Rio
- Title: Rio
- IMDB: link
Rio is by all accounts a very traditional animated feature. We get likable stars in the form of cute animals, a few big musical numbers, stories centered around friendship and true love, and even a menacing villain or two. Although the film doesn’t stray too far off the path of what we’ve seen (many) times before, Rio delivers a colorful film and its share of fun.
The story centers around Blu (Jesse Eisenberg), a domesticated Spinx Macaw who never learned to fly. Blu travels from his cozy home in Minnesota to the Brazilian wilderness with his owner Linda (Leslie Mann) when an ornithologist (Rodrigo Santoro) convinces them to help save Blu’s endangered species.
I would have liked to have seen more of Linda and Blu’s life together in Minnesota. After a brief introduction, we only get a montage of the two growing up together and then a single scene before moving onto to their adventure. Although the film has plenty of relationships, this is the one that held the most promise, and is sadly interrupted by the series of events which follow.
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It’s been awhile. For more than a decade Disney has been, well, very un-Disney. In many ways, with the latest animated feature, the company returns to the roots. We’ve got a classic tale, a princess (of sorts), talking animals, big musical numbers, true love triumphant, a wicked villain, and a curse.
Fame is fleeting and, by itself, unsatisfying. So what are we to conclude about a group of kids chasing a dream, not of being a great singer, dancer, or musician, but only trying to grab the spotlight for themselves?
Bandslam is a cliched, hackneyed, overdone, montage-filled paint-by-numbers tale of teenage angst, love, lessons about life, and triumph.