Musical

I Quickly Grew Disenchanted With This Sequel

  • Title: Disenchanted
  • IMDb: link

The follow-up to 2007’s Enchanted is the kind of middling Disney sequel you often expect from the studio outside of its Pixar theatrical properties. Amy Adams and Patrick Dempsey return as Gisele and Robert moving to the suburbs with teen daughter Morgan (now played by Gabriella Baldacchino) and baby Sofia. Despite her hopes of finding a magical new start in the suburbs, the family struggles in their new home leading to Gisele to make a wish turning the entire town into a fairy tale.

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Monster High: The Movie

  • Title: Monster High: The Movie
  • IMDb: link

Based on the 2010 doll franchise that’s spawned various web-series, novels, and video games made over the years, Monster High: The Movie introduces us to half-human Clawdeen Wolf (Miia Harris) who after being sheltered in the human world is now a Freshman at Monster High where she must hide her human heritage or face expulsion which becomes more difficult when her monster side begins disappearing during times of stress.

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Sing 2

  • Title: Sing 2
  • IMDb: link

The sequel to 2016’s fun, but largely forgettable, animated musical returns the core cast (Matthew McConaugheyReese WitherspoonScarlett Johansson, Jennifer SaundersTori KellyTaron Egerton, and Nick Kroll) to follow their dreams again, this time to the big city where the execs (Bobby Cannavale and Chelsea Peretti) are only interested in them if they can get legendary rock star Clay Calloway (Bono), who no one has seen in 15 years since the loss of his wife, as part of the show. Joining them this time around are street-dancing lynx (Letitia Wright) who teaches Johnny, an elephant ice-cream vendor (Pharrell Williams) who catches the eye of Meena, and a self-centered yak (Eric André).

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Elvis

  • Title: Elvis
  • IMDb: link

No one can be told what Elvis is. You must see it for yourself. Now, to be clear, I cannot recommend Elvis to anyone. That said, I selfishly want people to see one of the most bizarre movie experiences I have ever had in a theater, if only so I can discuss what I still can’t quite put into words. What I witnessed, nearly three hours worth, simply defies description. It’s a mesmerizing train wreck of a film that makes psychotic choices in character, tone, and plot with disastrous results. And, yet, I couldn’t look away.

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Josie and the Pussycats

  • Title: Josie and the Pussycats
  • IMDb: link

“Du Jour means seat belts.”

I’m still waiting for a Du Jour spinoff. Even 20 years after its release, 2001’s adaptation of the Archie Comics series and the Hanna-Barbera cartoon is simply a delight. A satirical take on pop culture and consumerism underneath a tale of a band’s meteoric rise to the top of the pop charts, Josie and the Pussycats was well before its time carving out a cult status in the years since its lukewarm reception in theaters.

Following the plane crash of the delightful boy band Du Jour (Donald Faison, Seth Green, Breckin Meyer, and Alexander Martin), who discover something unexpected when listening to their latest mix tracks, their manipulative promoter (Alan Cumming) seeks another band to hide subliminal messages within their music and so we meet the Pussycats: Josie (Rachael Leigh Cook), Melody (Tara Reid), and Val (Rosario Dawson).

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