Meryl Streep

The Homesman

  • Title: The Homesman
  • IMDb: link

The HomesmanProduced, directed, and adapted from Glendon Swarthout‘s novel by Tommy Lee Jones, The Homesman is an odd little pet project with good intentions which eventually gets away from its creator.

Set in the mid 19th Century, Hilary Swank stars as tough-as-nails 31 year-old spinster Mary Bee Cuddy who would gladly trade a portion of her thriving Nebraska farm for the love of a man. Despite the danger, Cuddy agrees to take three local women (Grace Gummer, Miranda Otto, Sonja Richter) all driven insane by harsh western life back east and deliver them to a preacher who will reunite each with their families. Her time with the woman brings to the surface Cuddy’s own internal struggle to achieve the kind of life expected of her complete with husband and children.

As a companion she selects a surly claim jumper named George Briggs (Jones) who she saves from the noose and agrees to pay $300 dollars at the completion of their journey. Despite being the best thing about the film, Swank’s character is eventually overshadowed by Briggs whose madness and antics eventually take over the film.

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August: Osage County

  • Title: August: Osage County
  • IMDb: link

August: Osage CountyAin’t family dysfuncion fun? If you could condense a single message from the two-hour running time of August: Osage County this, it appears, is all the film has to say. Having not seen the play of the same name by Tracy Letts I don’t know if the source material was any deeper, but since Letts alone adapted the play for the big screen I’m betting he didn’t make many significant changes.

The movie’s plot centers around the various troubled, bitchy, deceitful, and argumentative women of the Weston family who all return home to (theoretically) help their cancer-ridden mother (Meryl Streep) after their father (Sam Shepard) runs off and leaves her only a Native American nurse (Misty Upham) for support, because apparently Indians and racially-inappropriate comments from seniors are hilarious.

What follows, of course, is a series of fights, disagreements, the airing of family laundry and secrets, and the long overdue discovery by the entire group that they are all far better off separated by great distances.

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The Iron Lady

  • Title: The Iron Lady
  • IMDb: link

the-iron-lady-poster

The Iron Lady is as perplexing as it is forgettable. Coming off like a sanitized made-for-TV film that was given a bigger budget once it landed arguably the greatest living actress, the film is centered around some of the least important moments of one of the most important British politicians of the 20th Century. Like I said, perplexing.

In her waning days, after losing her husband, Margaret Thatcher (Meryl Streep) looks back on her career as she rose to power as Britain’s first female Prime Minister during one of the country’s most tumultuous periods. Despite detractors, and the fact that many of her monetary policies helped lead to high unemployment and social unrest (some of which is still felt today), the film certainly takes a pro-Thatcher stance.

The strangest choice the film makes is to center so much of the story around Thatcher’s days after her years in office. Yes we get flashbacks of her days in office, but except for a segment of the the film that deals with the Falklands War, they are short, fragmented, and don’t fit together all that well.

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It’s Complicated, clichéd, and forgettable, but not awful

  • Title: It’s Complicated
  • IMDB: link

Not everything released around Christmas is Oscar-worthy. Now, It’s Complicated certainly has some talent. Meryl Streep collects awards like I do comics, and Alec Baldwin (as I have often said before) just reading a phone book can be funnier than almost everyone else on the planet.

This new rom-com from writer/director Nancy Meyers (The Holidaywhich I liked, What Women Want – which I didn’t) is exactly what you’d expect going in. Thankfully there’s enough humor that guys won’t have to struggle too much when they’re dragged by their better halves to see this over the holiday weekend.

Love the second time around is a complicated business, or so the film tells us. Divorced for ten years, emotions resurface for Jane (Meryl Streep) and Jake (Alec Baldwin) while attending their son’s (Hunter Parrish) college graduation.

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Fantastic Mr. Fox, Simply Fantastic

  • Title: Fantastic Mr. Fox
  • IMDB: link

I’m far from director Wes Anderson’s biggest fan. Although I enjoyed The Royal Tenenbaums (and to a lesser extent The Darjeeling Limited), in my opinion, most of his work seems to value style over, and sometimes at the cost of, substance.

Anderson’s latest Fantastic Mr. Fox is a stop-motion animated adaptation of Roald Dahl’s book about a fox fighting his own nature to steal from the wealthy farmers Boggis (Robin Hurlstone), Bunce (Hugo Guinness) and Bean (Michael Gambon), and provide his family with what he feels they deserve.

And, I must admit, it’s really, really good. In many ways the film is a perfect fit for Anderson and merge of its offbeat humor with his own. The stop-animation allows the director to play to his strenghts and design a a complete world. And as a book the story is naturally divided into the kinds of chapters Anderson enjoys breaking his film into (here he even provides titles for each).

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