Kerry Condon

Pressure

  • Title: Pressure
  • IMDb: link

Delving into one of the less explored aspects of one of the most covered war moments in history, the script by Anthony Maras and David Haig, based on Haig’s stage play, explores how weather won perhaps the most crucial battle of World War II. Despite it’s slightly unusual subject matter, the structure of the film (involving one lone voice of reason struggling to be heard over the naysayers) is quite familiar.

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F1: The Movie

  • Title: F1: The Movie
  • IMDb: link

A good racing movie can be an awfully fun time at the movies. While not a great film, F1 sticks to the basic formula giving us a gritty old veteran with something to prove, a hotshot rookie who hasn’t broken through, and a racing team outgunned and outmatched that desperately needs a miracle win. F1 may put the formulaic in Formula One, but there’s a reason the formula works as director Joseph Kosinski fits these pieces (and some darn good looking racing sequences – particularly in IMAX) into just the kind of fun summer movie I was hoping for and would make a fun pairing with something like Ford v Ferrari for a racing double-feature which ultimately has something similar to say about racing and the crazy fools who do it for a living.

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The Banshees of Inisherin

  • Title: The Banshees of Inisherin
  • IMDb: link

A musing on loneliness, depression, and the end of a friendship, writer/director Martin McDonagh‘s The Banshees of Inisherin offers stand-out performances from both Colin Farrell, as the dull but otherwise likable enough Pádraic, and Brendan Gleeson as his longtime friend Colm, who announces one day he wants nothing further to do with his best friend and will perform physical harm to himself should Pádraic refuse to leave him alone.

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Three Billboards Outside Ebbing, Missouri

  • Title: Three Billboards Outside Ebbing, Missouri
  • IMDb: link

Three Billboards Outside Ebbing, Missouri movie review

I’ve been waiting all year for a front-runner, a film to set the standard to which every movie that follows will have to try to measure up. I don’t have to wait any longer. Writer/director Martin McDonagh takes us to a little-used patch of road in rural Missouri where the sudden use of three derelict billboards begin to raise the eyes of the local community.

After months of seeing no progress in the investigation into her daughter’s (Kathryn Newton) gruesome murder, Mildred Hayes (Frances McDormand) rents out those three unused billboards to send a message to the community in general and the cancer-stricken Sheriff Bill Willoughby (Woody Harrelson) in particular.

Darkly humorous, yet deadly serious, Three Billboards Outside Ebbing, Missouri is an immensely-watchable and thoroughly-enjoyable film. Filled with flawed, angry, sullen, and sad characters, the film offers no easy answers, no heroes or villains (although Sam Rockwell‘s shit-kicker Southern deputy comes damn close), but just people of varying character doing what they believe is right.

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