolin) discovers the remains of a drug deal gone wrong and finds $2 million in cash.  A moment of conscience leads to him being marked by both sides after the money and LLewelyn sends his wife (Kelly Macdonald) to her mother’s (Beth Grant) as he takes to the road to stay one step ahead of a hitman (Javier Bardem) who knows his name and always seems only one-step behind.

The film begins in terrific fashion and the dialogue is perfect, especially the simple scenes between Llewelyn and Carla Jean (MacDonald).  I wish she had a larger role in the film because the two work so well together.  Bardem puts in a strong performance as the mysterious sociopathic hitman (even if his introduction gets thrown off a bit by some logic problems such as the events which take place in the near-empty police station far too large for the small force).

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