In West Canaan, Texas a back-up quarterback who cares more about his friends and his Ivy League scholarship than the weekly game gets thrown into the spotlight after the starter goes down. Earning more than three times its budget and holding the #1 spot at the box office for two weeks in January of 1999, Varsity Blues may not have been a runaway hit, but it did well enough to catch interest.
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The latest entry is neither the best (Fast Five) nor the worst (2 Fast 2 Furious) of the franchise. Taking place after the events of Fast & Furious 6, Furious 7 introduces Deckard Shaw (Jason Statham) as the brother of Owen Shaw (Luke Evans), who the team took down in the last movie, and the man responsible for killing Han (Sung Kang) in The Fast and the Furious: Tokyo Drift. Now Shaw is targeting Hobbs (Dwayne “It’s Okay to Call Me The Rock Again” Johnson) and every member of Dominic Toretto‘s (Vin Diesel) team.
Despite Paul Walker‘s death during filming, Brian O’Conner‘s role in the film isn’t truncated thanks to the use of CGI and a little trick photography involving his two brothers. The film ends with a nice farewell for its fallen star although, despite discussion of making more Fast & Furious films, the character isn’t killed off on-screen making you wonder what kind of role Brian could possibly play going forward.
As with all the previous movies, the strengths of the latest film are its stunts which get larger and more ridiculous. Like the last film, this one stretches all credibility during its climax.
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When the sixth installment of the Fast & Furious franchise plays to its strengths (fast cars, good cinematography, beautiful women kicking butt, and some terrific action sequences) it works well. Sadly, we are also forced to sit through the franchise’s usual hamfisted attempts at dramatic tension and clichéd (not to mention extremely corny) dialogue which give us a mopey Vin Diesel for the first half-hour of the film and an inexplicable subplot involving Paul Walker in prison that doesn’t so much shit in the face of logic as refuse to exist the concept exists at all.
Director Justin Lin reassembles the team from the last film as Hobbs (Dwayane “It’s Okay To Call Me The Rock Again” Johnson) recruits Toretto (Diesel) and his drivers to take down a mercenary group of high-speed thieves attacking military targets. For Hobbs its about using the lesser of two evils to stop a greater one. For Toretto its about bringing a lost member of his family back home when Hobbs informs him that Letty (Michelle Rodriguez) is alive and working for the murderous leader (Luke Evans) of the group.
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Gangster Squad is an average straight-to-DVD action flick that happens to be set in the 1950’s and boast a cast of actors all of whom are slumming here. Adapted from Paul Lieberman’s book, the film centers around real events in Los Angeles when a select group of cops worked to take down gangster Mickey Cohen (Sean Penn) by any means necessary. And by “adapted” I mean any relation to the events covered in Lieberman’s book (such as who survives and how Cohen was eventually taken down) to screenwriter Will Beall‘s script are likely accidental.
I can only guess director Ruben Fleischer lured the likes of Penn, Josh Brolin, Ryan Gosling, Nick Nolte, and Robert Patrick to the project with the proposal of making something akin to The Untouchables (which this film desperately wants to be compared to). With poorly cast actors, dreadful dialogue, costumes and sets that feel more like costumes and sets than period locations and attire, Gangster Squad couldn’t be further from Brian De Palma‘s terrific film. It’s actually closer to something as completely forgettable as Takers.
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There’s insane and then there’s INSANE. Every time I thought the latest edition of The Fast and the Furious franchise had hit the limits of insanity they proved me wrong and found new ways to defy logic, common sense, and basic laws of nature. There’s a scene in last summer big-budget version of The A-Team where the team attempts to fly a tank that is falling through the air. The last twenty-minutes or so of Fast Five feel a lot like that.
With the exception of Michelle Rodriguez (whose character was killed off in the last installment), Fast Five brings together all the major characters of each of the films and picks up right where Fast & Furious left off with springing Turetto (Vin Diesel) from a prison bus.
Fast Five also gives us a new lawman. After the team is framed from the murder of two Federal Agents (because hunting them down for crimes they actually committed would be silly) the US Government sends the best to bring them in – Dwayne “Now that I’m back in the WWE you can call me The Rock again” Johnson.
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