Malice
- Title: Malice
- IMDb: link

1993’s Malice is your typical thriller, except for the fact that everyone involved isn’t typical at all. Written by Aaron Sorkin (The West Wing, The Newsroom, and Sports Night) and Scott Frank (Out of Sight, the underrated Heaven’s Prisoners, and The Lookout) and starring Alec Baldwin, Nicole Kidman, and Bill Pullman, the story takes an expected number of twists and turns down a dark road until the truth is fully revealed. And you also may have heard of its cinematographer Gordon Willis who shot a little series known as The Godfather Trilogy.
The story centers around a young couple (Pullman and Kidman) whose lives are shattered when their friend (Baldwin) operates on her making a mistake in surgery that costs her the ability to have children. The fallout for the couple and the doctor leads to grief, a lawsuit, and the husband to begin looking into a situation that he discovers is far more complicated than he ever imagined.
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To help promote her new movie 
As a critic I’ve seen my fair share of romantic comedies over the years. Some are cute, some are sweet, some are funny, and far too many that are dumber than the celluloid on which they’ve been shot.
Is there anything worse than the loss of a child? Adapted from his play, writer 
Australia is a mess; it’s at times a pretty mess, but a mess nonetheless. The seemingly endless tale of a dover and an aristocrat, and a Aboriginal child, and an evil cattle baron and his evil assistant, of cattle drives and social conventions, and so much more, would have been better suited for a mini-series than a single feature film. Instead we get at least 12 hours of plot cut together into a 3 hour movie. The result is less than spectacular.